神话学的

What is the myth from the viewpoint of Anthroposophy?

人智学观点下的神话为何？

As a Western ceramist who is drawn to spiritual expression in art, and ceramics in particalar I have tried to loosely draw on the Chinese myths that I have encountered about a female Celestial deiity who watches over the latrine, or privy.

作为一位向往精神艺术性表达形式，尤其是陶瓷艺术的西方陶艺家，我曾尝试於中国神话学及自己际遇中寻找有关一位女神灵，她的神职是负责看守户外厕所，作为我的创作灵感的来源。

Traditions in the Midrash concerning Lilith, and her sexual appetite, have been compared to Sumerian mythology concerning the demon ki-sikil-lil-la-ke, by scholars who postulate an intermediate Akkadian folk etymology interpreting the lil-la-ke portion of the name as a corruption of lilitu, literally meaning female night demon.

在《米德拉西》的传统里面，有关莉莉丝以及她的性取向问题，可以比作闪族人神话中的魔鬼 ki-sikil-lil-la-ke ，被学者们假定的一种阿卡德语词源学解释的一个媒介，名字的其中一部分 lil-la-ke 是 lilitu 的一个源头，字面意思是"夜间的女魔鬼"。

It is the original hunting God Zhang Goro as the basic religious totems; with unique ethnic customs, lifestyle, savoir-faire and thought characteristics as the main content; to myths and legends, original songs, folk art as a cultural carrier, in order to pass the parent to teach the child, mother god-daughter study, teachers and apprentices invited to inherit the primary means of spread and methods.

它以原始狩猎神张五郎为基本宗教图腾；以独特的民族风情、生活习俗、处世方式和思维特质为主要内容；以神话传说、原始歌谣、民间艺术为文化载体，以子传父教、母教女学，师授徒承为继承流传的主要手段和方式。

Menu, according to Hindoo mythology, is an emanation from the supreme God; but the compilation which bears his name, though its exact date is not easily discovered, is, in point of the relative progress of Hindoo jurisprudence, a recent production.

按照印度的神话学，"摩奴"是至尊"上帝"的一种分出物；但是这个冠以他的名称的汇编，虽然其确切日期已不易查考，从印度法律学的相对进步来看，实在是一种近代的产品。

Not Lai is inchoative the archetypal criticism method that learns at mythological structure, in China " was searched in the certain poetry of each period -- the archetypal mode that does not get ".

弗莱发端于神话结构学的原型批评方法，在中国各个时期的某些诗歌中寻找到了"寻找——不得"的原型模式。

The term volcanology is derived from the Latin word vulcan, which means the Roman god of fire.

火山学一词来源于拉丁语vulcan，是罗马神话中火神的名字。

There is no doubt, of course, that this theory was originally based on the Scriptural history of the Hebrew patriarchs in Lower Asia; but, as has been explained already, its connexion with Scripture rather militated than otherwise against its reception as a complete theory, since the majority of the inquirers who till recently addressed themselves with most earnestness to the colligation of social phenomena, were either influenced by the strongest prejudice against Hebrew antiquities or by the strongest desire to construct their system without the assistance of religious records.

这些诗句是适用于&独眼巨人&的，我以为如果说&独眼巨人&就是荷马心目中一种外国的和不进步的文明的典型，也许不完全是一种幻想；因为一个原始共产体对于在风尚上和它自己有非常不同的人，往往会感到几乎是自然的憎恶，这种憎恶通常表现为把他们描写成怪物，例如巨人甚至是魔鬼（在东方神话学中，几乎在所有情况中都是如此）。不论是不是这样，在这几行诗句中，正集中了古代法律事物所能给予我们的各种暗示的总和。

Language, mythology, art, religion, and science are all the parts of culture and at the same time, the object of cultural semiology.

语言、神话、艺术、宗教、科学都是人类文化的构成部分，而它们同时也是文化符号学的研究对象。

There are stories about Confucianism, Buddhism, Taoism, myths and legends; there are water birds, sea water, mountains, pine and plum, Buddha, beautiful ladies, dragon and tiger ...... After reading all the works, you will feel the painter is particularly drawn to the image of the metaphysical level. Yes. Mr. Xingjie's purpose of art is very concerned about the level of the spirit; according to the theory of Poetry in Song and Ming Dynasties, he has reached the "artistic" state and got rid of the fetters of "real quality".

这里有儒释道及神话传说故事，有水鸟、海水、峰峦、松梅、佛像、仕女、龙虎……，看过所有作品，你会感觉到绘者特别钟爱形而上的形象，不错，兴杰先生的艺术旨趣十分关注精神层面的东西，如果借用宋明词学的理论来说，他已达到&空灵&的境界而摆脱了&质实&的羁绊。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。