笑话

You don't, however, have to take responsibility for the joke, its wit or funniness or tact or potentially insulting or demeaning content; when you submit it we understand you offer it as an example of what this person thought was funny in this circumstance.

你不用为这个笑话的风趣﹑滑稽﹑机智﹑潜在的无礼或贬抑的内容而负责，当你提交这个笑话的时候，我们理解你是因为此人认为某情形下该笑话有趣而提供的。

You don't, however, have to take responsibility for the joke, its wit or funniness or tact or potentially insulting or demeaning content; when you submit it we understand you offer it as an example of what this person thought was funny in this circumstance. Some jokes will be "funny", some won't... finding them funny might be a good secondary effect of this exercise, but it's primarily a structure of listening and recording. You may if you like include one visual cartoon for your verbal joke, but you should still designate where it occurred, and in what context.

你不必为此笑话负责，不管它是风趣、滑稽、机智、还是带有无礼或贬抑的内容；当你提交这个笑话时，我们了解你是因为此人认为该笑话在此情形下有趣而提供的，有些笑话"好笑"，有些则不…本习题另一个用意在於发现笑话的有趣之处，但还是以倾听与记录为主，你也可以为笑话配上卡通插画，不过还是要指明笑话发生的地点及背景。

Internet joke shares many characteristics in common with their folk counterparts, such orality, collectiveness, heritability and variability.

但是由于网络笑话主要依托网络进行传播，加之网民并不能等同于全民而注定网络笑话不能和民间笑话混为一谈。

We have learned, however, from experience, what sort of pleasantry is upon most occasions capable of making us laugh, and we observe that this is one of that kind.

但是，从经验中，我们已经学会，什么样的笑话可以让我们在大多数情况下发笑的笑话，我们发现这个笑话就是属于那个种类中的一个。

Many people are too shy to tell a joke, for they have once told dreary jokes, or they are in the fear of showing their stupidness or afraid to hurt others.

很多人羞于讲笑话，因为他们曾经讲过一个让人感觉沉闷的笑话，或者是他们害怕表现出自己的愚蠢，或是怕讲笑话伤害到别人。

Many people are shy to tell a joke, because they have once told dreary jokes, or they are afraid of showing their stupidness ,or hurting others.

很多人羞于讲笑话，因为他们曾经讲过一个让人感觉沉闷的笑话，或者是他们害怕表现出自己的愚蠢，或是怕讲笑话伤害到别人。

A great many people are shy to speak jokes, since they are afraid of either laying out their own stupidness or hurting others by their jokes, since they had once spoken a tedious one .

很多人羞于讲笑话，因为他们曾经讲过一个让人感觉沉闷的笑话，或者是他们害怕表现出自己的愚蠢，或是怕讲笑话伤害到别人。

English speakers and the college English majors in the top three funny jokes and in the top three unfunny jokes in linguistic jokes are that Syntactic Joke 8 was favored by both groups; Phonological Joke 3 was not favored by both groups; the two Phonological Jokes were are not appreciated by the NSs; Lexical joke 15 is not favored by the CEMs, but is appreciated most by the NSs; and Morphological Joke 5 is not appreciated by the CEMs, but is favored by the NSs.

在语言笑话欣赏中，2组受试者分别在其前三名好笑的和前三名不好笑的笑话排行比较结果显示(1) 2组受试者都觉得句法笑话8好笑；(2) 2组受试者都觉得语音笑话3不好笑；(3)英语外籍人士觉得2则语音笑话都不好笑；(4)台湾学生觉得字汇笑话15不好笑，但是英语外籍人士觉得最好笑；(5)台湾学生觉得词素笑话5不好笑，但是英语外籍人士觉得好笑。

Following his influential book Existence and ridiculous: study on underground red-light districts in China (Qunyan press, 1999), the author went to one of the same sites to collect more in-depth cases from female sex workers, madams/managers, pimps, male clients and those po教学,范文,教案,论文,课件,试题,评课,说课,板书,教学反思,课程改革,计划总结,公文,美容,瑜伽,笑话,减肥licemen cracking down sex work.

作为《存在与荒谬－－中国地下&性产业&考察》（群言出版社，1999）的续篇，作者沿用了上一本书中的视角和技术路线，以社区考察的方法主要研究了&红灯区&的发展脉络、形成原因、运作机制、与社会环境的关系等问题；但是，所不同的是，这教学，范文，教案，论文，课件，试题，评课，说课，板书，教学反思，课程改革，计划总结，公文，美容，瑜伽，笑话，减肥本书更多地收集了个案，更多地了解那些参与或者涉及&性产业&的个人，包括小姐、妈咪、老板、男客、执行扫黄的人、社区内的其他人等等，用他们的个人经历和体验来更加生动和深刻地勾画出中国红灯区的面貌，并对其进行深入地分析，思辨性地探讨性产业与生殖、生命、性革命、婚姻、社会性别、爱情、性、道德、风俗、历史、法律、文化、社会心理等因素之间的关系。

In all the preambles and introductions of these joke books,Feng Menglong comparatively focused on the following three aspects excpounding his joke theories,that is,joke's receiver mentality,joke's essential feature,joke's types thoroughly expressing Feng Menglong's rational ideas of joke theories.

在他编选的三部笑话专书的序文及部分引言里，冯梦龙比较集中地从笑话的接受心理、笑话的本质特征以及笑话的分类三个方面阐述了他的笑话理论，充分地表达了他对笑话这一民间文学体裁的理性认识。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷