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福克纳

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In Absalom, Absaloml, Faulkner displaced the archetypes in four aspects: motives of incest, attitudes towards incest, motives of fratricide and results of fratricide.

在《押沙龙,押沙龙》中,福克纳对原型进行了四个方面的变形:乱伦的动机、对待乱伦的态度、轼兄的动机及是轼兄的后果。

Our press is now six years old and we are planning on using it for another ten," says Friedrich Falkner."

我们的新闻自由是6岁,我们使用它的另外十个规划,"弗里德里希福克纳说。"

Part one _ four analyze four characters respectively. These characters are respectively Emily Grierson, the heroine in Faulkner"s most notable fiction "A Rose for Emily, Jones Wash, an elderly poor white, from Absolom !

论文主体由五部分组成,前四部分分别论述四位边缘人物形象,他们是福克纳最著名的短篇小说《献给爱米莉的一朵玫瑰》的主人公爱米莉·格里尔生,长篇小说《押沙龙!

His novels won him William Faulkner Award, Guggenheim Fellowship and various other awards.

他的小说为他赢得了威廉·福克纳奖、古根海姆奖及其他的一些奖项。

And the interior monologue Faulkner used helps him achieve the most desirable effect of exploring the nature of human consciousness.

福克纳和内政部独白达到最理想的使用效果,使他们在探索人类意识的本质。

There are three very important women in the novel, Mrs. Compson who is tortured by the Southern traditional ladyhood, Caddy with the rebellious spirit, and the last one is Dilsey who symbolizes the future of human being.

在小说中福克纳着重刻画了三位女性形象,一个是被美国南方传统妇道观扭曲的康普生太太,一个是具有反叛精神的凯蒂,还有一个是象征人性复活的理想人物迪尔西。

Through the detailed analysis of Caroline Compson in The Sound and the Fury as a failing mother, it is attempted to argue that the mothers are the victims of the myth of the Southern ladyhood and lose all the feelings as women and the mothers. Their aloofness and inability harm their children and cause the families'disintegration.

通过对《喧哗与骚动》中的母亲形象凯瑟琳·康普生太太进行详细的分析,作者认为福克纳笔下的母亲们由于深受南方淑女神话与清教思想的双重毒害,几乎丧失了所有女性的感情和哺育子女的母性;她们的冷漠与失职不仅深深地伤害了孩子们的心灵,而且直接导致了家庭的解体。

In the 1960s, with the development of female liberation movement, the literary criticism of Feminism flourished. From then on, Faulkner's novels attracted the critics and became the objects of their research because of his reappearance of the myth of the South and the myth of Southern ladyhood in his novels.

上个世纪六十年代,伴随着妇女解放运动的风起云涌,女权主义文学批评展露峥嵘,也正是从那时起,威廉·福克纳小说因其史诗般再现了美国南方历史传奇和南方淑女神话,吸引了众多女权主义批评家,成为他/她们争相研究的对象。

By the fashioning of the rebellious women figures, Faulkner expresses his negative attitude to the myth of Southern ladyhood and his complex feelings of sympathy and perplexity, understanding and contradiction, and sustaining and reservation.

福克纳通过对塑造的叛逆者形象的塑造,表明了他本人对南方淑女神话的强烈否定,以及对南方新女性挑战传统,并进而构建女性主体身份所抱有的既同情又困惑、既理解又矛盾、既支持又保留的复杂心态。

In the late 1940s, Latin-American novels changed, as they had been influenced by the modernist novels of Woolf, Joyce, and Faulkner.

在1940年代末,拉美小说改变,因为他们受到了现代主义小说的伍尔芙,乔伊斯和福克纳

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