符号的

This research method is independent of Green"s function and variational structure. So it can tackle with the BVP for non self-adjoint and self-adjoint difference equations and overcome the difficulties brought about by the establishment of Green"s function, a study of the sign and the estimate of below and above bounded for Greens function.

本章的研究方法既不依赖于Green函数又不依赖于变分结构，因而能解决非自共轭的差分方程边值问题，且克服了Green函数的建立、其符号的判断及其上下界的估计给研究带来的困难，该方法同样适用于研究自共轭的差分方程边值问题。

for long time, the primary school living to the writing widespread existence "sorrow, afraid, be disgusted with" of thought.but the composition teaching of tradition, the teacher set question from the composition, purpose, choose a material, row to lift a key link to the workbook to review to change, whole one person contract for and resulted in thus student can according to teacher design good"diagram paper" lay bricks, the composition contents be deceitful and empty and lack a kid true, monotonous phenomenon, complete deprival student's workbook of independence power.in fact, composition's being not only be the operation of the language sign.left a person of development, left life, composition will is have no the wood of origin, have no source of water.

长期以来，小学生对写作普遍存在着"愁、怕、厌"的思想。而传统的作文教学，教师从作文命题、立意、选材、列提纲到习作评改，全一人包揽，从而造成了学生只能按教师设计好的"图纸"砌砖，作文内容虚假、空洞，缺乏童真，千篇一律的现象，完全剥夺了学生习作的自主权。其实，作文并非仅是语言符号的操作。离开了人的发展，离开了生活，作文就将是无本之木，无源之水。

While its basic structure is the Xiang-Shu, the Xiang is the visualized and symbolized cognitive experience, and Shu is the relational image and symbol with the practical arrangement in the location of time and space.

《周易》对于客观世界的认识有着一个完整的图式，其基本结构是象数，其中象是认知经验的形象化和象征化，数是形象和象征符号的关系化以及在时空位置上的排列化以及应用化与实用化。

With these values defined, WordPress will use the designated database characterset and database collation (ie sort order of the letters, numbers, and symbols of a character set) when connecting a database tables.

与这些价值观的界定，在WordPress将使用指定的数据库字符集和数据库的整理（即排序顺序的字母，数字和符号的字符集）时，连接数据库表。

As the external factors, the design of color and the set of some symbols are the important implications, namely, the appearance of the society of spectacle, the material interests above everything else, the loss of reason, the poorness of thinking, the spirit falling into vainness.

作为外部的因素，色彩的设计与某些符号的设定是重要的暗示，即景观社会的表象，物质利益至上，理性丧失原则，思想流于贫乏，精神堕入空虚。

The different technology essential of the yurt is the material, the society, the mark, and is one kind of social phenomenon, expresses one kind of social viewpoint.

进而也对毡帐技术的本质内涵有不同于以前的认识，即毡帐是物质的、社会的、符号的，是一种社会现象，表达了一种社会观点。

This paper begin with visual apperception, the expression of architecture symbol and identification of the environment ,from the visualeffect of detailed construction specific, road sight, virescence, environment opusculum and so on, materialize the solicitude for human from minute aspects through identification of circumstance and expression of construction signals to form favorable visual sight.

文章从视觉感知、建筑符号的表达、环境的可识别性开始，通过对具体内容，如居住建筑细部、道路景观、绿化布置、环境小品等的视觉效果研究，从细部体现对人的关怀，形成人性化的视觉景观体系。

After that, the thesis will introduce an improved EZW algorithm based on scalariform quantization. The new algorithm can fix some redundancy treating in reorganizing the symbol for wavelet coefficients. Finally, we will draw some conclusion after some experiments by comparing the two methods.

同时，从阶梯量化后系数符号的变化规律，提出进一步优化算法，提高图像的压缩比；最后利用对比实验的方法，先对比阶梯量化与传统EZW在性能上的差别，然后再比较新的改进算法是否进一步提高了压缩比。

However, the literary language as ideograms has very powerful narrative feature, which can supplement the need of narration in opera full of lyric music.

而作为表意符号的文学语言则有着很强的叙事性，文学语言的这种特性恰巧可以充实以音乐抒情为主的歌剧所需要的叙事基础。

We can feel very strong modern breeze from his works in Red Series.

红色系列》非常自然的运用各种色彩和视觉符号的集合来影射生活中的信仰危机，而数字化技术的使用又扩展和丰富了他的影像语言能力和想象力。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。