笔下

I think of poets and musicians. Of Beethoven's "Moonlight Sonata" and of Shakespeare, whose Lorenzo declaims in The Merchant of Venice ,"How sweet the moonlight sleeps upon this bank!/ Here will we sit and let the sounds of music / Creep in our ears."

一只蟋蟀在草叶间欢唱，令我想起了诗人和音乐家、想起了贝多芬的《月光交响曲》和莎士比亚笔下的《威尼斯商人》中的洛伦佐的话：&沉睡于河岸的月光是多么的迷人/我们要坐在这里让音乐之声/潜入我们的在耳内。&

I think of poets and musicians, of Beethoven's "Moonlight Sonata" and of Shakespeare, whose Lorenzo declaims in The Merchant of Venice,"How sweet the moonlight sleeps upon this bank!/Here will we sit and let the sounds of music/ Creep in our ears."

这令我想到了诗人和音乐家，想到了贝多芬的《月光奏鸣曲》，也想到了莎士比亚笔下的洛伦佐在《威尼斯商人》中的慷慨陈词：&柔美月光酣眠堤上/吾辈团坐席地此岸/任凭乐响入耳悄然&。

He demolishes the theory that we have reached the "end of history", the dogmas of secular liberalism, the weaknesses of financial casino capitalism and the limits of energy-intensive economic growth.

在他的笔下，人类已达到&历史的终结&之理论，世俗自由主义的教义[注2]、金融赌场资本主义以及能源密集型经济增长被一一推翻。

And she dealt in Hollywood-style dichotomies between good and evil, between white-hatted capitalists and black-hatted collectivists.

并且她采用正邪分明的好莱坞模式，将其笔下的资本主义者与社会主义者刻画地黑白分明。

Kong is mostly disrespected by readers,but I think highly of him,anyway he is an intellectual.

多数中国人是瞧不起鲁迅笔下的孔乙己的，但我很崇拜他，毕竟他是一介书生。

Theodore Dreiser dramatizes the image of Sister Carrie--the representative of American bourgeoisie who is a famous actress before being a childlike and happy village girl.

作者德莱塞笔下所塑造的嘉莉妹妹这一小资产阶级代表，从一个纯真，快乐的农村姑娘变成一个名声赫赫的演员。

A stream of short stories flowed from his pen, and he branched out into the easier forms of verse - the kind he saw printed in the magazines - though he lost his head and wasted two weeks on a tragedy in blank verse, the swift rejection of which, by half a dozen magazines, dumfounded him.

从他笔下流出了一连串短篇小说。他有时又拐弯写起较为平易的诗来--他在杂志纪见到的那种。他还一时头脑发热花了两个礼拜用素体诗写了个悲剧。

Then the author aims at the question on the image of Wenjun, four important parts we take of this paper: enters the stage, elopes, sells wine, the resentment recite as the clue, how different performance in different writers and compares with the image of history. Analyzes the characteristic Wenjun's image in the traditional opera.

然后笔者则针对文君形象的塑造问题，以文君在戏曲中的四大重要戏份——出场、私奔、当垆、怨吟为线索，分析在不同作家笔下女主角文君有着怎样不同的表现，并与《史记》中的文君形象比较，分析出古典戏曲中各具特色的文君形象。

However, I have been feeing that his work are so awkward, very unnatural since I read them in my childhood.

可是，它却出自文豪鲁迅的笔下，真令人怀疑他在众多作家中的实际地位应有多高！

And New York's rebellion called to me excitedly, this savagery which piled great concrete block on concrete block, topping at the last moment as in an afterthought, with crowns as delicate as pinnacled ice; this lavishness which, without a prayer, pillaged coal mines and waterfalls for light, festooning the great nature-severed city with diamonds of frozen electrical phenomena― it fascinated me, the Asian man, and in it I saw not Milton's Satan, but the one of Blake.

而纽约的反叛精神激动著我的心。它的野性将大块混凝土层层垒起，在最后一刻仿佛踌躇再三才加盖，顶部皆似精巧的冰山；它的挥霍未经祈祷便爲获取光明劫掠煤矿和瀑布，用钻石般璀璨夺目的无数电灯装饰这座超脱自然的伟大城市──这一切令我，一个亚洲人心醉神迷。在纽约身上我看到的不是弥尔顿笔下的撒旦，而是布莱克的撒旦。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。