童话故事

But, as we eventually accept, sort of, the fairy-tale prince doesn't exist, and nor does the peachy8, virginal princess.

但是，无论如何，最终我们还是要接受这个事实，童话故事中的王子并不存在，美丽清纯的公主也不存在。

Frogs and toads, salamanders and newts, wormlike (and little-known) caecilians—these are the class Amphibia: cold-blooded, creeping, hopping, burrowing creatures of fairy tale, biblical plague, proverb, and witchcraft.

的蚓螈，这些都属于两栖动物纲，牠们冷血、爬行、跳跃，是童话故事里的洞穴生物、圣经里的灾祸，常见于俗谚与巫术里。

Our love has arrived at the vacation time ,The aureate seaside sand, The tiny cold mild sea breeze and your mild hair,Red dance shoe in taking off children's stories lightly,You and I have already not mind !

我们的爱已经走到了休假时间， aureate海边的沙子，极冷温和的海风和温和的，你的头发，红色的舞蹈鞋在起飞童话故事掉以轻心，你和我已经不介意了！

Our company is a specialty deditcated truck manufactures,our company has own expot right ,and our water sprinkler ,road sweeper sewage suction truck,high-altitude truck ,aerial truck and vans are export to foreign countries ,and our dump trucks also have a large number of foriengn market.which dose not means that business would have been so good to do you .we are still faced with severs knock,The world is such that you never rest on its laurel,in this world you are not progress ,that means it is a biggest step backword,you may bot be saring by leaps and bounds.but you must be persistent sffers,even small steps to move,as long as you are moving ,you have hope,as long as you still has not been extinguished,you have the right to breed,this is the reality in this world.i have gone through the kind of look at the age of fairy tales,and i have already through the kind of the passion for survival alone love,aithough i still have in mind dream,the splendor of breathtaking beauty of dream,but i know that is the real dream that is close our eyes at night,and i know whick is my future that i must begging for it..

我所在的公司是个特种专用卡车制造厂家，自己有自行出口权，我们的环卫洒水车，环卫扫路车，环卫吸污车，环卫高空清洗车，高空作业车，厢式车都是远销国外的优良产品，同时我们的自卸车也在国外占据着大量市场，这并不代表生意就这么好做哟，我们仍然面临这剧烈的淘汰赛，这个世界就是这样，你永远不可以坐吃山空，在这个世界中，不进步就是最大的退步，你可以不是突飞猛进的高升，但是你一定要坚持不懈的努力，哪怕是一小步一小步的移动，只要你还在动，你就有希望，只要你还没有泯灭，你就有权利滋生，这就是现实中的世界，我早已经过了那种看童话故事傻笑的年龄了，我也早已经过了那种只靠激情度日的年华，我虽然心中仍然有梦，美的让人窒息的绚丽的梦，但是我现在却知道那只是真正的梦，是我只能在夜里闭着眼睛才可以实现的梦，那些我应该在阳光下昂起头来努力实现的才叫做未来。

In Vrizzi's work, the setting provides the background to a chameleonic role-play where parody restages myths, iconic characters, fairy-tales and motifs of 15th - 16th century iconography.

在威利齐的作品中，场景为她变色龙式的角色扮演提供了背景，她模仿了神话人物、标志性人物、童话故事人物以及十五至十六世纪绘画中的基调。

I have a great fascination for contrasts, cloyingly sweet fairy tale figures transform into what they are: sideshow freaks, the extras in the illusion, the creeps from the cellar.

我酷爱对比手法的运用，甜美的童话故事在我手里摇身一变就成了表演杂耍的怪诞形象，插图中的配角，还有地窖里的胆小鬼。

The relationship between Princess Mary and Prince Frederik is often described as a modern day fairy tale.

丹麦王妃玛丽和弗雷德里克王子之间的恋情常常被形容成现代版的爱情童话故事。

Her face is lovely, dark hair feathering over half of it. Her body is covered with angry gashes and a magenta river of blood trickles from her head.

彷佛童话故事中出现的场景，就像是来自女巫的诅咒，她尖细粗糙的手指划越天际。

OLDILOCKS, the fussy, blonde, larcenous heroine of an English children's story, liked her porridge neither too hot, nor too cold, but just right.

oldilocks[3]，这个童话故事《金发姑娘和三只熊》中满头金发、口味挑剔、偷喝了粥的女主人公要求入口的粥不凉不烫刚刚好。

Section 2 selects the Queen with a mirror in Snow White, Maleficent in The Sleeping Beauty, the enchantress in Rapunzel and other ordinary negative figures in fairy tales as powerful monsters in contrast to angels to explain how patriarchal society deforms capable and assertive women, denounces them as sinful devils.

第二部分以《白雪公主》中的魔镜皇后，《睡美人》中的Maleficent，《长发姑娘》中的女巫及其他童话故事中不具魔力的反面女性角色作为妖妇的代表，分析父权中心社会异化自信、有能力的女性，诬其为罪孽深重的恶魔的现象。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。