神话

These creation mythology have the characteristics of aboriginality, intercommun i ty, universality, sequence, system and continuity Archaeologists found thes e ch aracteristics were in accordance with the ones in ancient culture created by Zhu ang Dong language ethnic groups .

壮侗语民族创世神话的这些特征与考古学发现的这一地区从旧石器时代到新石器时代以至文明时代都有古人类活动，并且与他们所创造的文化序列性及一脉相承性相吻合，也说明了壮侗语民族是这些神话的创造者。

In the article many allusive idioms from Greek and Roman mythology are collected and stories behind some of the idioms are told with example sentences to illustrate the idioms' usage so as to prove the importance of Greek and Roman mythology to English learners.

英语中有很多典故成语来自希腊罗马神话。搜集整理了来自希腊罗马神话的典故成语，并举例详细说明了一些成语的出处及其用法。

White mythology which reassembles and reflects the culture of the West; the white man takes his own

「玄学——就是重组及反映西方文化的白人神话；白人取用他自己的神话、印欧神话、他自

Kunlun,and draws on many ancient myths,and recomposes them by his expectation.Firstly,he brings many new myths to his heaven;secondly,reforms the structure of old Mt.Kunlun;thirdly,brings new life idea to Mt.Kunlun,and hopes to slip the leash of time by high speed;fourthly,overthrows old relation between human beings an gods,and he becomes a host on Mt.Kunlun.

屈原在运用原有昆仑神话的同时，也改造、构建神话：其一，增加了许多《山海经》中原本没有的地名、物象，诸如县圃、咸池、春宫等，丰富昆仑神境；其二，调整神话物象的方位，重新构建昆仑格局；其三，以空间运动超越时间，赋予昆仑以新的生命内涵；其四，颠覆了昆仑的神人关系，人成为神境的主人。

In fact, restatement dispels the. influence of conservative ethic and order on the grand narrative in the myth, retells the myth from views of the individual self and unearths personalized ideas that hide in the myth.

重述&，其实就是祛除传统伦理和秩序附加在神话传说中的&宏大叙述&的影响，以&个人化的视角对神话传说进行重新观照，发掘神话本身所隐含的个性化因子。

Such a study is no other than one of an ideological criticism, because the decisive mechanism behind this influence is the ideological circumstances in which the receiver of the influence is set. The truth of a influence is a myth, which confirms to Roland Barthes1 myth concept in all aspects. For a influence or a myth, the important thing is not what the influence sender is actually like, but what the receiver needs. The receiver tells and retells this influence as a myth for his own ideological purpose.

这样一种探究不是别的，正是意识形态批判的一种，因为这一影响背后的决定机制就是接受者所处的意识形态环境，影响就其实质而言是一个神话，它在各方面都符合着罗兰·巴特的神话概念，对于一个影响来说，重要的不是影响的发射者的本来面目是什么，而是接受者现在需要什么，而接受者现在将这个影响作为神话而转述、传播也是服从于自己的意识形态目的。

He was merely serving up the same old reassuring myth, so carefully sustained from generation to generation, of a happy bucolic world untouched by the conflicts and savageries of real life, one more episode in the long-running story of Arcadian shepherds and Bourbon milkmaids, of Soviet tractor drivers and Merrie England.

他只不过是将一个同样是老掉牙的神话搬出来给人压惊罢了。这个神话好不容易熬过了一代又一代：快乐的田园生活里，了无纷扰、残酷的现实生活痕迹，是阿卡迪亚牧羊和波旁挤奶姑娘故事的又一章节，是苏维埃拖拉机手和Merrie England的神话。

In modern times,"Myth" is often signified as nonsense. However, prior research indicates that myth is not a work created by one person in one place at one time. Instead, myth belongs to folk creation, which implies the lifestyle of ethnic members as well as their own belief and thinking modes. The distinction of ethnic cultures is thus revealed.

在许多现代人眼中，神话代表荒诞的无稽之谈，但根据研究，神话非一时、一地、一人之作，它由民间集体创作而成，反映出民族成员的生活型态，蕴含民族特有的信仰与思维模式，形成有别於其他民族的神话特色。

The one is merely the norse, the other the German, form of one and the same nature myth, or epic

只不过前者是斯堪的纳维亚神话，而后者是德国神话。它们形式一样，神话性质或者说史诗性质也一样。

Manifested, the influence, the significance, the value aspect in the myth literature nature content has made the profound analysis, the comprehensive summary myth the literature artistic factor which in vivid, the narration way, the expression means, the language characteristic, the esthetic consciousness , the myth image manifested .

在神话文学性的内容体现、影响、意义、价值方面做了深刻的分析，全面的总结了神话在形象性、叙述方式、表现手法、语言特点、审美意识、神话形象所体现的文学艺术性因素。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了