符号的

One of the supporting arguments is the arbitrariness of linguistic signs.

其中一个论据便是语言符号的任意性特征。

Now, thanks to advances in modern atomic theory, the atomic basis of these divine symbols can be appreciated.

现在，感谢现代原子理论前沿，可以欣赏这些神性符号的原子根据。

To the optical properties of the bar code symbol.

对条形码符号的光学特性要求。

During phase 2, add the offset to the segment base to get the symbol address.

在第2阶段，偏移量+段基地址得到符号的真实地址。

The previous one which has been called its'poetics'provides one general model of how culture and representation work , rooting in the tradition that begin with the linguistics of Saussure and be developed by the mythology of Barthes; the latter one is more concerned with the effects and consequences of representation—its'politics'and discuss the relations between the discourses/ knowledge which construct meaning and the effective subject-position , and the dispersive power which is the drive and the deep-seated causation of meaning through the discourses theory of Foucault.

前者主要植根于索绪尔语言学到罗兰·巴特"神话"的语言学/符号学传统，从符号的角度阐释文化和表征，是一种"诗学"；后者则是从福柯的"话语"理论出发，探讨了知识与权力的关系，认为话语建构了意义以及有效的主体-位置，而无所不在的弥散的权力是隐藏在意义背后的动力和深层原因。

For the image with random field feature, the description language is probability distribution model, and the description length equals the negative base-two logarithm of the probability of the image data; For the region homogeneity properties of active contour, the description language is chosen as a sign gradient map, and the description length is the summation of sign gradient inside the active contour; For the active contour regularity, the description language is smoothness, and the corresponding description length is the length of active contour curve.

随机场图像的描述语言采用概率分布模型，描述长度是围道内外区域中图像数据概率的以2为底对数的负数；活动围道区域一致性的描述语言为有符号的梯度图，描述长度是围道内区域有符号梯度的总和；围道形态的描述语言采用平滑性，描述长度正比于围道的长度。

In chapter 5, stating traditional local habitation characters such as continuity, variation ,integration and beyond present,by summing-up different designing tact such as"outwardly optimizing","abstracting and variation".

分析了白酒坊风情街以及周边的历史和现状，在大量实地调研考察的基础上，做到了白酒坊民俗风情街的景观设计的合理定位：即把江南小巷空间、江南传统民居建筑外装修和内装修的典型特点作为符号，运用到景观设计当中，与整个夫子庙风光带的景观设计达到了和谐统一，本章最后，通过分析白酒坊风情街景观设计的案例，总结出在景观设计的过程可以采取"表层优化"、"抽象变异"等不同的表现手法，来体现传统民居建筑符号的延续、变异、整合与超越。

Nevertheless, if I wished to give some sort of indication by choosing one or two "names," and by recalling those authors in whose discourses this occurrence has most nearly maintained its most radical formulation, I would probably cite the Nietzschean critique of metaphysics, the critique of the concepts of being and truth, for which were substituted the concepts of play, interpretation, and sign; the Freudian critique of self-presence, that is, the critique of consciousness, of the subject, of self-identity and of self-proximity or self-possession; and, more radically, the Heideggerean destruction of metaphysics, of onto-theology, of the determination of being as presence.

假如，我们无论如何要以直陈的名义选择一些"特殊的名字"，提及一些最能表征这种发生过程之极端形式的作者的话，那无疑地就得引用尼采对形而上学和存在及真理概念的批判，因为这些概念被游戏、解释、和符号的概念(即无在场真理的符号概念)所代替；就得引用弗洛伊德对自我呈现的批判，也就是说对意识、主体、自我一致性、自我临近、自我同性的批判：更激进一点，就得引用海德格尔对形而上学、存在论神学、作为在场的存在的规定性的解构。

In the third chapter "Utterly exhausted", analysed expressly those long-lens and jump-cut; In the fourthly chapter "alpha city",analysed expressly the aesthetic purpose of black and white and simulacrum; In the fifthly chapter "Chinese girl",put emphases on the color and component line;In the sixth chapter "madman Pierrot",analysed expressly color and dissymmetry composition of a picture through psychology; In the seventh chapter "carbinier",analysed lens language from film semeiology; it researched Chinese film in eighth chapter,explained detailedly a successful Chinese films;"Yellow land",analysed presentation format of The sign "China".point out our Chinese film various problems in inditing concept as well as film system.

第八章是对中国电影的研究，提出戈达尔对我们中国电影一些有益的启示，分析了一部成功的中国影片《黄土地》，从电影符号学的角度去分析&中国&这个符号的呈现方式。还指出了中国电影目前存在的一些问题，有电影创作观念上以及中国电影体制等方面的原因。

Therefore, the study of subculture often consists of the study of the symbolism attached to clothing, music and other visible affectations by members of the subculture, and also the ways in which these same symbols are interpreted by members of the dominant culture.

因此，对于次文化的学习将经常包含对附加于服装，音乐和其他次文化成员可见的影响的符号学上的研究，同时也要研究主流文化对于同一符号的解释的方式。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。