符号学

Realizes to design the sign academic theories the theory and design concrete horary combination.

实现了设计符号学理论与设计具体实践的结合。

With an intonate view of design, the author derived the fruits of theory and practice from various fields. Using the ways of combining science and art tightly, the author tried to figure out the problems of sensibility communicating in museum display design.

文章始终坚持以一种朴素的设计观深入问题的本质进行思考，超以象外、得其寰内，将科学与艺术的研究方法紧密结合，从传播学、心理学、、生理学、环境心理学、符号学等角度，汲取戏剧舞台艺术、中国传统绘画艺术等多领域经验成果，来解决博物馆信息传达中情感传达存在的实际问题。

In this thesis, meaning will be reclassified as intralingual meaning and intersemiotic meaning, which directly come from Jacobson's tripartite classification of translation, namely, intralingual translation, intersemiotic translation and interlingual translation.

本文从符号学的角度将意义重新划分为语内意义和符际意义，这种划分方式直接来自于雅各布森的翻译三分法，语内翻译，符际翻译和语际翻译。

As a result, the development of multisemiotics and multimodality has pushed forward the process of information transmission and globalization.

多元符号学和多模态化的发展推动了信息传递和全球化的进程。

Approaching the idea of nature in capitalist production from the field of semiotics, Martin O'Connor (1993) suggests that capital's response to ecological crisis has been to represent formerly noncapitalist realms---the biophysical world, non-industrialized economies, and the household---as reservoirs and stocks of "capital" and therefore no longer external to capitalism.

原译：Martin O'Connor (1993)，在符号学的领域里，分析了资本主义生产中的自然观点，指出：资本对生产危机的反应，已经将以前的非资本主义的领域--生态物理世界、非工业化的经济和家庭--体现为&资本&的储备和存量，因此，也就不再外在于资本主义了。

Approachingthe idea of nature in capitalist production from the field of semiotics, MartinO'Connor (1993) suggests that capital's response to ecological crisis has beento represent formerly noncapitalist realms-the biophysical world,non-industrialized economies, and the household-as reservoirs and stocks of"capital" and therefore no longer external to capitalism.

Martin O'Connor (1993)，在符号学的领域里，分析了资本主义生产中的自然观点，指出：资本对生产危机的反应，已经将以前的非资本主义的领域--生态物理世界、非工业化的经济和家庭--体现为&资本&的储备和存量，因此，也就不再外在于资本主义了。

In the 1940s, the famous philosopher Pierce, founder of American practicalism and semiotics, distinguished icon, index and symbol. Peirce (1940) pointed out "Syntax in every language mirrors logic iconicity by means of conventional rules."

20世纪40年代，美国现实主义和符号学的创立者、著名的哲学家皮尔斯指出&每种语言的句法，借助约定俗成的规则，都具有合乎逻辑的象似性。&

With the research of the semasiology and semantic, this part discussed the cognizance and design of the incarnate figure of the product information.

通过对语义网络和符号学的研究，探讨了产品通过界面信息构建的产品立体形象认知和设计。

Little study has been done into the relationship between product semantics and product semasiology, two fundamental theories in the field of product design, especially into the differences between them two.

产品语义学和产品符号学已经成为产品设计的重要理论，但至今还少有文章着重阐述两者之间的关系，尤其是两者之间的差别。

Chapter four was about the new vision image of pop music record planning. According to the analysis of Roland Barthes's semeiography and clothes symbols, it explained the phenomenon of Taiwan current pop music cover designs in two sections.

第四章流行音乐唱片企划新视觉形象，是透过Roland Barthes在符号学与服饰符码方面的理论见解，诠释当前台湾流行音乐唱片封面的设计现象，共分为两节进行分析。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。