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神话学

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26Just as the archetypes occur on the ethnological level myths, so also they are found in every individual, and the effect is always strongest, that is, they anthropomorphize reali most, where consciousness is weakest and most restricted, ar where fantasy can overrun the facts of the outer world.

正像原型发生在人种学层面的神话上一样,它们也被发现在每一个个人身上,并且其作用总是最强大的,它们总是在意识最薄弱和最受限制的地方将现实人格化,在那里想象可以超过外部世界的事实。

What is the myth from the viewpoint of Anthroposophy?

人智学观点下的神话为何?

" "It's a fun way for them to think about things," Beckwith says."you know, it's healthy for them, too. I use yoga poses to teach mythology.

" Beckwith说:"那是一个有趣的思考问题的方式,你看,它对他们也是有益健康的,我用瑜珈姿势来学神话。

The young critics favor critical explore relates to the artistic form and the old critics make a good success of the practice in folkloric criticism, anthropologic criticism, mythic archetypes criticism, psychoanalytic criticism, new criticism, book reviewing, etc.

沈从文、李健吾的创作式批评张扬批评的想象性,重视读者的地位;朱光潜、李长之的知识型批评讲究各艺术品类的通约性,是新文学话语产生的理论源泉;梁宗岱、叶功超的对话型批评引进了一些"新批评",也将中国文学精华译介到西方,创造了新的文学生态环境,一定程度上改变了人们看现代文学的方式;林徽因的批评张扬了批评的"女性"意识:新老京派都在新批评方面有所探索:前者侧重于与艺术形式有关的批评探索:后者则在民俗学批评、人类学批评、"神话一原型"批评、精神分析学批评、英美新批评、书评等的实践方面成绩显著。

I try to understand the culture of the super-market with the approach of the Semiotics. I will analyze the culture from five parts: Combination and paradigm Feeling of the myth Langue control parole with potential strength Discount —a strategy of incorporation Reality of the cash-desk — advanced signifier.

本文试着用符号学方法来解读超市文化,分别从五个方面进行分析:横组合和纵聚合、神话的体验、语言对言语的潜在制约、打折——一种收编的策略、收银台处的现实回归——能指优势。

The previous one which has been called its'poetics'provides one general model of how culture and representation work , rooting in the tradition that begin with the linguistics of Saussure and be developed by the mythology of Barthes; the latter one is more concerned with the effects and consequences of representation—its'politics'and discuss the relations between the discourses/ knowledge which construct meaning and the effective subject-position , and the dispersive power which is the drive and the deep-seated causation of meaning through the discourses theory of Foucault.

前者主要植根于索绪尔语言学到罗兰·巴特"神话"的语言学/符号学传统,从符号的角度阐释文化和表征,是一种"诗学";后者则是从福柯的"话语"理论出发,探讨了知识与权力的关系,认为话语建构了意义以及有效的主体-位置,而无所不在的弥散的权力是隐藏在意义背后的动力和深层原因。

Traditions in the Midrash concerning Lilith, and her sexual appetite, have been compared to Sumerian mythology concerning the demon ki-sikil-lil-la-ke, by scholars who postulate an intermediate Akkadian folk etymology interpreting the lil-la-ke portion of the name as a corruption of lilitu, literally meaning female night demon.

在《米德拉西》的传统里面,有关莉莉丝以及她的性取向问题,可以比作闪族人神话中的魔鬼 ki-sikil-lil-la-ke ,被学者们假定的一种阿卡德语词源学解释的一个媒介,名字的其中一部分 lil-la-ke 是 lilitu 的一个源头,字面意思是"夜间的女魔鬼"。

And so you have created in your mythology the being you call "devil."

这样你就创造了一个在你的神话学中称为魔鬼的东西。

There is no doubt, of course, that this theory was originally based on the Scriptural history of the Hebrew patriarchs in Lower Asia; but, as has been explained already, its connexion with Scripture rather militated than otherwise against its reception as a complete theory, since the majority of the inquirers who till recently addressed themselves with most earnestness to the colligation of social phenomena, were either influenced by the strongest prejudice against Hebrew antiquities or by the strongest desire to construct their system without the assistance of religious records.

这些诗句是适用于&独眼巨人&的,我以为如果说&独眼巨人&就是荷马心目中一种外国的和不进步的文明的典型,也许不完全是一种幻想;因为一个原始共产体对于在风尚上和它自己有非常不同的人,往往会感到几乎是自然的憎恶,这种憎恶通常表现为把他们描写成怪物,例如巨人甚至是魔鬼(在东方神话学中,几乎在所有情况中都是如此)。不论是不是这样,在这几行诗句中,正集中了古代法律事物所能给予我们的各种暗示的总和。

Diwali, a five-day festival of lights, has several different mythological traditions.

排灯节,一个为期五天的灯火的节日,有多个不同的神话学的习俗。

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