科特

It's strange that Jack Nicholson and Scorsese have never worked together, since they seem like a natural fit; he makes Frank Costello not a godfather, not a rat, not a blowhard, but a smart man who finally encounters a situation no one could fight free of, because he simply lacks all the necessary information.

尼科森和西科塞斯从未合作让人不得其解--他们像为彼此而生。尼科森的卡斯特罗不是气度威仪的教父，不是卑鄙下作的小人，不是虚张声势的大话王，而是聪明绝顶，因不能手眼通天，终不能逃出生天。

The South West is a region of contrasts对比,对照,(对照中的差异-- Wiltshire, where South West England begins less than an hour from London; Gloucestershire, home to the Forest of Dean and the Cotswolds; Dorset, an area of outstanding natural beauty and bordered by the Jurassic coastline; Bristol and Bath, with centuries of history and culture; Somerset, a mix of heather covered Exmoor and the levels of Devon, with two coastlines and wide open spaces; Cornwall, bounded by the sea and steeped in Celtic tradition with the delightful Scilly Isles, each with its own features and attractions.

西南部的景色对比鲜明威尔特郡是西南部的开端，离伦敦不到一小时路程；格洛斯特郡拥有迪恩森林和科茨沃尔德丘陵；多塞特郡是杰出自然风景区，与侏罗纪海岸线接壤；布里斯托尔和巴斯享有几个世纪的历史与文化；萨默塞特郡有石楠覆盖的埃克斯穆尔和层层叠叠的塞奇穆尔高沼；德文郡的两条海岸线和广阔空间相互衬托；康沃尔郡以海为界，凯尔特传统根深蒂固，锡利群岛美丽如画；每个郡都各有特色。

Then he said to Glaucus son of Hippolochus, Glaucus, why in Lycia do we receive especial honour as regards our place at table?

他张口喊叫，对着格劳科斯，希波洛科斯的儿郎：格劳科斯，在鲁基亚，人们为何特另u敬重你我，让我们荣坐体面的席位，享用肥美的肉块，满杯的醇酒，而所有的人们都像仰注神明似地看着我俩？

I am twenty-two blocks from where Rudolph Valentino lay in state, eight blocks from where Nathan Hale was executed, five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle, thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without.

黑尔就义在8个街区之外，5个街区之外的出版社办公室中厄内斯特？海明威(1899-1961，美国著名作家)曾挥拳击中马科斯？伊斯特曼（海明威同时代美国政治家）的鼻子，在4英里外瓦尔特？惠特曼(1819-1892，美国诗人)曾奋力为《鹰报》撰写社论，34个街区之外是威拉？凯瑟(1873-1947，美国作家)在纽约为内布拉斯加拓荒者著书立传时居住的街道，玛瑟琳曾经常在一个街区之外的马戏场扮演小丑，36个街区之外是历史学家乔高德在大庭广众下踢烂收音机的地方，哈里？福射在13个街区之外杀了斯坦福？怀特（1906年），5个街区之外是我曾做引座员的大都会歌剧院，而在112个街区之外老克拉伦斯？戴(1874-1935，美国作家)在主现节教堂洗去他的罪过；也因而，我此刻置身的房间可能迎接过无数显赫人物，一些人是在令人窒息的炎热下午到来，孤独而隐退，散发着莫名的自我。

Representing some of the most influential models including Kate Moss, Jourdan Dunn, Cindy Crawford, Lily Cole, Sophie Dahl, Eva Herzigova, Alek Wek, Carla Bruni and boys Trent Ford, Sam Branson and Matthew Avedon, Storm began life in 1987 in a tiny house in Battersea.

约占最有影响力的车型包括凯特莫斯，卓丹邓恩，辛迪克劳馥，百合，科尔柔达尔，爱娃赫兹高娃， Alek Wek ，卡拉布鲁尼和男孩特伦特福特，三布兰森和马修埃夫登，风暴开始于1987年生活在一个小家中巴特西。

Gueli meters, Sanchez, carrasco, Schuster,乌鲁蒂, Maradona, Zubizarreta, Lineker, Vaquero, Kibaki agency,阿摩尔, Farmer and Labor Laudrup, Ferrer, Stoichkov, Guardiola, Romario, Sergi,阿贝拉多, Ronaldo, Luis.

米圭利，桑切斯，卡拉斯科，舒斯特尔，乌鲁蒂，马拉多纳，苏比萨雷塔，莱因克尔，巴克罗，贝吉里斯坦，阿摩尔，科曼，劳德鲁普，费雷尔，斯托伊奇科夫，瓜迪奥拉，罗马里奥，塞尔吉，阿贝拉多，罗纳尔多，路易斯。

It was well said by Themistocles to the king of Persia that speech was like cloth of Arras opened and put abroad; whereby the imagery appears in figure; whereas in thoughts they lie but as in packs".

塞密斯托科利特对波斯的国王说得好：&语言就如同一块展开的花毯，上面的图案展现在外；而思想却包裹在语言的里面。&（ Themistocles 塞密斯托科利特：公元前524--公元前460，享年64，雅典政治家。

Igor Sposobin ? book " the harmony Guide", Paul Hindemith ? book "A Concise Course of traditional and acoustic",Rimsky Korsakov ? book "Practical Guide and acoustic",Percy ? The Stankevicius book and acoustic, Theodore Dubois ? a "theory and practice and acoustic Guide", Walter ?

伊·斯波索宾等人合著的《和声学教程》、保罗·兴德米特著《传统和声学简明教程》、里姆斯基·科萨科夫著《和声学实用教程》、柏西·该丘斯著《和声学》、泰奥多尔·杜布瓦著《理论与实践和声学教程》、瓦尔特·辟斯顿著《辟斯顿和声学》这六本和声教科书，是多年来沿用至今的六本较好的和声教材。

As one of the established pianist in Russia, Mr. Egorov has performed all over the world in all major music concert halls. He has given master classes in Korea, Taiwan, Italy, Sweden, The Netherlands, and has published over 100 recordings worldwide. His repertoires including solo performance, chamber music, and orchestral concertos, consisting works of Bach, Chopin, Hayden, Mozart, Beethoven, Schubert, Schumann, Mendelssohn, Handel, Brahms, Mussorgsky, Rachmaninoff, Skriabin, Prokofiev.

Pavel Egorov 作为俄罗斯当代最优秀的钢琴演奏家，他的演奏会遍及整个欧洲，以及加拿大、美国、中国、日本，其中多数举行在世界上最优秀的音乐厅当中，他应邀到韩国、台湾、意大利、瑞士、荷兰举行过大师班讲座，在全世界范围内出版超过100张 CD ，所演奏曲目囊括了独奏、室内乐以及交响乐协奏，包含了巴赫、海顿、莫扎特、贝多芬、舒伯特、肖邦、舒曼、门得尔松、亨得尔、勃拉姆斯、穆索尔斯基、柴科夫斯基、拉赫玛尼诺夫、斯克里亚宾、普罗科菲耶夫等几乎所有时代最优秀作曲家的作品。

With the total number of works published amounting to almost 190 million, Diogenes has so far released more than 5,800 titles, out of which more than 2,000 are still available. These include classics such as Montaigne, Shakespeare, Moliere, Flaubert, Stendhal, Balzac, Dickens, Tolstoy, Chekhov; modern classics such as Georges Simenon, William Faulkner, F. Scott Fitzgerald, George Orwell, Carson McCullers, Patricia Highsmith; bestselling authors such as John Irving, Paulo Coelho, Donna Leon; and equally successful German-speaking writers such as Alfred Andersch, Friedrich D rrenmatt, Urs Widmer, Hugo Loetscher, Ingrid Noll, Jakob Arjouni, Erich Hackl, Bernhard Schlink, Doris D rrie, Martin Suter and Patrick S skind.

他们的作者名单包括了经典作家蒙田、莎士比亚、莫里哀、福楼拜、司汤达、巴尔扎克、狄更斯、托尔斯泰、契诃夫，现代经典作家乔治·西默农、威廉·福克纳、司各特·菲茨杰拉德、乔治·奥威尔、卡森·麦卡勒斯，派翠西亚·海史密斯，畅销书作家约翰·欧文、保罗·科埃略、唐娜·莱昂，还有同样出色的德语作家们，如艾尔弗雷德·安德森、弗里德里克·迪伦马特、乌尔斯·维特默尔，胡戈·罗彻尔，英格丽特·诺尔，雅各布·阿约尼，埃里希·海克尔，本哈德·施林克，桃丽丝·多利，马丁·苏特和帕特里克·聚斯金德。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。