神话

It is also famous for its mythology.

这也是著名的神话。

"If the games stick to the fantastical or the mythological, there should be no problem," Mr.

"如果游戏能够坚持幻想和神话的话，那就没问题"，陈先生说。

Greek mythological stories of Faun often place him in dilemmas because of his desires.

在古希腊神话里，到处都可以看到潘神由于这个癖好而到处惹祸的故事。

In this fable full of dark myth movie, Thompson played a little bit scary and the magical appearance of women, she entered Feith played just by the death of his wife, Mr.

在这部充斥了黑色神话的寓言电影里，汤普森扮演了一个长相有点吓人而且拥有魔法的妇女，她进入了由费斯扮演的刚刚死了妻子的布朗先生的家，并试图去制服布朗7个非常玩闹不服管的孩子。

Imaginary of M. Lapshin pictures involves us in a magic world where majestic gods, splendid nymphs and beautiful fairies live. The artist hymns Eternal Feminity. The general theme of the artist's creative activity is the image of Eternal femininity.

通过M。 Lapshin的想像，我们被带领进入梦幻的世界，圣经故事及古代神话都是艺术家的创作灵感，壮丽的神像，美轮美奂的女神都展现著神圣一面。

In Norse mythology, the Bad Wolf was a god called Fenrir who would one day bring about the end of all things.

在Norse神话中，"恶狼"被作为神命名为"Fenrir"，最终会在某一天把所有的东西带走。

In the Western world, these fabulous creatures are known as the Fera.

在西方，这些神话中的造物被统称为Fera。

The veriest folk composition should be a kind of composition of solicitude myth. That is to say, an author discovers a symbolic focus among some fad or convention to express some mystery with conservative symptoms with the help of folk ferity and life, which care about life nowadays.

真正的民间写作应该是一种关怀神话写作，即在某种时尚或习俗中发现一个象征性焦点，藉着民间的野性和生命来表达某种具有保守征候的神秘，即对当下生命的关怀和焦虑。

In the context of the consumptive society, the ancient mythology and faith has gradually given their place to commodity fetishism.

在消费社会的语境下，古老的神话和信仰逐渐让位于商品拜物教。

In the fifth chapter, we first reveal the step by step feudalization of the original female consciousness through analyzing the female consciousness reflected by some ancient myths, the Shijing and the Yuefu of the Han Dynasty. Then we reveal that the Nan Dynasty is a special period of Chinese feudal society and that the special phenomenon of the temporary regress of female consciousness can be found in the Yuefu.

第五章主要先通过古代神话、《诗经》、汉乐府中所反映的女性意识，揭示中国原始女性意识逐渐被封建礼化的过程，再揭示南朝时期是中国封建社会的一个特殊时期，南朝乐府民歌中体现了原始女性意识暂时的回归这一特殊现象。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。