穿插的

But, most of the traditional mushroom structures are restricted to only single EBG frequency design. In this thesis, we propose a novel concept about the interlaced periodic arrayal of the mushroom structure with the suspending microstrip line. By the simulation and measurement result, it is verified that the mushroom structure with the suspending microstrip line can reveal multi-band EBG characteristic.

而传统的蕈状结构的应用，多半只有操作在单一频率的电磁带隙特性，而本论文就针对了蕈状结构结合悬置微带线架构的电磁带隙特性研究，并提出了一种新的穿插周期排列的概念，透过电路模拟与实作量测的验证，我们成功的让蕈状结构结合悬置微带线的架构展现出多频电磁带隙的特性，并且，我们利用了这一个新概念设计了一种新型的微波电路。

By means of GPC,IR,GC-MS,~(13)CNMR,~1HNMR,Methylation analysisetc,structural properties of PST-1 were identified as follows:The Mwof PST-1 was 3.44×10~6 Da and its optical rotation was _D~(20)=+0.110°(c0.1, H_2O); PST-1 constituted 8 simple sugars and the molar ratio was 2,4-Dimethoxy-Mannose:Rhamnose:Ara-binose:Xylose:Galactose:D-Galacturonic acid:Mannose:D-glucuronic acid=2%:5%:24%:9%:3%:1%:46%:10%;The chief bone of PST-1 was 1,3,6-linked-β-D-Man residue and the side chains contained Furanoid and Pyranoid residues.

结合GPC、旋光度测定、IR、GC-MS、~(13)CNMR、~1HNMR、高碘酸氧化法、Smith降解以及甲基化方法等分析测试方法，得到PST-1的单糖组成及结构表征，实验结果如下：红豆杉多糖PST-1是重均分子量为3.44×10~6 Da的支链多糖，旋光度为20D=+0.110~0(c0.1，H_2O)；PST-1单糖组成为：2，4-Dimethoxy-Mannose：Rhamnose：Arabinose：Xylose：Galactose：D-Galacturonic acid：Mannose：D-glucuronic acid=2％：5％：24％：9％：3％：1％：46％：10％；PST-1的骨架结构为：具有1，3，6-连接的β-D-甘露糖残基骨架，侧链分枝包括非还原末端的呋喃型α-L-阿拉伯糖残基、吡喃型α-L-阿拉伯糖残基、β-D-木糖残基、β-D-甘露糖残基、2，4-二氧甲基-β-D-甘露糖残基和α-D-葡萄糖醛酸残基；侧链的糖残基也可能存在2，5-二氧-取代呋喃型α-L-阿拉伯糖基、3-氧-取代的β-D-木糖残基、6-氧-取代的α-D-半乳糖醛酸残基、6-氧-取代的α-D-半乳糖残基、4-氧-取代的α-D-葡萄糖醛酸残基和2-氧-取代的α-L-鼠李糖残基，同时后者也可能穿插在主链上。

Instead, when the subject demands it, he manages deftly to flit back and forth among the decades (throughout the book, he is particularly good on the regular outbreaks of labor unrest, be it in the San Francisco dockyards or the fields of the Central Valley).

这本书处理得很好的一点是它的结构。斯塔先生没有被他年代顺序的框架所局限；相反，根据主题的需要，他把数十年间的事件熟练地前后穿插而未造成混乱。但有一点不太令人满意的是他对19、20世纪加州文学发展史的阐述。

Except the foreword, this paper is divided into four chpaters:Chapter One: the common vivid featrues of dramatic personae in the phyletic biography of people in Shiji. The charater accords with the described methods, it has the obvious feature of kindred, It leans to the type of the figural creation in our country's later gerneration novels.Chapter Tw phyletic biography of people not extrudes the common featrue of drmatic personae but also emphersizes the personality description. The figural creation turns personal description from typical description gradually in the later generation novels, although the same typical charaters have the differnt lookings.Chapter Three: phyletic biography of people stands out the charaters with the typical events, the same charater can appears the differnt phyletic biography of people, it shows the differnt features (This is the commuteritive incarnate in Shiji). The later generation novels figure the charaters with their action, the same character lean to the differnt points, they show their differnt characteristics.Chapter Four: phyletic biography of people has the multiform modality, it includes paratactic description, coherend interclude, cascade rising and so on. The later generation novels use for reference the paratactic in the arrange of polt structure.

除引言外，全文分为四部分：第一章：《史记》各&类传&中&传主&的共同特征鲜明，人物选择符合以类相从、连类相及的方法，&类&的特色极为明显；我国后世小说中人物形象塑造呈现出类型化的倾向；第二章：&类传&在突出传主共同特征的基础上也注重人物的个性描写，传中人物在符合&类属&的前提下自身的特色同时显现出来：后世小说中人物形象塑造逐步由类型化向个性化发展，即便是同一群体的人物也具有各自不同的面目；第三章：&类传&选取传中人物的典型事件来突出人物形象；同一人物可以进入不同的类传中，表现出不同的特性(这是《史记》全书人物塑造上的&互现法&的典型体现)；后世小说中注重选择具有行动性特征的细节来塑造人物形象；同一人物在不同作品中有不同的侧重，呈现出不同的面目；第四章：&类传&结构安排的多样形式，主要有并列分叙、联贯穿插、层叠上升等几种形式；后世小说在情节结构安排上对&类传&的借鉴。

The key piece of the latest Costume collection was the waistcoat (à la Bowie in his Thin White Duke incarnation), worn over turtles and tees. Capasa paired it with baggy, pleated pants for the requisite Weimar vibe, and threw an unmatched jacket over the top for a loose contemporary take on the three-piece suit. The monochrome palette—also very mid-period Bowie—was sparked by the red soles of the chunky shoes and the lining of an evening coat. Otherwise, memories to cherish included the Alice Dellal-type 'do on model Jethro "Son-of-Nick" Cave, and the elevating, New Wave-ish whiff of the polyurethane catwalk.

秋冬的主轴单品很显然是马甲背心、也是David Bowie在Thin White Duke时期的主要造型，Capasa运用龟领套头衫与紧身tees下搭宽垮长裤、沉稳低调的黑/白与深/浅灰色系则反应著Bowie当时的内敛与苍郁，而穿插在宽头皮鞋和西装内里的红色点缀也毫不意外的让人眼睛一亮；或许乍看似单调无奇的设计，其实却有著跨越时代的概念，也或许是要，曾经浸淫在彼时此时的音乐环境中的人们，才能够投入设计师之於摇滚乐手的浪漫钦慕情怀之中。

These are interspersed with anecdotes of swindles by conmen whose "impossible" feats were mere tricks, with stories of how even distinguished thinkers have been wrong and with tales of how, over time, the seemingly far-fetched was made to come ever closer.

另外书中还穿插着江湖骗子的奇闻轶事——其&超乎想象的&壮举不过是骗局，以及著名的思想家也会犯错的掌故，还有随着时间的推移一些表面上遥不可及的想法如何变的越来越触手可及的故事。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。