神话主义

At last, the dissertation points out that the history of educology could be divided into three historical eras: myth—customary, philosophical and scientific. The new and forthcoming one will be the era of culture. In order to start the new era, educologists of the 21st century should grasp the quintessence of educology tightly, accomplish a"cultural turn"and get rid of the ties of "experientialism","disciplinarity","scientism", and"westerncentrism".

本文最后认为，人类教育学史先后经历了"神话与习俗的时代"、"哲学的时代"与"科学的时代"。21世纪的教育学者应紧紧把握教育学的精髓，转变研究的路向，由"科学的时代"进入到"文化的时代"，摆脱"经验主义"、"学科主义"、"科学主义"与"西方中心主义"的束缚，获得新的生命力。

In the 1960s, with the development of female liberation movement, the literary criticism of Feminism flourished. From then on, Faulkner's novels attracted the critics and became the objects of their research because of his reappearance of the myth of the South and the myth of Southern ladyhood in his novels.

上个世纪六十年代，伴随着妇女解放运动的风起云涌，女权主义文学批评展露峥嵘，也正是从那时起，威廉·福克纳小说因其史诗般再现了美国南方历史传奇和南方淑女神话，吸引了众多女权主义批评家，成为他/她们争相研究的对象。

From the point of view of the history and culture, with the Foucault's analysis of power relations and Lacan's psychoanalysis as the theory basis, this study begins with Faulkner's representation of female characters in the novel The Sound and the Fury (in this masterpiece, Faulkner concentrates on the expression of the repression on the female from the myth of the ladyhood and the serious result of it.) under scrutiny to decipher how the Southern women have been subjected to contending historical, social, and cultural forces to maintain the man-dominated society as the tool to serve the South and meet its political needs.

本文拟从历史与文化批评的角度出发，运用福柯的权利与话语理论、拉康的后结构主义精神分析等批评方法，通过重点分析福克纳的代表作《喧哗与骚动》(在这部杰作中，福克纳比较集中地描写了南方淑女神话对女性的压抑及由此造成的严重后果)中的南方女性形象，旨在揭示所谓南方淑女神话，只不过是服务于南方的活道具，是南方同北方进行政治斗争的产物，而南方的男权社会则借此"良机"，运用传统、宗教、道德、舆论等手段，压抑南方女性的声音，抹杀女性的主体身份，从而达到巩固男性主导社会性别秩序的目的。

In the agitation of new Mythicism, there is a mature post-modernist view on myth which reached its maturity in the 20th century.

在新神话主义风潮背后，潜藏着一种在20世纪成熟的后现代的神话观。

Strong Practicalism and high view of beauty in Greek mythology agreed with his "half rapscallion". Expression of Entirely and abstract beauty in Greek mythology develop his "Art of Life" great.

希腊神话强烈的现世主义精神，对于生的热烈追求，迎合了他"半流氓"的思想特点；而希腊神话中完全的、纯粹的美的表达，对于的他"生活之艺术"有很大推动作用。

When American Pop art met the Chinese modernism in that very context, a certain mystery was produced: Pop art was readily understood as a Dadaist destructive art, while its cultural deconstructive property seemed to be ignored. By the early 1990s, due to the political reason, China had undergone its rapid social and cultural transition from Enlightenment era to consumerist era, while artists, who were still in despair because of the failure of cultural Enlightenment movement, found themselves confronted with a completely new economic market and their ideas mingled with those of modernist Enlightenment and post-modern deconstruction.

它以风格上挪用、平面化、去意义、去价值这类语言策略解构和消除现代主义的启蒙神话，成为与后现代主义哲学同构的文化思潮。80年代初沃霍尔访华，尤其是1985年劳申伯在北京和拉萨举办个展开始了美国波普主义在中国的传播，而这时正值中国85现代主义运动的高潮，启蒙和反叛是这一运动的主题，正是这种语境使这种传播产生了十分吊诡的意义落差：波普主义很轻易地被理解为一种达达式的破坏性艺术，而它的文化解构主义色彩反倒不易被体会。90年代初中国社会由于政治的原因急促地完成了由启蒙文化向消费文化的转型，艺术家们还沉迷在文化启蒙运动失败的悲壮气氛中却突然发现自己已深陷在一个一完全陌生的经济世界中，理想的失落和批判身份的丧失使他们的思想开始混杂于现代主义的启蒙建设和后现代主义的解构观念之间，于是，波普主义成为这个时代的一种自然的风格选择。

Strong Practicalism and high view of beauty in Greek mythology agreed with his "half rapscallion". Expression of Entirely and abstract beauty in Greek mythology develop his "Art of Life" great.

希腊神话强烈的现世主义精神，对于生的热烈追求，迎合了他&半流氓&的思想特点；而希腊神话中完全的、纯粹的美的表达，对于的他&生活之艺术&有很大推动作用。

The chief significance of this novel is that it destructs three main"era myth": 1/the myth of social revolution 2/the myth of romantic love and beauty and satanic hedonim 3/the rationalism which makes opposition between subject and object this is the core of modern culture.

本章首先论述了《无名书》把握时代的独特的宇宙视角，并将《无名书》纳入到其所产生的时代社会语境中去考察，认为其意义主要在于，它破解了其时代流行的&三大时代神话&：社会改造主义的&神圣化&神话；浪漫主义的&爱和美&以及&恶魔主义&的&感官享乐&神话；以及现代性文化的最深内核——主客体二元对立的唯理主义神话。

Since the very beginning of 21st century,"neomythicism" has become one of the dominant elements in literary creation and moviemaking in the world and myths have made an important impetus and resource of the cultural industry in the ascendant in the global scope.

21世纪以来，&新神话主义&创作在世界文坛和影视界形成席卷之势，神话成为全球范围方兴未艾的文化产业的重要动力和资源—资本。

Since the very beginning of 21st century,"neo-mythicism" has become one of the dominant elements in literary creation and movie-making in the world and myths have made an important impetus and resource of the cultural industry in the ascendant in the global scope.

叶舒宪（中国社会科学院文学所，北京 100732）摘要：21世纪以来，&新神话主义&创作在世界文坛和影视界形成席卷之势，神话成为全球范围方兴未艾的文化产业的重要动力和资源—资本。

Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势，并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。