移情

It was this methodology that made it possible for Freud to discover transference, countertransference, defenses, and resistance.

正是这种方法论使弗洛伊德发现了移情、反移情、防御及阻抗。

Their own culture as a result of being ethnocentric, stereotyped and prejudiced to each other.

说明了移情的概念，阐明了移情在跨文化交际中的作用，即移情能力是有效交际的前提和保证

At first,"empathy"was discussed by Theodor Lipps to clarified some Aesthetic problems. Then it was used to explain how people share their feelings among one another in sociology.

他从哲学的角度构想"移情"，以此为基点，首先用"移情"解释美学问题，进而在社会学领域用"移情"来解释人们是如何相互分享情感的。

Although at the beginning, Husserl described empathy always accompanied with his critiques to Lipps, the methods they used and the questions they thought are very similar. After all, on the one hand, Husserl accepted the main senses of empathy founded by Lipps.

虽然胡塞尔对移情的叙述总是伴随着他对利普斯移情论的批评，但他还是接过了利普斯移情概念的自我论起点，而且其移情叙述细节也和利普斯有诸多相似之处。

Although Professor Zhu Guangqian somewhat criticized Theodor Lipps'"empathy", he accepted Lipps' idea about it on the whole. Further, he attempted to interpret Wang Guowei's "ego-involved realm" through empathy.

虽然朱光潜曾对立普斯的"移情说"作过一些批评，但他总体上接受了立普斯"移情说"的观念方式，并试图用"移情"来解释王国维的"有我之境"。

Although three of them had different inclinations and purposes, for example Husserl intended to consider and rebuilt empathy in order to perfect his transcendental epistemology, Heiddeger tried to be alert and reflected on the true sense of Lipps' empathy in his own existential philosophy, and Scheler analyzed and criticized Lipps' empathy with the phenomenological analysis of all kinds of general forms of sharing feelings, they all tried their best to avoid the negative influence of solipsism of Lipps' empathy and claim others can be reduction and put emphasis on the independence of the others and look the other as thing-in-itself and another ego.

虽然三者立足于各自不同的哲学构想：胡塞尔侧重在先验认识论层面批判和改造移情，海德格尔从生存哲学反思移情的实质，舍勒则在对共感的现象学分析下批判移情，但他们都试图校正利普斯"移情说"把自我凌驾于他者之上的"唯我论"倾向，而强调他者作为另一个自我不可还原的陌生性、独立性和自在性。

The first chapter expounds that life care of the traditional culture constitutes the solid foundation and psychological support for Zhu Guangqian's study of traditional aesthetic thought, and elaborates the unique discovery that there is a deep connection between Zhu Guangqian and the literary theory of the Tong Cheng School. The second chapter sets forth the experience of Zhu Guangqian's traditional aesthetics which takes interest as the theoretical pivot, empathy as the theoretical core, and artistic life as the destination. and deeply explores and analyzes the inside information of the traditional culture and the dilemma of the fusion of the Chinese and western cultures contained in Zhu Guangqian's empathy thought. The third chapter discusses Zhu Guangqian's identification to affective intention experience of the traditional aesthetics and experience approach of the aesthetic feeling. The fourth chapter states Zhu Guangqian's prospects of life significance and ponderation of imaginal thinking in his later years.

第一章论述传统文化的生命关怀构成朱光潜传统美学思想研究坚实的精神基础和心理支持，独特地发现了朱光潜与桐城文论的深刻联系；第二章论述朱光潜以情趣为理论支点、移情为理论核心、人生艺术化为理论归宿对传统美学审美精神的体认，深入地探析了朱光潜移情思想的传统文化底蕴和中西融合的困境；第三章论述朱光潜对传统美学情感意向性体验和审美感兴体验方式的认同；第四章论述朱光潜晚年对传统美学人生意蕴的展望和形象思维方式的沉思。

Empathise - Using empathy is an effective way to deal with the customer's feelings.

移情法。移情法是安抚客户情绪的一种非常有效的方法。

In variant rhetoric, personification, transferred epithets, change of word class, etc, are the result of empathy.

变异修辞中的拟人、移就、转品等，就是移情作用的结果。

Qualitative analysis showed that the identified "transference situation" included five types of "self-representation transference," three types of "object representation transference," and six types of "object relations transference."

质的分结果显示专家所辨出之「移情情境」包括五项「自我表徵移情」、三项「客体表徵移情」、项「客体关系移情」以及五项「正向客体关系移情」。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。