空幻的

As when a Vultur on Imaus bred, Whose snowie ridge the roving Tartar bounds, Dislodging from a Region scarce of prey To gorge the flesh of Lambs or yeanling Kids On Hills where Flocks are fed, flies toward the Springs [ 435 ] Of Ganges or Hydaspes, Indian streams; But in his way lights on the barren Plaines Of Sericana, where Chineses drive With Sails and Wind thir canie Waggons light: So on this windie Sea of Land, the Fiend [ 440 ] Walk'd up and down alone bent on his prey, Alone, for other Creature in this place Living or liveless to be found was none, None yet, but store hereafter from the earth Up hither like Aereal vapours flew [ 445 ] Of all things transitorie and vain, when Sin With vanity had filld the works of men: Both all things vain, and all who in vain things Built thir fond hopes of Glorie or lasting fame, Or happiness in this or th' other life; [ 450 ] All who have thir reward on Earth, the fruits Of painful Superstition and blind Zeal, Naught seeking but the praise of men, here find Fit retribution, emptie as thir deeds; All th' unaccomplisht works of Natures hand, [ 455 ] Abortive, monstrous, or unkindly mixt, Dissolvd on earth, fleet hither, and in vain, Till final dissolution, wander here, Not in the neighbouring Moon, as some have dreamd; Those argent Fields more likely habitants, [ 460 ] Translated Saints, or middle Spirits hold Betwixt th' Angelical and Human kinde: Hither of ill-joynd Sons and Daughters born First from the ancient World those Giants came With many a vain exploit, though then renownd: [ 465 ] The builders next of Babel on the Plain Of Sennaar, and still with vain designe New Babels, had they wherewithall, would build

好像一只伊马乌斯山上生长的秃鹫，在雪岭环绕着鞑靼人流浪的地方，食饵的缺乏迫使他们到放牧羊群的诸小山上去，吃饱了羊羔的肉之后，飞向印度恒河或印度河的发源地；途中降落在丝利刻奈的荒野，那儿的中国人用风帆驾驶藤的轻车。魔王如同这鸷禽，独自徘徊在如海洋一样多风的大地上，寻觅食饵。他真觉孤单，因为那里还找不到其他生物，无论是活，是死；只是后来，罪恶用虚荣填满了人的事业，才从地上升起一切虚无缥缈的东西，像飘浮的气体一般升腾到那里：包括一切虚幻的东西，以及所有人，那些把他们的光荣希望、不朽声名、今生来世的幸福都建筑在虚无缥缈上的人们。有些人在今世得了报应，即可悲的迷信和盲目的狂热追求所结的果实，只追求凡人的称赞，和他们的空虚行为相称的酬报，空虚。自然所未完成的工程，流产的、畸形的、乱七八糟混杂在一块儿，在地上消灭了，都飞到这里来，在这里徒然彷徨，直到最后破灭；有些人把梦想寄托在邻近的月球上，那同样是荒谬的。在那银色的世界里，有各种各样的类族：近乎真实的居民，超升的圣者，介乎天使和人类之间的中性精灵；神的众子和人间女子所生的巨人族，首先从古代世界来，当时很出名，还带来了许多空幻的功业。其次是示拿平原上巴别塔的建筑者，他们还有虚空的计划，要是材料有余的话，还要建筑些新的巴别塔。

Delany's novel Trouble on Triton is subtitled An Ambiguous Heterotopia to highlight that it is not strictly utopian.

但是他们并非在做一项仅仅是想像或空幻的搬弄，就如乌托邦主义这个词汇的通俗用法所指的一般。

The mind,in fact,is as empty,as impermanent,and as transient as a dream.

我们的心其实是空幻的、无常的，如梦般空虚短暂。

While thoughtless ideas preoccupy your mind, the truth is blocked.

当空幻之念盘踞了你的心，真理就被挡在外面了。

In this country, the "smart" people have these logical, linear abilities, while right-brain people are often seen as flighty, spacey, artsy-fartsy.

在这个国家，"聪明"的人们具有那些逻辑、线性能力；而右脑思考的人们经常被视作轻浮、空幻、艺术、做作。

The world in painting is oneself who been taked away in the barren city in winter. Those girls who wandering in the weald, with deformed look and smiling but sorrowful face, telling those dreamy and gray material desire of youth in memory.

画中的世界是在冬日荒芜城市中被带走得自己，那些游荡在原野上，是笑非笑忧郁的脸孔，如同畸形般的女孩儿，讲述着记忆中那些空幻的、灰色的青春物欲。

The limitation of Nietzsche's view of eternal creativity is that it denies the fundamental significance of production to the creativity of life. It entails illusoriness and weakness of his morality.

这一思想的根本局限性在于它否定了生产实践对于人的生命创造的基础性意义；这一局限决定了这一道德精神的空幻性和软弱性。

It is the obscene horror, the dry, fucked out aspect of things which makes this crazy civilization look like a crater. It is this great yawning gulf of nothingness which the creative spirits and mothers of the race carry between their legs.

正是对淫秽的惧怕，即事情干巴巴的、被人操过的那一面，使得这个疯狂的文明社会显得像个火山口，创造性精神和人类母亲大腿间正是这种张开大嘴打哈欠似的空幻感。

It is the obscene horror, the dry, fucked out aspect of things which makes this crazy civilization look like a crater. It is this great yawning gulf of nothingness which the creative spirits and mothers of the race carry between their legs.

正是对***的惧怕，即事情干巴巴的、被人操过的那一面，使得这个疯狂的文明社会显得像个火山口，创造性精神和人类母亲大腿间正是这种张开大嘴打哈欠似的空幻感。

She utilizes minimalist and conceptual techniques of repetition and sequence reassigning archival photographs with transcendental properties, and reconstructing history as present in the creation of space.

她的作品中充满了对史前器皿，大自然中几何图案和伊斯兰建筑的重新遐想，运用极少主义和重复概念的技术以及重新安排顺序的空幻档案摄影，重现历史和现实的空间。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失