空间性

The fourth section is the reseach about I-fuzzy separability and I-fuzzy Lindelof property. The author introduces the concepts of I-fuzzy separability and I-fuzzy Lindelof property, and proves that the degree to I-fuzzy second countability in each of I-fuzzy topological spaces must be less than that to I-fuzzy separability and I-fuzzy Lindelof property.

第四部分是关于I-fuzzy可分性和I-fuzzy Lindelf性的研究，作者引入了I-fuzzy拓扑空间中I-fuzzy可分性和I-fuzzy Lindelf性的概念，证明了一个I-fuzzy拓扑空间是第二可数的I-fuzzy拓扑空间的程度一定小于它是可分的I-fuzzy拓扑空间的程度，也一定小于它是Lindelf的I-fuzzy拓扑空间的程度这也是著名的I-fuzzy Lindel

Since the solutions of this problem are the critical points of the associated energy function. One generally needs some compactness such as PScondition or C-condition to prove the existence of critical points of the energy func-tion, but when we study the elliptic equation in R~N, the compactness condition does not always hold since the imbedding of the Sobolev space H_0~(1,2)into L~(2*) is not compact. In this chapter, based on the nonsmooth critical point theory, and by using the approximation technique with periodic function, the existence of nontrivial solution is obtained.

由于该方程的解就是其所对应的能量泛函的临界点，通常都要在一些紧型条件的基础上来证明其所对应的能量泛函临界点的存在性，但当我们在无界域上考虑该椭圆方程解的存在性时，Sobolev空间H_0~(1，2)到L~(2*)的嵌入非紧，从而导致所对应的能量泛函失去紧性，本章在非光滑临界点理论的基础上，应用周期逼近的方法证明该问题非平凡解的存在性。

In general, the layered feature of electrical structure is analyzed first of all for defining preliminarily whether a DES exists in the target area or not. Then the contours of resistivity in resistivity tomogram are analyzed from the deep to the shallow part. If they extend upwardly from the deeper part to shallower one and shape into the integral dislocation, great flexure or gradient zone, it would indicate there exists the DES reflecting a buried fault. At last, horizontal tracking needs to be carried out for defining the trend of the DES reflecting a buried fault.

一般情况下，在分析时，首先分析电性结构的层状特征，以此初步判定探测区域中是否存在电性结构间断面；其次，要由深入浅分析电阻率等值线，如果它们能够从探测剖面的深部向上延伸到浅部，且存在等值线的整体性错断、强烈弯曲或梯度带，则表明存在表征隐伏断裂的电性结构间断面；最后需进行水平追踪分析，以确定表征隐伏断裂的电性结构间断面的空间展布。

Since the commutators of both sing-ular integral operators and fractional integral operator with BMO functions areone of the special cases of〓,so the discussion of the boundedness of〓notonly gives a new proof of the boundedness of the two commutators,but al-soweakens some of restrictions into discuss the problem,thus it impro-vessome of results inwith the method of complex analysis,show-ed boundedness of〓,then directly obtained boundedness of the commutato-rs of fractional integral operator with BMO functions.

既然奇异积分算子和分数次积分算子与BMO函数的交换子是其特殊情形，所以〓的有界性的讨论不仅给出了中关于这两类交换子有界性的一个新的证明，而且减弱了中讨论这一问题时对齐型空间所作的限制，从而改进了中的结果（利用复分析的方法，先证明〓的有界性，从而直接得到分数次积分算子与BMO函数的交换子〓的有界性。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Ordosica biomass and density was dependant on that of soil moisture, and in particular, there existed a significant positive correlation between the biomass and the moisture, indicating that on semifixed dune, soil moisture played a decisive role in the spatial heterogeneity of plant population.

由于沙丘地形对降水量的再分配在土壤湿度分布中的作用，土壤湿度和油蒿种群空间异质性相互作用的结果为地形的缀块性→土壤湿度分布的缀块性→油蒿种群分布的缀块性→油蒿生物量和密度的缀块性。

In the third chapter,We study some geometric properties and spectral propertiesof the Jacobi operator on a solvable extension G of Heisenberg groups H.In the firstsection,we give the definition of G and some fundamental geometric properties on G.Inthe second section,we discuss the Integrability of certain subbundles and the geometricstructure of the induced foliations in case of integrability.In the third section,we studythe spectral properties of the Jacobi operator of G.

可解李群与类对称空间亦密切相关，Damcek-Ricci空间即是广义Heisenberg的一可解扩张李群，在第三章中，我们构造且研究了Heisenberg群的一可解扩张李群G的几何性质，第一节讨论了G的曲率，李指数映射，整体坐标等基本几何性质；第二章研究了TG的某些子丛的可积性及可积时诱导叶片的几何结构；第三节给出了G的Jacobi算子的特征值和相应的特征子空间。

Firstly, affine covariant neighborhoods of visual words are used to verify the spatial consistency. Secondly, a set of affine transformation matrices between the corresponding covariant regions is calculated, and the matrix with the most inliers is chosen as the best matching affine transformation matrix. In this step, only a single pair of corresponding affine covariant regions is used to calculate the 6 degree of freedom affine transformation for acceleration. In the last step, the spatial consistency is verified by the BMATM.

首先通过视觉关键词仿射协变的空间邻近特征集进行初步空间关系一致性匹配；然后计算对应仿射协变区块的多组可能的仿射变换矩阵，并选择满足区块匹配最多的变换矩阵作为对象与图像之间最终仿射变换矩阵，其中，仅利用一对协变区块来计算自由度为6的仿射变换的算法有效地提高了计算速度和鲁棒性；最后通过计算出的仿射变换矩阵来精确验证对象与图像之间的空间位置关系是否一致。

With the need of the client always in mind, Andrew Maynard Architects set out to create a multi-generational vacation home whose "versatility…allows it to be inhabited simultaneously by all members of the extended family…The design is rigorously addressed at different scales, allowing there to be a certain level of connection and interaction throughout while also providing smaller zones where solace can be found."

业主的要求比较简单：为他们逐渐成长的家庭构建更多的空间。考虑到业主的要求，安德鲁梅纳德建筑事务所准备构建一个多代式多功能度假休闲屋，可以所有人同时居住的大家庭住宅。严谨的设计解决了不同空间之间某种程度的影响和联系，同时也提供了较小的有安慰性的私密空间。

How can I, with a minimalistic setup of just a few props and characters, transform our perception of society into a concrete, physical symbol?

3M×4M构成的12平米，首先是物性的实体空间，同时也是观念性的舞台空间和心理测试的无形空间。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。