立体画家

Guillaume Apollinaire characterized her painting in The Cubist Painters;"Like the dance, it is an infinitely gracious and rhythmical art of enumeration."

纪尧姆·阿波利奈尔在《立体主义画家》一书中概括了她的绘画特征："就象舞蹈一样，这是一种不胜列举的极其优雅的和富于节奏感的艺术。"

To them, the west sought too much to render 'the external appearance and relief of forms', and they rebuked westerners for exaggerated use of light and shade in their continual striving after effect in perspective and chiaroscuro.

对这些画论家来说，西方的艺术太「著重事物的外观和立体表面」。他们批评西方的画家因为受透视法和明暗对照法这两种理论影响，把画面的光度和阴影层次过度夸大。

Simple lines interweave in a two-dimensional world to produce illusory space, and combine with frames of different shapes and various cubical space.

单纯的直线在平面中交织出幻化的空间，与不同形态具有多样立体空间的画框相结合，以一种极单纯的手段呈现出无限可能的复杂空间，流露出画家纯净的心性和睿智。

He is handsome with wild oats and world-weariness and is living in scene of debauchery, but this doesn't influence his most works during his short life at all. He not only takes in early renaissance drawer Botticelli's accessorized lines and morbidezza female tinge, but also gets the inspiration(replanting the lateral nose to the frontal portraiture) from cubism, introjects the exaggeration way of ancient African woodcutting and brings the Pre-Raphaelite melancholy temperament into play fully so that forms his own extraordinary style from inspiration based on representation. Particularly, his special representation for female nude is noticeable.

他英俊潇洒、放荡不羁，厌世忌俗，终日流连于灯红酒绿之间，然而这丝毫不影响他在短暂的生命中留下大量的画作，他吸取了文艺复兴早期画家波提切利的装饰性线条和柔美女性气息，又从立体主义的建构手法上获得灵感（将侧面的鼻子移植到正面的肖像画中），糅合了远古非洲木雕的夸张方式，又将拉斐尔前派的忧郁气质发挥到了极致，从而形成了自己的以灵感为源以表现为本的独特唯美画风，尤为引人注目的是他对女性裸体画的另类表现。

Spanish culture, especially literature and painting, shares a great place in the world's culture system, not only for the greatest horsebacker Don Quixote and the founder of cubism, Pablo Picasso, but also rely on this country's past place as maritime overlord and many of other artists such as poet Federico Garcia Lorca, great painter Diego Velazquez, Francisco Goya and the churches, music and dancing.

这不仅仅是因为伟大的骑士唐·吉诃德和立体主义画派的创始人毕加索，还有赖于这个国家曾经的霸主地位和其他许多艺术家，比如诗人 Federico Garcia Lorca ，伟大的画家 Diego Velazquez 和 Francisco Goya ，以及教堂、音乐和舞蹈。

And what of the cubists, through whom the influence of African art changed modern painting?

那些立体主义画家呢？通过他们，非洲艺术的影响改变了现代绘画。

Marie Laurencin was closely associated with the Cubists before World War I and with the artists who formed cubist splinter movements after the war, but her style was little affected by any of them

玛丽·洛朗森在第一次世界大战以前与立体主义画家联系密切，战后则与一些形成立体主义小派别活动的艺术家们在一起，但她的风格并未受他们任何人的影响。

The painters drew upon this idea and began to use words in their paintings, not, as in Cubism, for their forms, but as evocations of sounds and extra pictorial associations.

画家借鉴这一想法，并开始使用文字流露，不象立体其形式，而是声音及额外evocations图案协会。

Butterfly, a symbol of what a wonderful dream, cat, dog, red, ice, snow, gentle, love is perhaps the subconscious of the young painter Perishable's Lament, the longing for love, for self-dual or cold lonely heart ridicule, Kogusu, daffodils Years Old Little Love, a white flower buttercup, blue water rafting around the situation so much a painter's friend, rather, is with the self-life aesthetic of beauty, purity, free abstract ideal reflection and youth Imagine interpretation, these works reveal the artist in the virtually real and realistic three-dimensional puzzle, showing the deep spirituality of individual aesthetic white, innocence, kindness, fantasy, sincere, innocent and beautiful.

蝴蝶，多么美好的梦的象征，猫咪、小狗、红线、冰、小雪、温柔、爱或许正是画家潜意识对青春易逝的感喟、对爱的渴望、对自我内心孤寂的偶或冷嘲，小楠、水仙、小娜、小爱、白色花毛茛、碧波泛舟与其说是画家周遭情境中的朋友，毋宁说是对自我生活审美与对美好、纯洁、自由的理想化抽象观照与青春畅想演绎，这些作品于无形中透漏着画家的立体真实和现实困惑，透出了审美个体性灵深处的洁白、无邪、善良、梦幻、真诚、天真和美丽。

The confusion has persisted, however, because several of the Futurist painters, Boccioni, Carra, Soffici, and Severini (who, living in Paris, was familiar with Cubism from the first), appropriated aspects of the formal language of Cubism, using them to serve their own ends.

混乱一直坚持，但是，由于几位画家的未来学、boccioni、卡拉胶、soffici、Severini(卫生组织住在巴黎，从第一次熟悉立体主义)，划拨方面的正式语文立体用他们自己的目的服务。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失