科特

Kupchak points to the big board in his El Segundo office listing the personnel of every NBA team, a G.M.'s standard wall accoutrement."Kobe's not the first player to voice frustration with his team," he says. He stops there, but he could have thrown out names such as Kevin Garnett, LeBron James, Jason Kidd and Paul Pierce. Though none did it as loudly as Bryant.

库克指着在他办公室里的列举着 NBA 球队每个球员的交易板，科比不是第一个对他所在球队感到挫败感的球员，他说着，但是他只是说道这里为止，他又列举了些球员，比如说加内特，詹姆斯，基德和皮尔斯，但是没有一个球员像科比一样的大声说出来。

To accuse somebody of doing something,和 to charge … with

迪米特利指责了阿列科，因此他向阿列科道了歉。

David Janka, skipper of the Auklet, quipped that the Chamber of Commerce should change its tourist pitch from "Cordova—Alaska's Hidden Treasure" to the more descriptive "Cordova—Paradise with Rain."

戴维·詹卡，奥克雷特号的船长，打趣说商会应该把他们的旅游口号从"科尔多瓦——阿拉斯加的宝藏"改为"科尔多瓦——雨的天堂"才更贴切些。

Malcolm's work on Post-Katrina New Orleans has been exhibited at the Colorado Springs Fine Arts Center, the Mobile Museum of Art, the New Orleans Museum of Art, the Warehouse Gallery, Washington DC, B-Complex, Atlanta and Barrister's Gallery, New Orleans with solo exhibitions at Tigh Fili Cultural Centre in Cork, Ireland, the Balor Arts Centre, Donegal, Ireland, the University of New Orleans' Fine Arts Gallery and the Thomas Hunter Gallery, New York.

马尔科姆关于飓风后的新奥尔良的作品曾在科泉市精良艺术中心，移动艺术博物馆，新奥尔良艺术博物馆，Warehouse画廊，华盛顿特区，B- Complex，亚特兰大和Barrister画廊展出。关于新奥尔良的个人画展曾在爱尔兰考克的Tigh Fili文化中心，爱尔兰多尼格尔的巴勒艺术中心，新奥尔良大学艺术馆和纽约的托马斯亨特美术馆展出。

In fact, many of the most distinguished British radicals such as Thomas Paine, William Cobbett and Richard Cobden spent much of their energies attacking the state of their day.

事实上，英国许多最著名的激进分子——例如托马斯潘恩、威廉科贝特和理查德科布登——都将大部分精力用于抨击他们那个时代的政府。

Hold the position of platform A controller in Colman two week hind,· of collect favour of law section Er and COO Gelante is replaced by Armstrong.

就在科尔曼担任平台A负责人两周后，法科尔和COO罗恩·格兰特就被阿姆斯特朗取代。

The Corellian Diktat, who was little more than an Imperial puppet, lost his power base and became a target of resentful Corellians.

科瑞利亚人迪塔特充其量不过是帝国的傀儡，他失去了有力的支持，成为科瑞利亚人怨恨的目标。

The first was held in 1895 when Dvorak and Rimsky-Korsakov were alive and when Mahler, Debussy, Richard Strauss and Sibelius were young men.

最早的一次是1895年举办的，当时德伏夏克、里姆斯基·科萨科夫还健在，马、德彪西、理查德·斯特蒂斯和西贝柳斯还是年轻人。

Dressed in black trouser suit, Bruni-Sarkozy strummed guitar alongside former Eurythmics musician Dave Stewart as they performed a duet on Saturday night, singing a slower version of Bob Dylans "Blowin in the Wind" while the French president smiled and clapped sitting in the audience.

周六晚上，布吕尼-萨科奇身着黑色长裤套装，一边弹奏着吉他，一边用慢版唱着鲍勃·。迪伦的《飘在风中》。在她身边和她一起表演的是舞韵合唱团（译者注：该合唱团为英国前卫电子合成音乐传奇团体）的前乐手戴夫·。斯图尔特。法国总统萨科奇在观众席中向她微笑、鼓掌。

That there was some awareness of a change in musical techniques and outlook in the years around 1320 is suggested also by the earliest music to exemplify the notation described in Philippe de Vitry's treatise, the motets for the roman de Fauvel copied into manuscript F-Pn fr ,146 in 1316, some of them extensive works several times longer than the motets of the previous generation and displaying a range of notational values far greater than it was possible to notate with the previous Franconian and post-Franconian techniques.

人们已经意识到这些音乐技术的改变，并且在1320年前后出现的这个观点也通过早期音乐证明了维特利的论文中描述的记谱方法。1316年抄录进《福威尔传奇》的经文歌的乐谱，其中有些篇幅很大，数倍于先前的经文歌，并且显示出的音符种类的增多远多于先前记载的弗朗科式经文歌和后弗朗科式经文歌记谱方法。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。