穿外套的

Marni: The test of a designer's true popularity is the number of industry professionals who turn up to her show wearing her clothes, and by 10 a.m., as the audience assembled in Consuelo Castiglioni's edge-to-edge coats, egg-shaped dresses, quirky sweaters, and clumpy heels, the gathering looked like a Marni convention.

""测试一个成功设计师的受欢迎程度只要看有多少圈内人士穿着她的衣服参加她的衣服参加她的时装秀。先不要急着看Marni的秀场，它门外聚集的观众们个个身穿Marni的外套，蛋形裙，厚高跟，似乎是Marni的一次真人时装秀。这一段我简直找不出应该用不同颜色标注什么具体词句了，因为要是你说这段是直译译文的话，那一点都不过分。

And we take these clothes apart and add these bits onto the knitted base. The outcome is still a fresh new piece but recreated with old/remnant pieces such as lace collars found from an old blouse before, or men's shirts reworked and pleated and put onto our "new" knitted bases, which consist of easy to wear cardigans and crew neck pullovers.

我们在这些衣服上提走部分，再加在针织料的基础上，出来的效果便犹如一件新的产品但利用了旧衣服或布碎再造而成，举例说，如在旧衫上提走喱士领子，或将男士的恤衫再造及弄成褶饰，放於我们「新」的针织料上，变成容易穿著的外套及圆领套头上衣。

The wallet is a womanrsquo;s, fat with money and credit cards from places like Sakrsquo;s and Peck amp; Peck and Lord amp; Taylor, and it belongs to the blonde in the fur-trimmed coat—the blonde he has earlier seen in conversation with the criminal brunette.

这只皮夹是一名妇女的，鼓鼓囊囊地装着钞票和像"萨克"、"佩克与佩克"、"洛德与泰勒"这种公司的信用卡。皮夹的主人是那个穿皮毛镶边外套的金发女人——他早先看到在和那个作贼的黑发女人交谈的金发女人。

The 43-year-old native of Yemen dived for cover behind his cash register, as a fusillade of bullets pierced the one-inch-thick supposedly bulletproof glass he stood behind.

那天的半夜两点二十五分，一个带着白色面具、身穿黑色外套的男人走进他的印第安那州的加油站并用高火力的枪来回扫射。

This man was dressed in a greatcoat, or rather a surtout, a little worse for the journey, but which exhibited the ribbon of the Legion of Honor still fresh and brilliant, a decoration which also ornamented the under coat.

这人穿着一件外套，确切地说，是一件紧身长外套，穿了这种衣服旅行是不十分舒服的，但它却把鲜明灿烂的荣誉团军官的缎带显示出来，他外套下面的上装上佩着一枚勋章，这两个标志以及他对车夫讲话时的口音都可以看出他是一个法国人。

In the fork, like a mast-headed seaman, there stood a man in a green tabard, spying far and wide.

就在这叉形的树枝上，站着一个穿绿色粗布短外套的男人，象船桅上守望的水手那样，向四周侦察着。

Ageing rebels, second-year master's students with lacquered nails, broad-shouldered phonies in Norfolk jackets, snappers from Newsweek , all approached the cringing, little house where he had lived, or battened down, or holed up—you, general reader, can choose the word you please—ever since a great wave of fame had broken over him in 1953, two years after he happened to write a book called "The Catcher in the Rye".

老去的愤青，涂指甲的二年级硕士生，穿诺福克短外套的宽肩膀做作男，《新闻周刊》的摄影记者，都曾走近这幢隐匿的小房子；1953年，名望的巨浪压的塞林格喘不过气来，此后他就在这儿生活，或者说封闭、藏匿——读者朋友，随您怎样选择措辞。在此两年前，恰逢他写下了一本书，名为《麦田的守望者》。

Taylor, and it belongs to the blonde in the fur-trimmed coat—the blonde he has earlier seen in

卡。皮夹的主人是那个穿皮毛镶边外套的金发女人——他早先看到在和那个作贼的黑发女人交谈的金发女人。

The wallet is a womanrsquo;s, fat with money and credit cards from places like Sakrsquo;s and Peck amp; Peck and Lord amp; Taylor, and it belongs to the blonde in the fur-trimmed coat—the blonde he has earlier seen in conversation with the criminal brunette.

这只皮夹是一名妇女的，鼓鼓囊囊地装着钞票和像&萨克&、&佩克与佩克&、&洛德与泰勒&这种公司的信用卡。皮夹的主人是那个穿皮毛镶边外套的金发女人——他早先看到在和那个作贼的黑发女人交谈的金发女人。

A man in a white coat rushes to the head of the line,grabs his food and stomps over to a table by himself.

一个身穿白外套的人冲到队伍的最前面，抓起他的食物，大踏步地独自走到一张桌子边。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。