穿着

John did a double take when he saw Bill in girl's clothes.

当约翰看到比尔穿着姑娘的衣服，他惊奇地又看了一眼。

This may be partly because so few men actually know how to wear the double-breasted suit.

也许有点因为很少有人真正懂得怎么穿着双排扣西装。

He is perfectly turnedout in a double-breasted suit.

他总是穿着双排扣西装，风度极佳。

However, any man can wear the double-breasted provided the jacket is tailored at the waist.

不管怎样，只要腰围部裁剪的当，任何人都能穿着双排的男夹克。

He is perfectly turned out in a double-breasted suit.

该男士杂志评价称：他总是穿着双排扣西装，风度极佳。

Following are tips to keep in mind when you're figuring out how to wear a double-breasted suit and bring back a classic look that should never have disappeared to begin with.

以下是一些贴士，记住它们你会参透如何穿着双排扣西装并带回一个不应消逝的典雅的形象。

Made from premium double-faced Australian sheepskin, which keeps feet warm in the winter and cool in the summer, the Jolie from EMU is perfect for year-round wear.

从优质皱脸澳大利亚羊皮，这使脚温暖的冬天和凉爽的夏天，从欧洲货币联盟的朱莉非常适合全年穿着。

Though other animals may twirl and prance, there is nothing like a dinosaur dance.PreSchool-KAIn this fun book, each double-page spread contains two words e.g.,"Dinosaurs roar," Dinosaurs ro

书中的每个小故事只包含两个单词，如："恐龙咆哮"、"恐龙唱摇滚"等等；卡通插图夸张搞笑，恐龙颜色各异，它们穿着芭蕾舞裙、木屐和太阳眼镜，姿态各异，调皮可爱，小朋友们一定会非常喜欢。

Though other animals may twirl and prance, there is nothing like a dinosaur dance.PreSchool-KAIn this fun book, each double-page spread contains two words e.g.,"Dinosaurs roar," Dinosaurs roc

书中的每个小故事只包含两个单词，如："恐龙咆哮"、"恐龙唱摇滚"等等；卡通插图夸张搞笑，恐龙颜色各异，它们穿着芭蕾舞裙、木屐和太阳眼镜，姿态各异，调皮可爱，小朋友们一定会非常喜欢。

Several years ago , Chinese streets were filled with people wearing identical drab clothing.

很多年前，中国大街上的人都穿相同的灰褐色穿着。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。