符号

If he is a geologist, he will be completely engrossed in observing the vivid colors produced in sections of rock by polarized light; if a bacteriologist, he will develop a delight in collecting and cultivating the various chromogenic and phosphorescent microbes; and if an astronomer, he will devote his leisure moments to photographing the mountains on the moon or the spots on the sun.

在他崇拜矽藻的狂热里，他把全部的时间花在欣赏每一种矽藻，以千奇百怪的角度，替它们照相，来显现它的美丽，把这些美丽的藻类排成一个符号，甚至把它艺术化，排成一个矽藻的浮雕，甚至把它排成像盾牌一样的各式各样徽章，或者是装饰用的设计。

With the background of prehistoric media ecology, this paper, starting with prehistoric non-language media, analyzed its physical and symbol form and their change traces, which includes the analysis on pictures on rock, dance, balefire, drum and bamboo flute which only exist in prehistory.

以史前非语言传播媒介为切入点，在史前媒介生态的背景下，分析史前非语言媒介的物理形态和符号形态，以及各种形态的演变轨迹，包括史前特有的岩画、舞蹈、烽火、结绳、鼓、笛等传播媒介的分析，从中探讨史前非语言媒介对人类思维及交流活动产生的影响。

The first and the second workshops of the series were held at City University of Hong Kong in December 1998 and Banff, Alberta, Canada in May 2000, respectively.

主要的原因是：Maple是符号计算领域里能力最强的软件包，而MATLAB*在数值和工程计算领域也是最优秀的软件。

To the optical properties of the bar code symbol.

对条形码符号的光学特性要求。

After the First World War, the tennis'old costumes had changed,so in 1919,Susan as a French athlete became the sign in history of the women's tennis costumes,she had changed the long skirt to shorter,and matched the loose skirts and bobby sox,this costume won the classical remark:"the barelegged war on the tennis world."

第一次世界大战后，网球的保守着装传统有了一定改观，于是，1919年，法国选手苏珊·朗格伦成为了女子网球服历史上又一个闪亮的符号。她改长袖为短袖，并配以宽松的过膝百褶裙和长袜，这赢得了媒体的经典评语："网球场上的裸腿之战"。

After the first world war, the traditionalconservative of tennis dress changed a little,and then,In 1919,the French athlete Susan,became the twinkling symbol of the history of the women's tennis dress,she who had changed the long skirt to short,and matched the loose pleated skirts and skortings,it won the classical remark:" the barelegged war on the tennis court"

第一次世界大战后，网球的保守着装传统有了一定改观，于是，1919年，法国选手苏珊·朗格伦成为了女子网球服历史上又一个闪亮的符号。她改长袖为短袖，并配以宽松的过膝百褶裙和长袜，这赢得了媒体的经典评语："网球场上的裸腿之战"。这样的服装大概就是传说中的古典主义了。去掉了帽饰，上衣也被束在了裙腰里，裙摆也开放些，使得行动更容易，不过裙子的长度依旧没有变化。

Don't be so barmy thinking she's just a symbol.

别愚蠢地以为她只是一个象征符号。

These two processes are corresponding to Roland Barth's ideograhpic symbol system.

这两个层面和罗兰·巴特符号表意系统是相对应的。

We discussed Roland Barthes and his book Elements of Semiology.

我们讨论罗兰巴特和他的书《符号学原理》。

Both Barthes and other people have found the fact that code is not only controlled by the ideology, but also takes part in the construction of ideology.

符号通过一系列生产和消费活动，通过自身的内结构机制和外结构机制的运作，参与到整个社会文化运行机制之中。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。