符号的

In the introduction, the condition of the importation and research of romanticism in Chinese in the first 50 years of the 20th century is reviewed, and there exist two main evils: On one hand, Chinese theorists tend to have some priori knowledge before their study, they always compare the so-called"original state"of romanticism in the western with the modern Chinese romanticism, thus they deny the possibility of Chinese romanticism. Under such condition, no-theoretical system of romanticism appeared in China, we have neither broken away from the hegemony of the western literature, nor have we grasped the modern Chinese romanticism in a whole. On the other hand, we hold a mechanical idea that romanticism develops itself from the conflict with the classicism、the realism、the modernism, so the essence of the romanticism is subjectively and lopsidedly established, that makes the concept of romanticism lose its function as a symbol.

在绪论中，主要回顾了20世纪前50年我国理论界对浪漫主义的引进与研究状况，引出了我们面前对浪漫主义研究中出现的两大弊端：一是理念的先验性，以所谓西方"原汁原味"的浪漫主义理念来比照、言说中国现代浪漫主义文学，从而形成了一种否定现代中国浪漫主义存在的理论倾向，既没有形成象勃兰兑斯对欧洲十九世纪浪漫主义的"本土式"的言说，没有真正摆脱西方文学霸权话语的阴影，形成自己的浪漫主义理论体系，也没有完成对现代中国浪漫主义的整体把握；二是以一种"意图伦理"的姿态，机械地认定浪漫主义是从与古典主义、现实主义和现代主义的冲突中建立起来的，主观而片面地确认中国现代浪漫主义的内涵，使浪漫主义概念越来越混乱而空泛，已经停止履行一个词语符号的功能。

The method of calculating symbolic series Shannon entropy under binary symbolizing regulation was also introduced.

讨论了将时间序列转化为符号序列，即信号粗粒化问题，给出二进制符号化和角区间符号化两种规则，得到了二进制符号化规则下的符号序列 Shannon熵计算方法。

The problem of the former is that China's contemporary art cannot achieve a real height in regard of cultural sense and spiritual expressions if it has not experienced the seedtime of modernism; while the latter's is that the interpretation of Vulgar Sociologism will overrun if the attention to the superficial reality is overemphasized-and that the so-called attention to the reality is nothing but the continuous reduplication of the symbols of reality.

前者的问题是，如果没有经历过现代主义的发展阶段，中国当代艺术不可能在文化意义、精神表达上具有真正的高度；后者的问题是，如果片面强调对表层现实的关注，则必然在庸俗社会学的阐释面前就范，而所谓的现实关注也无非是现实符号的不断复制而已。

It should be noted that paper-cut of "engraved" on the one hand, use a round-shaped volume, drop-shaped, zigzag-shaped symbol and so on almost any program is the way the eye, such as animals, clothing, flowers, finch翎毛the only kind of "shape ", but also a variety of programs focused on the point, line and plane in the plane cloth slightly wrong in seeking out the relationship between rhythm.

值得注意的是，剪纸的&刻&一方面要用圆卷形、水滴形、锯齿形等等近乎符号的程式手法概现诸如动物的眼、衣服的花、鸟雀的翎毛只类的&形&，更着重于各种程式的点、线、面在平面布列错略中求得节奏关系。

It would be superfluous to discourse on the organs of speech, which have been a thousand times dissected, and as often described by musicians or anatomists; and the several powers of which every man may perceive either by the touch or by sight, if he will attentively observe another person pronouncing the different classes of letters, or pronounce them himself distinctly before a mirror: but a short analysis of articulate sounds may be proper to introduce an examination of every separate symbol.

详细论述发音器官是多余的，这些器官已经被解剖过成千上万次，也被音乐家和解剖学者们描述过成千上万次了；而且它们的功能也是每个人都可以通过触觉或视觉认识到的，只要他认真观察别人发各组字母的音，或者自己对着镜子清晰的发这些音就可以。不过对发音的一个简短的分析还是适当的，从而引入对每一单个符号的检视。

To mark the 100th anniversary of Einsteins theory of special relativity, this documentary with dramatised elements tells the story of how his most famous discovery, E=MC2, went from being a mere set of symbols in a notebook to a weapon of mass destruction. The documentary sections of the film explain what E=MC2 actually means; how it was discovered and how it revealed that the universe contained astonishing power.

为了纪念爱因斯坦的狭义相对论诞生一百周年，本片以戏剧化的元素向观众展示了爱因斯坦著名的E=MC2是如何从笔记本上的几个简单符号的组合变成大规模杀伤性武器的，并告诉我们，这个神奇的方程式到底意味着什么，它是如何被发现的以及它是如何解释万物本身蕴含的惊人能量的。

In this research analysis four movies,"Secret Window" lead Mort is situated between the deconstruction and the establishment, thus becomes one to penetrate 「fantasized」 that survives the human who gets down;"Misery" of because Annie the life projection to the writer of fiction Paul work''s in character, has painstakingly with the real life is separated from, finally steps onto the death;"The Shawshank Redemption" of Andy when grown-up studies adapts the new culture, along with the time and desire''s vicissitude, establishes conforms to the new social culture system''s new main body;"Hearts in Atlantics" of Bobby is in Ted Brautigan and in library article character number accompanying, found itself, real feeling 「existence」 and life significance.

本研究分析的四部电影中，《秘窗》的主角莫特就是介於毁灭与建立之间，因而成为一个透过「幻想」而存活下来的人；《战栗游戏》的安妮因将人生投影至小说家保罗作品中的人物苦儿，与现实生活产生脱离，最后走上死亡；《刺激1995》中的安迪在成年时重新学习适应新文化，随著时间/欲望的变迁，建立起符合新社会文化制度的新主体；《勿忘我》中巴比是在泰德与图书馆文字符号的陪伴中，找到自己，真实的感受到「存在」与生命的意义。

In the early days of the ethnicity, they had no their own characters . So the body becomes main media of accumulating and transmitting memory, incorporeal memory plays a key role in safeguarding the self-representation of the ethnicity.

在族群记忆的早期，即由先秦到隋唐时期，壮族族群生活在没有自己的文字符号的文化环境中，人的身体成为传递记忆的主要媒介，在跨文化的生存背景下，身体的记忆成为族群记忆的主要形态，对族群记忆的存续起着存续和维护作用。

It is generally written a different article:(1) do not feel the same method --- General article is written for people-to-read, that is, through the organs of the human visual language of symbols to identify the brain caused by the concept movement; a speech by human auditory organ of the voice recognition arising from the activities of thinking.

它与一般的书面文章不同的是：（1）感受方法不一样———一般的书面文章是供人阅读的，即通过人的视觉器官对文字符号的识别而引起大脑中相应的概念运动；演讲则通过人的听觉器官对语音的识别而产生相应的思维活动。

Secondly, what Glossematical School wants is to establish the linguistic typology, namely metatheory, helping to compare different theoretical pattern, sign systems, linguistic signs, and levels of linguistic symbol theoretical pattern, on the basis of which the study objects of glossematics are finite as relation among the previous statement, defined as function.

因为语言符号的形式和意义之间的关系是任意性的，不存在普遍意义的范畴。语言学的所有范畴都要从具体语篇中演算出来，这就要建立语言代数学，即语符学。其二是用纯理语言构建的语言模型，必须拿具体的语言去检验。模型反映出的是人类所有语篇，包括未出现的和已经消亡的语篇的各种可能性，利用语符学的经验原则和推导条件帮助识别出哪些是现实中存在的形式，哪些是潜在的形式。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。