章则

In the third chapter we will deal with the discourse of Lewis Gordon on Anti-black racism, whereas in the fourth chapter the colonial thought of Franz Fanon will be explored.

第四章则交代二十世纪后殖民主义重要代表思想家，出身於加勒比海法属殖民地的法农有关黑白关系的讨论，以便进一步落实族群关系问题的探讨。

In Chapter 5, we classify several classes of finite groups whose power automorphism groups are of large order.

第五章则以群作用为工具，克服了p-群分类的困难，给出了几类具有较大阶的幂自同构群的有限群的分类。

There are 6 chapters inside of the thesis:(1) Interpretation of the motivation of research.(2) Analyzing of correlation documents and starting to construct a framework of criticize and analyze of "public art".(3) Discussing the forming of creation ideas.(4) Analyzing the influence results of public from the exposition of society.(5) Discussing the interactive relationship of artist, works, commonalty and art criticism from the installation process of works. Point out the meaning of society and the possibility of communication in the criticism of public art.(6) Reference, review and the propositions for further studies.

本论文共分六章，第一章说明本研究的动机、目的、范围、内容、方法与流程；第二章针对相关文献分析并初步建立公共艺术的评析架构；第三章则就公共艺术的创作意念生成进行探讨；第四章则就公共艺术的社会解读来分析影响大众观赏公共艺术的因素；第五章从公共艺术设置过程对社会的影响，探讨创作者、作品、大众与艺评的互动关系，并尝试提出公共艺术评论对社会的意义与沟通的可能；第六章为本研究的结论与检讨，并对后续研究提出建议。

Chapter 1 is a preface to introduce the motives of this paper research methods scope restriction and frame Chapter 2 will fist introduce the concept of database and then discuss the necessity of database protection in the creating methods and with or without originality This chapter will put emphasis on the importance of originality to database Chapter 3 will observe the British America and Germany's viewpoint of originality to discuss their legislative mode of database legal protection Chapter will introduce EU Directive/96/9/EC of database protection and four judges of EU Court after the Directive takes effect in 2004 to find how the ECJ use the Directive Then according to the DG Internal Market and Service Working Pater and BEUC's evaluation of the Directive this paper will find whether there is positive reaction and influence in database market after EU member countries take the same legislations with the Directive Section 5 will introduce the legislation of British and Germany following the Directive and analyze the development and questions of the two countries' current legislation Chapter 5 will start with Americas case Feist v Jane Doe to understand the case's influence to American legal protection of databases and introduce the Parliament's proposal after the EU Directive Chapter 6 will introduce Japan legislation regarding legal protection of database works and discuss the goodness and badness through Japan academy and judicial viewpoint Chapter 7 will introduce Taiwan's legislation to find whether current law provides enough and adequate protection to databases and discuss whether there is a necessity of amendment At last this paper will try to provide some suggestions about our legislation Chapter 8 is the conclusion of this paper

第二章首先介绍资料库之概念，并以建置方式与是否具原创性区分方式探讨资料库法律保护之必要性，而因著眼原创性对於资料库法律保护之重要性，便於第三章以比较法独立观察英、美、德国对原创性之观点，以接续探讨三国对资料库所采取之立法途径。第四章部份介绍欧盟资料库保护指令之相关规定，并就指令公布后，欧盟法院於2004年接续作出四个关於资料库保护之判决加以介绍，以期寻求欧盟法院如何运用指令规范中之构成要件，而后并参考欧盟委员会工作小组及消费者组织报告对欧体资料库指令之评估文献，探究欧盟各国采取与指令相同立法后，在资料库市场上是否有正面的回应及影响，并於第五节针对英、德两国跟进欧盟资料库保护指令立法之介绍，并归纳、检讨英、德两国之现行法制之发展与所面临之问题。第五章延续第三章、第四章论述后，进入美国1991年Feist案后，美国法院对国内资料库保护之后续见解，探究1991年Feist案对美国资料库保护之影响程度，同时并述美国於欧体公布资料库指令后国会提出之资料库立法草案。第六章则针对日本新增资料库著作之立法模式加以介绍，并藉由日本学界、实务之见解探讨该立法模式之优缺点，再於第七章进入我国法制之介绍，以观察我国目前之法制是否提供资料库充分的保护，探讨资料库立法之必要性，最后尝试提出我国立法模式之建议。第八章则为总结之论述。

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

The first chapter of the paper mainly states the research of HPM source and HPM appliance based on the transit-time effect,the second chapter introduces a variety of HPM source in investgating course,capability,fabric,research condition,developing tendency aspects and so on,the third chapter descants HPM source based on the axial transit-time effect , the radial transit-time effect and the low diode impedance HPM source based on the axial transit-time effect,the forth chapter includes a conclusion of HPM source and HPM appliance based on the transit-time effect,and gives a assumption of the work in the future.

本文第一章主要简述了高功率微波源和基于渡越时间效应的器件的研究情况，第二章从研发过程、性能参数、结构特点、研究现状、发展趋势等方面系统介绍了各种高功率微波源。第三章则从各个方面详尽介绍了基于轴向渡越时间效应、基于径向渡越时间效应的器件以及低阻抗的轴向渡越时间振荡器，第四章则对高功率微波源和基于渡越时间效应的器件的发展做出了结论，并对以后的工作提出了构想。

In Chapter 5 and 6, a suite of calculation method of branch model and their parameters, which can fully consider the effects of various spatial harmonics, is worked out. In the last chapter, the calculation method of the asynchronous starting characteristics of the new type machines at quasi-stationary state have been discussed in details.

第四章则针对变极凸极同步电机的特点，通过对其气隙磁场谐波性质及其作用的分析，得出了若干具有理论和实用价值的结论，在此基础上，第五、六两章则提出并建立了一套能够充分考虑各种性质空间谐波影响的支路模型及其参数计算方法。

Chapter 2 analyzes the traditional self-farming and farming-employed farming methods of the two main features; Chapter 3 is that about when the employer has been artificially cultivated after the elimination, only the self-farming; Chapter 4 is the traditional family smallholder farming production period on the way; Chapter 5 is a special historical period, the period of economic collectivization, In this paper, the period of collective farming as a total cultivated; Chapter 6 is still in accordance with the time and context with it. When the collective total cultivated end, after the family returned to farming, only this time, in family farming with the traditional small family farming periods vary. Chapter 7 is about modern machinery which widely practiced in another way when a new concept of farming and farming methods.

第二章主要分析的是传统社会自耕和雇耕两种耕作方式的主要特点；第三章介绍的是当雇耕被人为的消灭之后，只剩下自耕时的情况；第四章则是到了传统的家庭小农生产时期的耕作方式的介绍；第五章是一个特殊的历史时期，即集体化的经济时期，本文将这个时期的耕作方式称之为集体共耕；第六章仍旧是依照时间脉络顺之而下，当集体共耕结束后，重又回归到家庭耕作的方式，只是这时候的家庭耕作又与传统的小农家庭耕作时期有所不同；到第七章则是现代化机器广泛实行时的又一种全新的耕作理念和耕作方式。

The fifth chapter examines how the Research Clique, an intellectual group closely related to the Progressive Party and the constitutionalists, perceived revolution by studying their journal Jiefang yu gaizao (The Emancipation and Reconstruction Semi-Monthly).

职是之故，论文共分八章：第一章交代方法；第二章绘测五四知识场及其组成；第三章以五四前期掀起新文化巨浪的《新青年Ⅰ》为对象，理解当时最活跃的新文化份子在经历建立共和及其后乱象后，到底是如何延续辛亥的革命思考；第四章分析国民党群体的《建设》、《星期评论》，以明了他们在三民主义旗帜下的革命观；第五章以研究系的《解放与改造》为分析对象，看这群与进步党或立宪派渊源颇深的知识群体，又是如何理解革命的；第六章则把视线转移至自由派知识份子的《努力周报》，看这群受英美自由思潮、实验主义影响的群体怎样在细部改良的思想驱动下与革命思潮相抗；第七章则分析热烈拥抱革命的马克主义群体的《新青年Ⅱ》、《向导》，以期还原他们的革命理论；第八章则综合此前所得，挑明五四的革命论理形态大致可分为静态革命观与能动革命观两类。

Chapter five is a research of the relationship of dispatched work agency, user enterprise, and dispatched worker, which analyzing the necessary of the legitimatization of the Worker Dispatch Law by case studies.

第四章则为探究我国劳动派遣之发展现况及趋势。第五章则由我国劳动派遣所延伸之问题研究探讨派遣公司、派遣劳工与要派公司间三者之关系。并由个案分析探究我国劳动派遣立法之必要性。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。