神话艺术

A leading biologist has compared the physiology of flighted species with the representations of spiritual and mythical creatures in art and found the aion gold angels and fairies that sit atop of Christmas trees did not get there under their own steam.

一位顶尖的生物学家从生理学角度，将飞行动物与艺术作品中时常出现的，宗教及神话中的精灵进行比对。他发现：无论天使、还是精灵都不可能凭借自己的力量飞到圣诞树上。

A leading biologist has compared the physiology of flighted species with the representations of spiritual and mythical creatures in art and found the angels and fairies that sit atop of Christmas trees did not get there under their own steam.

一位顶尖的生物学家从生理学角度，将飞行动物与艺术作品中时常出现的，宗教及神话中的精灵进行比对。他发现：无论天使、还是精灵都不可能凭借自己的力量飞到圣诞树上。

A leading biologist has aion gold compared the physiology of flighted species with the representations of spiritual and mythical creatures in art – and found the angels and fairies that sit atop of Christmas trees did not get there under their own steam.

一位顶尖的生物学家从生理学角度，将飞行动物与艺术作品中时常出现的，宗教及神话中的精灵进行比对。他发现：无论天使、还是精灵都不可能凭借自己的力量飞到圣诞树上。

A leading biologist has compared the aion kinah physiology of flighted species with the representations of spiritual and mythical creatures in art – and found the angels and fairies that sit atop of Christmas trees did not get there under their own steam.

一位顶尖的生物学家从生理学角度，将飞行动物与艺术作品中时常出现的，宗教及神话中的精灵进行比对。他发现：无论天使、还是精灵都不可能凭借自己的力量飞到圣诞树上。

Many others, who place a high value on art and literature, have made extensive use of the ideas of Jung, and Frazer as well, and have tried to show how archetypal myths lie behind all literature.

但是，有很多其他的理论家认为文学和艺术具有很高的价值，因此他们把荣格以及弗莱泽的思想广泛地应用于自己的研究之中，并且试图说明原型神话是所有文学作品的基础。

In the palace has utilized modern art techniques ingeniously and so on fine arts, sculpture, play, light, electric control, voice control and sound, in the concentrated expression novel between the person, the god, the evil spirit struggle, has demonstrated grotesquely and gaudily, the marvelous precinct myth boundary.

宫内巧妙运用了美术、雕塑、戏剧、灯光、电控、声控及音响等现代艺术手法，集中表现了小说中人、神、魔之间的斗争，展示了光怪陆离、奇妙无比的神话境界。

Helbig and Oskar Lüthy with whom he founded the "Moderner Bund"("Modern League") in 1911. Was one of the organizers of the first exhibition of "Der moderne Bund" in Lucerne, showing works by Amiet, Arp, Friesz, Gauguin, Gimmi, Helbig, Hodler, Lüthy, Matisse, and Picasso.

他的阴刻版画《绝妙的丑角》反映了他在雕刻中的形体变态的艺术风格，而作品《花》则表现了他驾驭多义的线条语言的才能：这里我们可以把&花&看成是高举手臂的人物形象，就象正在逃跑的达夫尼(希腊神话中的人物——译注化成了一棵月桂树)。

In this, the religion mystical also makesthe strength by one kind which one awes pester esthetic psychologicalaccumulating, and society\'s life found the significance forindividual.

又与一个民族生存的环境、生活的方式以及民族的文化传统密切相关，除了神话故事和宗教信仰的推波助澜作用外，藏族为什么看到白色会产生愉悦感，为什么喜欢特有的民族艺术形式是一个重要的问题。

The sword handle infixed into the ground is covered by Chinese tradition classical art images, including the calligraphy, the landscape painting, and the portrait and so on.

中国拍卖市场的火爆状况是空前的，国画大师的作品暴涨，突破亿元的成交额打造了种种亚洲拍卖的现代神话记录，雄辩地证明艺术与金钱的关系与西方比较在中国是倒过来的，结果与目的的起点是文化。

Contemporary art legitimizing itself within the broader art discourse, and established some new value standards for the art market and pop culture.

海外包抄本土、都市影响外省和乡村，中国艺术家的生存机智和曲线战略，在一定程度上造就了当代艺术的社会神话。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。