神话

In later myths, she was the motherof Eros, the god of love.

在较晚些的神话里，她成了小爱神厄洛斯的母亲。

He talked eruditely about Indian mythology .

他滔滔不绝地谈起印地安人的神话。

Allard Pierson Museum is the archaeological museum of the University of Amsterdam The ancient civilisations of ancient Egypt, the Near East, the Greek World, Etruria and the Roman Empire are revived in this museum Art-objects and utensils, dating from 4000 BC till 500 AD give a good impression of everyday-life, mythology and religion in Antiquity There are also several scale models of ancient temples and buildings In the ancient Egypt department there is a room dedicated to death with mummies, sarcophagi and a film showing the process of mummification Our so-called plaster-cast-attic, only to be visited with a guided tour, shows copies of world-famous Roman and Greek statues

地中海考古博物馆是阿姆斯特丹大学的一个考古博物馆。古埃及古老的文明，近东，希腊世界，埃特鲁斯坎和罗马帝国都在这个博物馆里复活。公元前4000年至公元500年的器具和艺术品给我们的日常生活，神话和古代的宗教以深刻的印象。还有几座古代庙宇和建筑的模型。在古埃及馆有一间房子，里面陈列着木乃伊和石棺，在那儿你还可以看到如何制作木乃伊的电影演示。我们所谓的plaster-cast-attic，只对那些有导游带队的游客开放，展示了世界闻名的罗马和希腊雕像。

Allard Pierson Museum is the archaeological museum of the University of Amsterdam46; The ancient civilisations of ancient Egypt, the Near East, the Greek World, Etruria and the Roman Empire are revived in this museum46; Art-objects and utensils, dating from 4000 B46;C46; till 500 A46;D46; give a good impression of everyday-life, mythology and religion in Antiquity46; There are also several scale models of ancient temples and buildings46; In the ancient Egypt department there is a room dedicated to death with mummies, sarcophagi and a film showing the process of mummification46; Our so-called plaster-cast-attic, only to be visited with a guided tour, shows copies of world-famous Roman and Greek statues46

地中海考古博物馆是阿姆斯特丹大学的一个考古博物馆。古埃及古老的文明，近东，希腊世界，埃特鲁斯坎和罗马帝国都在这个博物馆里复活。公元前4000年至公元500年的器具和艺术品给我们的日常生活，神话和古代的宗教以深刻的印象。还有几座古代庙宇和建筑的模型。在古埃及馆有一间房子，里面陈列着木乃伊和石棺，在那儿你还可以看到如何制作木乃伊的电影演示。我们所谓的plaster-cast-attic，只对那些有导游带队的游客开放，展示了世界闻名的罗马和希腊雕像。

Fighting the pain of the blaze, which burned her sorely, she broke off a fragment of that ever-living flame and ignited one of the heavenly bodies so that it burned in the sky and warmed Chauntea.

征战中有一次，瑟哈尼占据优势，穿越时空来到了永恒之火的地域，强忍着火焰灼烧之痛，从不灭的火焰中取下一块碎片，点燃了一个天体，使它在天空中燃烧，让昌蒂取暖（和中国的神话有神似啊，译者注）。

Here Shu Yong's "bubble" become a special key to a knowledge space having been sealed up by us for long, where we may find exhaustless wealth.

在这里舒勇的"泡泡"神话般地成为一把奇特的钥匙，开启了一个被我们封存已久的知识空间。这个空间有我们用之不尽、取之不竭的财富。

Without that song, the Liverpool players - described as dead and buried - would, like zombies in ancient myths, have needed to force their way up through the very turf as they fought to exhume themselves.

没有这首歌，像别人所描述的那样已经半截入土了的利物浦球员，将会像古代神话中的僵尸那样，艰难的挣扎着，为自己掘出坟墓。

II The subject matter of 'Myth' itself ought to be argued first of all about its exoticism, there is a kind of intrinsic estrangement culturally.

神话》的题材本身有可质疑之处，首先是它的异域性，固有一种文化形态上的隔阂感。

At last, the dissertation points out that the history of educology could be divided into three historical eras: myth—customary, philosophical and scientific. The new and forthcoming one will be the era of culture. In order to start the new era, educologists of the 21st century should grasp the quintessence of educology tightly, accomplish a"cultural turn"and get rid of the ties of "experientialism","disciplinarity","scientism", and"westerncentrism".

本文最后认为，人类教育学史先后经历了"神话与习俗的时代"、"哲学的时代"与"科学的时代"。21世纪的教育学者应紧紧把握教育学的精髓，转变研究的路向，由"科学的时代"进入到"文化的时代"，摆脱"经验主义"、"学科主义"、"科学主义"与"西方中心主义"的束缚，获得新的生命力。

1 It's about time somebody exploded that old myth about childhoodbeing the happiest of your life.

现在应该是揭穿长期来认为童年是人的一生中最幸福的时代这个古老神话的时候了。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。