窥视

He approaches to the character of the ablest statesman ....

他发现一个行迹可疑的人向屋内窥视。

This project then hopes construct thus 1 peeps space, it perhaps and formally with other buildings have no two kinds, it of the existence just leads people to discover nearby latent peep, latently and nearby person with latent oneself.

本方案便希望构筑这样一个窥视空间，它也许形式上与其它建筑并无两样，它的存在只是带领人们去发现身边的潜在窥视，潜在的身边人和潜在自己。

At the same time, a second camera was taking shots on the photographers in the peeper's perspective of view; representing oneself has become the subject of a peeper.

同时，第二台摄影机模拟窥视者的角度，拍摄『被拍摄者』，代表著自己也变成别人窥视的对象。

"Or standing in the doorway, or labouring in her little garden, or coming forth along the pathway that led townward;"

窥视她位立门前，窥视她在小花园中耕作，窥视她踏上通往镇子的小径

Children, too young to comprehend wherefore this woman should be shut out from the sphere of human charities, would creep nigh enough to behold her plying her needle at the cottage-window, or standing in the doorway, or labouring in her little garden, or coming forth along the pathway that led townward; and, discerning the scarlet letter on her breast, would scamper off with a strange, contagious fear.

年纪尚幼、不理解这个女人为什麼会被人类的仁慈拒之门外的孩子们，会蹑手蹑脚地走近前来，窥视她在茅屋窗边飞针走线，窥视她位立门前，窥视她在小花园中耕作，窥视她踏上通往镇子的小径：待到看清她胸

Gui Xiaohu's "Do not watch" series may involve triple ambiguous: First, the material from his anti-vice picture, this is painting with images of disputes over the other; secondly, he has chosen and reproduced these images, it constitutes a peep again; Thirdly, the peep makes the theme of sex and violence implicit social criticism, and in highlighting the plight of ethics at the same time, the works themselves were placed in a moral dilemma.

桂小虎《勿视》系列可能涉及三重暧昧：其一，他的素材来自扫黄图片，这是绘画与图象的纠葛；其二，他选择并再现这些图像，本身即构成再度窥视；因此其三，这一窥视，奇异地，使性与暴力的主题隐含社会批判，而在凸现道德困境的同时，作品本身被置于道德的困境。

For some, the closer the voyeur is to being discovered, the larger the thrill.

对于有些人来说。窥视行为越可能被人发现，窥视的快感越强烈。

Deng: I want to add a point: my painting has continuity. I feel I enter into the role step by step, gradually posing myself on the position between peep and being peeped. The position is like the "sub-consciousness", a moment of trance. But I really never heard about this word… I am always painting myself, but I am afraid that it would become self-portrait. I don't like the others ask me,"why did you always paint youself?"

邓：我要补充一点，我的画有一种连续性，我觉得我是逐步进入角色的，逐步把自己摆在一个窥视与被窥视的位置上，这个位置的状态可能有点像你所说的那个"潜意识"，一种瞬间的恍惚，不过我真的没听过这个词……我一直都在画自己，但我很怕变成自画像，我不想别人问我：你老画自己干嘛。

Obviously, it seems that his intention is to make another kind of voice out of the deep water, which makes it fight against traditional phalloccntrism; while also entangle on the male dcsire peering at female bodies in his narrative words, using the supposing visual center in the film picture to disguise the ubiquitous male desire peering at female bodies, all which embody the desire to close the western cultural center regardless of the picture handling and cameral lens cutting. Finally, he spends every strain to alleviate visual pressure and catering to the visual feeling of the western audience using narrative tactics, while the real intention to fight for language right with traditional phallocentrism. So it"s safe to say that this is a right fight between traditional phallocentrism and marginal counterpart. Just as the sacrifice of women in Zhang"s films, the marginal women again betrayed in Lous, and women again become the punishing and desire subject and swapping subject between men.

似乎让另外一种声音浮出水面是他的叙事意图，使它能够对抗传统中心话语权威；然而，在他影片的叙事话语中，仍然纠缠于固执的男性对于女性的窥视，利用设定影片画面中的表层观看&中心&，企图掩饰他影片中无处不在的对于女性的窥视欲，无论是在影片画面处理、影片镜头的剪辑上都显示出对西方强势文化中心的靠近，利用其中叙事策略来尽量减轻或者迎合西方观众的视觉接受，而其真正的叙事权威就是利用&边缘&来争夺西方观众的肯定，来与传统男性中心权威话语争夺话语权，这是一场传统男性中心话语权威与男性边缘群体争夺话语权的斗争，就如张艺谋的影片中以牺牲女性为代价，娄的影片中同样牺牲了边缘女性群体，女性再一次成为窥视、惩罚的对象，成为男性交换的对象。

A subset of voyeurs derive sexual pleasure from looking under articles of clothing, an act known as an

窥淫癖者中的一种从窥视衣着之下的衣物以获得性快感，该行为被称为裙下窥视。

By the time of its fall, most of the prisoners were writers who had written against the corruptions of the government.

到它被攻陷的时候，里面多数的犯人是写了反对政府贪污文章的作家。

The most obvious variation to ovum morphological character was that the color was changed from light green to sepiaceous in embryonic development, and all the ovums were almost hatched after 96h.

在胚胎发育过程中卵的形态特征最明显的变化是颜色从淡绿到深褐色，卵在发育96h后卵基本全部孵化。