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During the display of symbols, the microcontroller outputs the code of a letter or digit (corresponding to the depressed key) to the character generator via port B of the parallel interface, and outputs the address of the character position on the screen via the microcomputer port.

在的符号的展示期间,微控制器使出一对压抑的经由和平行界面的港口 B 的个性发电机的关键相应的信或者数字的代码和使出在经由微型电子计算机港口的屏幕上个性位置的地址。

Liu Xin's works contain flavor of metropolitan fashion and however not reduction of reality but decrease of material trace. He goes beyond a popular expression of life sentiment. The beauty gradually varies towards as a metropolitan mirage that is fictitiousness, plane and patterning. The man is abstracted as merely an outer form floating like a dissociating shadow.

刘欣的作品带有都市时尚的气息,但并非还原现实,而是尽量消减物质的痕迹,审美上也超越了满足一般化的生活情趣的表述,使美逐渐变异,直至发展为虚拟的、平面化、图案化的都市蜃景,人被抽空了本质,剩下符号的躯壳魅影漂浮游离于纠缠不清的心灵困局。

Using DC and AC poling methods, three groups of polarized PZT/P 70/30composites have been prepared by poling only the ceramic phase(1), both ceramic and polymerphases in the same(2) and opposite(3) directions. Piezoelectric coefficients of group 1 compositesincrease as the PZT content increasing, while for group 2 composites, the piezoelectric coefficientschange the sign with increasing PZT content because piezoelectricity of copolymer is increasinglycompensated by that of PZT, and PZT content for zero-〓 isn't that for zero-〓. The experimentdata of both group 1 and 2 composites agree well with EMT-Shin model.

对复合材料的压电性能:只极化PZT粒子相的复合材料的压电系数随陶瓷分数的增大而增大,PZT粒子相与共聚物基体同向极化的复合材料的压电系数由于两相效应的部分抵消,随陶瓷含量的增大,发生符号的改变,且〓和〓零点不重合,它们与EMT-Shin模型都符合较好;而两相反向极化的复合材料的压电系数由于AC反向极化会导致陶瓷相极化程度的下降,导致实验值和理论预期偏差较大,尤其在PZT粒子高含量区。

This dissertation is just a carrier of education and culture but not a tool of propaganda. Neither is it a certain hypocritical preachment with which education is emblished. On the contrary, it takes its stand upon the true internal world of URPWPSs. Although it is true that pen, paper, and taperecorder are merely technological implements, the user of them will be able to throw his concern to man, if only he has all the qualifications for humanistic spirit.

本文采用质的研究方法,直接走进工农兵学员的"生活世界"和"意义世界"中,以工农兵学员的"自身话语"为分析对象,而不是以"泛政治化"话语或作为某种政治符号的话语为分析对象,这一话语的转变本身就是对教育领域大叙事的政治乌托邦的一种解构,我认为这体现了一种人文精神的立场态度,即民间立场和世俗关怀。

Each differs from his colleagues in "approach," in ability to comprehend symbology, in exactitude of mathematical calculation, in ability to sense the dynamic essence of the horoscope, in ability to understand the psychological problems represented and their potentials for solution.

每个占星学家在思路对占星符号的理解、在数学计算上的精密性和对星盘的变化性的知觉以及对心理学上问题的理解和它们在星盘上的象征和可能的解决方式都是不同的。

In The Hindu Temple, Stella Kramrisch presents the ground plan forHindu temples since ancient Vedic times, called theVastupurusamandala (Figure 2), again our Square of 9, defining itas,"the place for the meeting and marriage of heaven and earth,where the whole world is present in terms of measure, and isaccessible to man…" She explains that its essential form is asquare which,"can be converted into a triangle, a hexagon, octagonand circle of equal area and retain its symbolism…"

在印度的寺庙里,Stella Kramrisch介绍了远古时期印度寺庙的平面图,被叫做&Vastupurusamandala&在这张图上我们再一次看到9方图,它被称做&天与地相会与交合的地方,就人们容易理解和观测的角度而言,这里几乎可以展现出全世界&她解释说:&它本质的形状就是个正方形,它可以换算成一个三角形,一个六边形,一个八角形,以及一个同它面积相等的并保留了它的象征和符号的圆&

This word, aivarya, is important for three reasons: first, it attests the complete self-mastery, independence and freedom of the Self - it is not subject to the tyranny of unwanted internal or external forces (unlike the mundane ego comprised of the unstable, conditioned and labile skandhas); second, it hints at a controlling, regulating intelligence: a knowing and utterly free mind (the "transcendental knowing" which the Buddha elsewhere in the sūtra links to the Self); and thirdly, it is of course linguistically related to the Sanskrit noun, Isvara, which in the Brahmanical environment in which Buddhism had its roots denoted God (more particularly the god, Shiva).

第二,它暗示了一个控制,调节,通常的智慧;一个知道和完全自由的心理(这个先验的知道佛在佛经之中的另外地方与自我联系,而第三,它当然是与梵语的名词相关的,自在,在婆罗门的环境之中佛教有它的根符号的神。

Furthermore, the contrast of different materials, decoration details and traditional symbols can combinate the theme organically and create a strong modern consciousness.

所以,设计风格上要通过色彩的有效运用,简约大方的视觉形象,营造出高效率、高品质的空间,形成秩序井然又生动活泼的界面关系。另外运用耐人品味的材质对比、细节修饰、传统符号的点缀相互配合,很好地与主题有机的结合,从而形成强烈的现代意识。

Study on the impact of mentality on inhabitation form: first, the existence of influence between subject's mentality and inhabitation form is clarified; second, the research in micro-and macro-level is processed in the order of collocation of cognitive mentality and symbol and transmutation of inhabitation form under the system/life-world dual-structure; finally, the clarification over the influence system of inhabitation form is presented through a structure of explanative frame.

主体心态对居住形态影响的研究:作者首先对主体心态与居住形态之间影响的存在进行阐述;随后,再按认知心理与象征符号的并置和系统/生活世界双重结构下居住形态的嬗变的顺序进行微观和宏观两个层面的探索;最后,综合以上研究,本文通过一个解释性框架的架构来进行主体心态对居住形态影响机制的阐述。

In this kind of linguistic situation, by the rules and procedure can economic affirm the legality and limitation of state intervention and modify it procedurally; from the angle of Language and symbol, the function of economic laws is to convey the order and requirements and to provide information by the language expressions.

在这样的语境下,经济法通过规则与程序确认国家干预权的合法性,确认国家干预的有限性,并对国家干预施加程序上的限制。从语言与符号的角度,经济法的形式理性则发挥着通过语言表达要求与命令、为人们提供知识并传播经济法律制度的功能与作用。

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歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车,和一双合并为一移交&整个lotta爱&。

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