神话的产生

The essence of a mythology was that art produced evolution in the acceptable process. This is due to logic evolution in west art history,the relationship change between accepter and creator in the painting market,the artists art thoughts' orientation difference of the...

这神话的本质正是艺术在接受过程中发生了性质嬗变，它是由西方艺术史自身逻辑的演进、美术市场中接受者与创作者之间关系的变化、艺术家本人的艺术思想在不同时代接受者定位差异等方面的原因而产生的。

From the first and the second part, it is clearly that there are many common senses between"A Chinese Bestiary"and Qu Fu on the myth materials.

从第一、第二部分的论述中可以看出《山海经》和屈赋中的神话材料有许多共同之处，"这种大同小异的现象，只能解释作二者是同一文化区的产物，并且产生年代也相差不远，由于都是根据当时当地神话传说而作，故而才大体相同而又取舍详略各异。"

It mainly includes English vocabulary derived from Dionysus, the theory of archetype and the influence of Dionysus on western literature, the special charm of Dionysia and its influence and the spirit of Dionysus s impact on western culture.

希腊神话中的主神－酒神狄奥尼索斯在西方文化各个领域中产生深远的影响，其中主要包括从酒神派生出的词语、神话原型理论及酒神对西方文学产生的影响、酒神节的魅力及对希腊女性的影响、酒神精神4个方面。

That life comes with death is a fate common to all human beings One could observe the phenomenon of death but never understand its reality which explains why humans have had such a great fear of death Yet death remains a brutal fact after all and only with an adequate interpretation of it can human being face up to death The present dissertation is intended to explore ancient views on death in terms of three kinds of "life-seeking" attitudes: metaplasia resurrection and longetivity The primitives employed the collective myth-making to explain the riddle of death and create the belief in the "solidarity of life " Chuang-tzu accepted such a belief and developed in addition the idea of "qi" through his concept of "metamorphosis " In the period of Eastern Zhou it became popular to imagine dead people turning into ghosts and this brought out the idea of "soul " Yet is there another world after one dies?

有生必有死，是人类共同的命运。死亡的现象可以观察，但死亡的真相却是永远无解，因此人类害怕死亡。可是，死亡毕竟是一项事实，对它有所诠释，才能让人明白如何面对死亡。这篇论文希望探讨古人的死亡观，是以三种「求生」的态度：化生、复生，与长生，来进行讨论。原始人类集体创作神话来解释死亡谜团，透过「变形」此一律则，产生「生命一体化」的信念。庄子继承「生命一体化」的信念，他从「变形」的观念发展出「气」的观念，藉此说明他对於死亡的态度。东周时期，人死之后变成鬼的想法普遍流行，产生「魂魄」的说法。人死后是否会有另一个世界？

Further more, this is a logical study about the cultural source. In the "introduction", he classified the spreading and recording Mongolian myth in several types, and deduced its order of produce and inside contact in logical way.

基于这种认识，本文在"导论"中，对口传的和文献记载的所有蒙古神话材料进行逻辑分类，从原始思维发展逻辑出发，对各类神话产生的大致逻辑次序及其内在联系作了推导，从而为后面的研究奠定基础。

Love of Story of Myth : Druidry recognises and uses the power of mythology and stories .

神话之爱：德鲁伊教义承认并使用神话故事产生的力量。

In discuss procession, enter upon from the myth a history for producing background first, to think that the matriarchal clan society of the primitive society is period which provide for the blood relationship ease in Chinese myth a certain having take a ply sexual in allusion to.

在论述过程之中，先从神话所产生的历史背景开始着手，认为原始社会的母系氏族社会时期为中国神话血统性的存在提供了某种具有倾向性的暗示。

The second part """"The Cultural Ecosystem and Basic Feature for The Creation of The Epic"""", the author discusses the cultural reasons why so many epics are exiting in the minority nationalities community in South-west China. The following angles are under argument: ecosystem, history, literature and psychology factors. At the same time, the author also analyzes the basic feature of the epic, introducing the relationship between the epic and myth.

第二部分&创世史诗产生的文化生态系统及其基本特点&，作者从生态环境、历史文化根源、文学渊源和心理基础等几个角度论述了&创世史诗&集中出现于中国南方少数民族社会中的文化生态原因，具体分析了创世史诗的基本特点，介绍了创世史诗与神话的关系。

The chief significance of this novel is that it destructs three main"era myth": 1/the myth of social revolution 2/the myth of romantic love and beauty and satanic hedonim 3/the rationalism which makes opposition between subject and object this is the core of modern culture.

本章首先论述了《无名书》把握时代的独特的宇宙视角，并将《无名书》纳入到其所产生的时代社会语境中去考察，认为其意义主要在于，它破解了其时代流行的&三大时代神话&：社会改造主义的&神圣化&神话；浪漫主义的&爱和美&以及&恶魔主义&的&感官享乐&神话；以及现代性文化的最深内核——主客体二元对立的唯理主义神话。

In many ways, science is the critique of myth W.B.

从多方面来看，科学是神话的批评性分析所产生的。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。