穿旧了的

I am up to my elbow of my sister's old clothes.

我受够了穿我姐姐的旧衣服。

At that time, she is both hungry and thirsty, bring back the home to feed so full she; The sandal that sees she is worn later is defeated again old, also have you the least then just a little year the sandal that does not wear sends her, then I discover her shirt also was defeated again, I your Lian Qiao is frame-up since 1969 old jacket of sends look look her, see her jeans, be full of godet, so I send her an old trousers that you wear far from, but, before be being faced, she asks I still have thing of your madam unused however, then, i...

当时，她又饥又渴，所以带回家来喂饱她；后来看见她穿的凉鞋又破又旧，于是把你最少也有一二年不穿的凉鞋送给她了，接着我又发现她的衬衫也破了，我就把一九六九年以来你连瞧都不正眼瞧一下的旧上衣送给她，看到她的牛仔裤，又尽是补钉，所以我就送给她一条你根本不穿的旧长裤，可是，临走前她却问我还有没有你太太不用的东西，于是，我就……

E.g.The shirt I'm wearing is an oldie.

我穿的这件衬衫已经旧了。

The different time's folk custom treasure in here may see that the folk custom treasure is the family property which a generation of person accumulates, although breaks old, has not used, but was still recording past trail, kept down these things, lets present's young people have a look, knew how the people are did live,"pu the nest" was the woman who bound the tootsy puts on the winter, embroidered the baby shoe not to know that is which age did, the kerosene lamp, the putty system bean oil lamp, the old style phonograph record, the liberation time's sewing machine, the villagers have used in the past plow, rake, shovel ......, the Yantai Laichau Shop Elementary school has the family folk custom museum, Yantai only this.

不同时期的民俗宝贝在这里都可以看到，民俗宝贝是一辈辈人积累的家底儿，虽然破了、旧了、不用了，但依然记录着过去的足迹，把这些东西留下来，让现在的年轻人看看，就知道过去人们是怎么生活的，"蒲窝子"是裹小脚的女人冬天穿的，绣花童鞋不知道是哪个年代做的，煤油灯、泥制豆油灯、老式唱片、解放时期的缝纫机、村民过去用过的犁啊、耙啊、锨……，烟台莱州店子小学有家民俗博物馆，烟台仅此一家。

And old shoes and clouted upon their feet, and old garments upon them; and all the bread of their provision was dry and mouldy.

9：5 将补过的旧鞋穿在脚上，把旧衣服穿在身上。他们所带的饼都是干的，长了霉了。

With worn-out, patched sandals on their feet, and worn-out clothes. And all their provisions were dry and crumbly.

将补过的旧鞋穿在脚上，把旧衣服穿在身上；他们所带的饼都是乾的，长了霉了。

And he told his social-climbing sister who wears my hand-me-downs, and she blabbed to

他又告诉了他趋炎附势的穿我旧衣服的妹妹，然后她向Nate告密了。

And he told his social-climbing sister who wears my hand-me-downs, and she blabbed to Nate.

他又告诉了他趋炎附势的穿我旧衣服的妹妹，然后她向 Nate 告密了。

I was up to my elbows in my sister's old clothes.

我受够了穿我姐姐的旧衣服。

This is him in his old rock-and-roll jeans there, pushing him in, those turned up jeans.

这是他穿著他的旧摇滚牛仔裤，把它推进去，牛仔裤反转了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。