离

And at any time and for their stampede down loose rocks and the risk of not easy to climb three of the crater from the mountain half way there, three in addition to physical serious consumption, but also found in front of the slope has become a nearly 90-degree vertical cliff.

以及冒着随时因踩踏松动的岩石而滑落的危险，三人很不容易的爬到了离火山口还有一半路程的半山腰，三人除了体能的严重消耗外还发现前面的斜坡已经变成了近乎90度垂直的悬崖。

I have received no answer, my dear, I do not know why you abandoned me ..

亲爱的，你还没给我答案，我不知道你为何离我而去。。。

He abandoned his wife and went away with all their money.

他离弃了他的妻子并且带走了所有的钱。

You will also face heartbreak and abandonment by those you love.

你爱的人也会伤你的心甚至离你而去。

Four destroyers stood near, abeam, and targeted hundreds of smaller craft—Phantoms, Spirits, and even Banshees—that attempted to evacuate the surface of the ring structure.

四艘驱逐舰离它很近，正对着，瞄准上百艘小飞船——幻影级，幽灵级，甚至还有女妖攻击机——似乎意图撤出环状建筑的表面。

Up and down: leading ahead; leading after; leading to port; leading to starboard; anchor leading abeam; chain across ship's head; anchor is foul; anchor is aweigh; anchor is up; anchor is clear.

锚链垂直；锚链向前；锚链向左；锚链向右；锚链打横；锚链绕过船头；锚链绞缠；锚离底；锚出水；锚清爽。

German newspaper Handelsblatt News Abend is a typical example.

德国报纸Handelsblatt News Abend不离是一个榜样的例子。

As long as you remember that five sensations are aberrance.

只要心中一直念着五受阴均是变异法，都不是常，是抓不住，握不牢，随时都会离你而去的。

It should be recognized that the last 25 years were an aberration and we cannot go back there.

我们必须意识到过去的25年已经离我们很遥远，我们不能回到过去。

The abidance of economy of a country stabilizes growth to cannot leave the medium and small businesses with numerous amount.

一个国家经济的持续稳定增长离不开数量众多的中小企业。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。