笔下

The female images they portrayed were identical with the male writers who generally described the female in the extremity of"angel"or"succuba", showing the lack of the main body consciousness of the female writers.

十七年"及新时期初女作家的写作处于与时代、与男性这一性别"共名"的状态之下，她们的写作只能围绕一个中心，书写重大的时代主题，她们对女性形象的塑造认同于男作家笔下常见的"天使"与"魔女的两极化修辞，显示出女性主体意识的匮乏。

I looked trough remote disolation, trod over pacels of mild grass.At this quiet night, packaged suspire, wrote it into swing, and to which I danced.

眸光穿过遥远的荒凉，踏碎一地的温柔，在这寂静的夜晚，我把叹息装进行囊，在笔下谱成音律，风中轻舞霓裳。

Zhang Tiemei used painting brush to make classical theatric character to fix on the painting.

所以她笔下的戏剧人物也超越了时空而赋予戏剧更加本质的一种东方意义、一种关于生死、一种关于轮回、一种关于艺术家自己对戏剧的阐释，都反映在她这批戏剧人生的画中。

Zhang Tiemei used painting brush to make cla ical theatric character to fix on the painting.

所以她笔下的戏剧人物也超越了时空而赋予戏剧更加本质的一种东方意义、一种关于生死、一种关于轮回、一种关于艺术家自己对戏剧的阐释，都反映在她这批戏剧人生的画中。

So the face expression of theatric character all were vague under her brush that the audience only can watch exaggerated action from actor played on the stage.

所以她笔下的戏剧人物脸部表情都是模糊的，观众只能看到在舞台上表演的演员的夸张的动作，张铁梅用油画笔将这些经典的戏剧人物都在画面上定格了。

So the face expre ion of theatric character all were vague under her brush that the audience only can watch exaggerated action from actor played on the stage.

所以她笔下的戏剧人物脸部表情都是模糊的，观众只能看到在舞台上表演的演员的夸张的动作，张铁梅用油画笔将这些经典的戏剧人物都在画面上定格了。

There is tranquilly and grief in the character's eyes, meanwhile, scenery is given a mysterious and profound beauty under his painting.

画中人物眼中流淌着安静与哀伤，景致在他的笔下被赋予了神秘而深邃的美。

The last chapter discusses the meaning of the topic,"Rural Women in Cities," for a writer. This topic is a continuation of "Women, leaving", somehow. It succeeds the thought of treasonous female in "May 4th" era and emphasizes the women's pursuit of spiritual satisfaction.

第五章探讨了作家对"乡村女性进城"主题的书写意义，这一主题从某种意义上说是"女性出走"这一古老话题的延续，与"五四"时期现代作家笔下叛逆女性出走的故事一脉相承，构成对话关系，也是对女性主体性精神追求的突出和强调。

Inspired by Li Shangyin\'s poetry and Bourbon Busset\'s ideas, L\' Eternite n\'est pas de trop, with eternal love as its theme, demonstrates a dual horizon, which even made talks of wisdom between a Taoist and a Christian.

此情可待》则体现了作者的双重视界，小说中的一个中心主题是关于永恒至爱的理想，作者既从李商隐的诗歌中汲取了创作灵感，又对法国思想家、文学家波旁·布塞的观念做了创造性的发挥，他还让笔下的道家人物与基督教徒进行了智性的对话。

Do not write about Luoting like Turgenev, as a giant action Dwarfs!

千万不要像屠格涅夫笔下的罗亭那样，成为语言的巨人、行动的矮子！

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。