空灵的

Standing in this corner, watching the coming and going of the passers-by, leaning against a roadside tree, it is so quiet, thought, thoughts flying and were not aware of this while walking to write the text can have a center, but this a bit of a sentiment really known his thoughts, comfortable, and melodious with their own thoughts and the flora flat, harvesting the heart back to nature after the ethereal harmony, aimless footsteps also becomes easier.

站在这街角，看着来来往往的行人，靠在路边的树上，就这样静静的想着，思绪飞扬着，也不知道这边走边写的文字能否有个中心，然而这一小段的感悟着实叫自己心里舒服，悠扬着的是自己的心事和花花草草的平淡，收获着心归于自然之后的空灵和谐，无目的的脚步也就变得轻松了。

From Ji Cheng's attitudes towards"artificial"and"natural", we knew his opinion of"nature and man are in one"; from the material enjoyment, mentally joviality and the noble-minded virtue in his art of gardening, we saw his living philosophy and morality view; through the analysis of his aesthetic psychological constitution, we exposed Ji Cheng's criteria of gardening and sentiment of aesthetics in the book that simplicity and elegance were beauty, diversity and variability were beauty, flexion and circumbendibus were beauty, loneness and hiding were beauty and vacant and remoteness were beauty; summarized Ji Cheng's artistic pursue in gardening which combined changing and innovation, harmony in meaning and scenery sharing, and reached the effect of natural views though created by man.

从计成在造园中处理"人作"与"天成"的关系，揭示其"天人合一"的宇宙观；计成把物质享受、生活闲适和精神愉悦以及超然于世俗与崇尚传统正直人品的道德理想注入造园理念中，体现了他的人生观和道德观；考察计成的审美心理结构，彰显其以雅朴、遵时、清赏为美，变幻多端为美，曲折委婉为美，幽静隐僻为美，空灵远逸为美的造园审美标准和《园冶》雅趣、幽趣、逸趣等审美情致；归纳计成勇于求变创新、妙于意味和谐、巧于借景取胜，达到自然天成意境的造园艺术追求。

The second part makes an innovative study of the soul of traditional Chinese graphics in the respect of "shape","essence", and "implication". The first element to be emphasized is "shape", which is mainly concerned with lineal designs and convolute designs in traditional graphics, the main two ethical factors employed in traditional Chinese design. The "shape" is a relatively complete and minute system. What is included in "essence" is to convey the effect of lucency and artistic conception in traditional plastic art, which embodies traditional Chinese philosophy and its aesthetic taste. The "implication" part makes a detailed analysis of the informative function of the particular ethical graphics from the perspective of disseminative theory. The third part is my application of the three elements in designing.

第二部分是本文的创新之处，分别从"形"、"神"、"意"三方面对传统图形的精髓进行探讨，"形"主要提取了传统造型元素中的线和具有中国民族风格的构成形式——回旋形进行着重分析，有较为详细而完整的结构体系；"神"主要结合中国的传统哲学和审美思想对中国传统造型所追求的空灵、意境进行论述，"意"主要从传播学的角度对传统图形所特有的民族信息传达功能进行分析研究。

The sea was roaring hollowly in the distance , the fields were bare and sere , scarfed with golden rod , the brook valley below Green Gables overflowed with asters of ethereal purple , and the Lake of Shining Waters was blue-blue-blue not the changeful blue of spring , nor the pale azure of summer , but a clear , steadfast , serene blue , as if the water were past all moods and tenses of emotion and had settled down to a tranquility unbroken by fickle dreams .

大海在远处咆哮空洞，田野裸露和水生植物，与戈尔登勒德斜切，下面格林盖布尔布鲁克瓦利洋溢着空灵紫菀的紫色，以及夏宁沃特斯湖是蓝色的，蓝色的蓝色；不是多变蓝春，夏季也不是蔚蓝的苍白，而是一个明确的，坚定，平静的蓝色，因为如果水是过去的一切情绪和情感的时态，并定居下来到安宁由善变梦想从未间断。

The second part makes an innovative study of the soul of traditional Chinese graphics in the respect of "shape","essence", and "implication". The first element to be emphasized is "shape", which is mainly concerned with lineal designs and convolute designs in traditional graphics, the main two ethical factors employed in traditional Chinese design. The "shape" is a relatively complete and minute system. What is included in "essence" is to convey the effect of lucency and artistic conception in traditional plastic art, which embodies traditional Chinese philosophy and its aesthetic taste. The "implication" part makes a detailed analysis of the informative function of the particular ethical graphics from the perspective of disseminative theory. The third part is my application of the three elements in designing.

第二部分是本文的创新之处，分别从&形&、&神&、&意&三方面对传统图形的精髓进行探讨，&形&主要提取了传统造型元素中的线和具有中国民族风格的构成形式——回旋形进行着重分析，有较为详细而完整的结构体系；&神&主要结合中国的传统哲学和审美思想对中国传统造型所追求的空灵、意境进行论述，&意&主要从传播学的角度对传统图形所特有的民族信息传达功能进行分析研究。

The gentleman is hit by ideal personality example as Confucianism, one of the maximal life realm being always that the Chinese man of letters assiduously seeks, plum's being noble and pure is haughty , orchid's quietness and tastefulness is nimble and unpredictable, bamboo's modesty has festival and chrysanthemum's amorous out-of-the-way clear chastity exactly is that this appreciation of the beauty personality and inherent vigorous consummation unfold, as a result, through the ages, symbol and metaphor that plum , orchid , bamboo , chrysanthemum are filled with long ago as the personality garment front, become Chinese chanting the thing poem and middle the well liked painting of man-of-letters subject matter , praise highly being eulogized by common people.

君子作为儒学中理想人格的典范，一直是中国文人孜孜以求的最高人生境界之一，梅的高洁傲岸，兰的幽雅空灵，竹的虚心有节以及菊的冷艳清贞正是这种审美人格和内在精神的完美展现，因而，古往今来，梅、兰、竹、菊早已作为人格襟抱的象征和隐喻，成为中国人咏物诗和文人画中最受欢迎的题材，为世人所赞颂推崇。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了