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神话艺术

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We can associate these afloat and homeless productions with Dali's work of art. Further more ,WanYiSheng never slided over his preference of surrealism in choosing backdrop. At the same time ,the conversant atmosphere indicated that his afflatus and gout come from the eastern myth.

尽管在他的作品中,那些飘浮和无所皈依的物象,会让人即刻联想到达利的艺术,而且,万异生本人也从不回避在图像的背景上对于超现实主义的偏好,但是,这种游戏的熟悉氛围却同时也在表明:他是在东方神话的文本想象中来汲取灵感、演绎趣味。

Whence artists have never been satisfied with these symbolic or allegorical explanations applied to works of art and to mythology.

何处艺术家们从来没有感到满意,这些象征性的或寓意的解释适用于艺术作品和神话。

To put the cities into literature, or art, is the best way to refuse a life of being routine, fixed or named. It will lead the city to experience difference and ambiguousness. The cities then get a whole different life style outside the name of history, get a new order for the events, and overturn the mythology of crown themselves to honors and dreams.

文学中的城市、艺术中的城市,这是抗拒常规化、被规定、被命名的生活的最好方式,同时把城市导向另外一种经验、导向不确定性、导向差异,在历史命题之外重构另一种异质的生活谱系,重新调整了城市事件的序列并颠覆了城市为自身加冕的荣誉与梦想的神话。

As a Western ceramist who is drawn to spiritual expression in art, and ceramics in particalar I have tried to loosely draw on the Chinese myths that I have encountered about a female Celestial deiity who watches over the latrine, or privy.

作为一位向往精神艺术性表达形式,尤其是陶瓷艺术的西方陶艺家,我曾尝试於中国神话学及自己际遇中寻找有关一位女神灵,她的神职是负责看守户外厕所,作为我的创作灵感的来源。

There is no one bible or book of common prayer for all Wiccans, however, and great value is placed on creativity, poetry and the artful integration of different myths and ritual elements.

没有一本圣经或英国国教的祈祷书包括了全部的巫术崇拜,然而不同的神话和宗教仪式原理综合了大量的创造力、诗歌、艺术。

It mainly includes English vocabulary derived from Dionysus,the theory of archetype and the influence of Dionysus on western literature,the special charm of Dionysia and its influence and the spirit of Dionysus's impact on western culture.

因此通过解析希腊神话中的酒神狄奥尼索斯对西方文化的影响,我们可以对现代西方文学、宗教、哲学、艺术等方面有更深层次的理解。

In the opera, just as in the abstract character of our mythless existence, in an art degenerated to mere entertainment as will as in a life guided by concepts, the inartistic as well as life-consuming nature of Socratic optimism had revealed itself to us.

在歌剧上,正如在我们那无神话存在的抽象状态,在堕落为娱乐的艺术上,正如我们凭概念指导的生活方面,我们都见到苏格拉底乐观主义,它既否定艺术,又虚度人生,幸而还有一些使我们快慰的征兆。

Participate in Carton book publishing and animation creation , and do business of painting , ceramic art , calligraphy sculpture art work good at carton creation and scripter of china classical fairy tale .

主要从事动漫图书出版和动画制作,并从事油画,陶瓷艺术,书法,雕塑,工艺品等艺术作品经营,擅长中国古典神话题材的动画作品创作与编剧,熟悉佛门和道家的专业知识,与国内一些专业的佛教专业人士有经常的往来。

The tragic myth too, insofar as it belongs to art at all, participates fully in this metaphysical intention of art to transfigure.

悲剧神话既然主要是属于艺术范围,它也就完全参予一般艺术美化现实的哲理目的。

First of all, Chinese unique geographical surroundings result in cultivation civilization, in which people's living and production were utterly influenced or even controlled by sun and such disasters as floods and droughts caused by sun made our ancestors much more dread and hate the moon. On the contrary, in the view of our ancestors, moon not only is beneficial to the growth of crops, but brings about brightness, coolness and enjoyment, which in turn makes moon much more popular than sun. As a carrier of national emotion, mythology also contributes to the development of "valuing moon above sun"in that the collective unconscious of hating sun but loving moon reflected in mythologies such as "Hou Yi Shot the suns"and "Chang E's fly to moon"easily finds its expression in the course of selecting poetic images. Philosophically,"masculine"and "feminine"are realized in many aspects of social life, but the trinity of sun, monarchy and father, which is identical with "masculine"dominates the political and ethical field while the trinity of moon, mother and daughter, which represents "feminine", plays a leading part in culture and art. So far as poetry is concerned, the image of moon has an overwhelming superiority. Aesthetically speaking, the moon spirit has been embodied in several ways. Moon is both the origin and the summit of such aesthetic standards as softy, sweetness and clearness, so it is reasonable that the image of moon has been regarded as aesthetic object in poetry much more frequently than the image of sun.

中华民族所处的独特的地理环境孕育出了农耕文明,在农业社会中,太阳对人们的生产生活具有绝对的控制与影响,因日而起的水旱灾害更加深了先民对太阳的畏惧与仇恨;而月亮在先民心中,不仅能促进农作物的生长,而且带来了与太阳相反的皎洁、清凉、闲适,所以月亮比太阳受到更多的欢迎;神话是是民族情感的载体,&后羿射日&与&嫦娥奔月&所映射的恨日爱月的集体无意识,在诗歌意象的选取中自然地流露出来,有助于&重月轻日&现象的形成;哲学上的&阴&&阳&范畴在人们社会生活的多个方面均有体现,但与&阳&直接同一的&日—君—父&三位一体控制了政治、伦理领域;而代表&阴&的&月—母—女&则在文化、艺术领域占据了突出地位,具体到诗歌中,则是月亮意象完全压倒日意象;审美上的月神精神,在月亮意象上得到了多方面的反映,月亮既是阴柔美、恬静美、澄澈美等艺术审美准则的来源,也是其最高体现,月亮意象自然比日意象更多地进入诗歌审美领域,成为审美对象。

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