神话

I swear by Apollo the physician, by Aesculapius, Hygeia, and Panacea – and I call as my witnesses all gods and goddesses – that I will keep the following oath according to my ability and judgement

我谨此向阿波罗医神、向阿斯克勒庇俄斯（希腊神话中的医药与康复之神——译者注）、许革亚（希腊神话中的健康女神——译者注）和潘纳西尔（希腊神话中的万能药神—译者注）起誓，——我恳请所有男女众神作证——我将按照我的能力和判断遵守以下誓言

Bulfinch's Mythology by Thomas Bulfinch (286 pages) For almost a century and a half, Bulfinch's Mythology has been the text by which the great tales of the gods and goddesses, Greek and Roman antiquity; Scandinavian, Celtic, and Oriental fables and myths; and the age of chivalry have been known.

bulfinch的神话由托马斯bulfinch (286页)近一个半世纪bulfinch的神话已被文中伟大的神的故事和女神，希腊罗马文物；北欧、塞尔特、东方神话、寓言；而年龄已知道侠义。

Buddhist mythology and Indian,Tibetan and other countries and nationalities myths extremely influenced Mongolian mythology.

这就是说十三世纪或更早的时代起蒙古神话接受佛教神话和信仰佛教的国家和民族神话的影响。

This text try to explain three kinds of design modes from mythos time,religion time,science and technology civilizition time and open out the inherence change:Lingual design,Through the comparing mythos with network e mythos,trying to analyse the inhesion effect of language in the evolvement process of myth.

本文试图从人类的神话时期、宗教时期、科技文明三个时期来阐释语言的三种谋划方式：神话文本、文学、网络e神话，以语言为主线贯穿文明的三个时期，揭示其内在的变化：语言的谋划。

In Chapter Two, the author attempts to set up the historical and cultural framework for the demystification of the myth of the South and the myth of Southern ladyhood in the special historical context, by the use of two influential theoretical terms in contemporary cultural studies, the concepts of myth in modern sense and Foucault's power relation.

第二章通过运用两个具有影响力的现代文学术语，神话和福柯的权利关系，为在特定历史条件下解构南方神话以及南方淑女神话构建出历史和文化框架。

The same myth-making part of the brain that created Greek, Norse, Hindu, Chinese, Native American, African, or any other cultures myths, seems to have conjured up the myths of astrology.

创造希腊语、扎线、印度，中国，美国本地人、非洲人，或者所有其他文化神话脑子的同一个神话制造的部分，似乎想象占星术神话。

A comparative analysis of the beliefs in the dichotomy between good and evil and in a harmonious universe in light of the mythological transcendence theory of Joseph Campbell, the famous American mythologist and cultural anthropologist, somehow leads to the conclusion that to rise above the provincial mythological dichotomy between good and evil in terms of geography and nationality is an effective solution to the clashes and that in the traditional Eastern philosophy with cosmological harmony at its core exists the newest historical metaphor for the contemporary age: to achieve the harmonious evolution of global politics on an earth that is getting smaller with each passing day.

根据美国著名神话学者和文化人类学家约瑟夫坎贝尔的神话超越理论，对比分析善恶二元论和宇宙和谐论的特点，从意识形态的角度探讨上述问题，可以得出结论：超越狭隘的地方的、民族的善恶二元论神话是解决冲突的有效途径；而传统的以宇宙和谐论为核心的东方式哲学中则蕴藏着当代最新的历史隐喻：在一个日益变小的地球上，实现全球政治的和谐发展。

They also found that from the paleolith age tothe Neolithicage and then to civilized age, the ancient people never stopped ac t ing along, Zhujiang River Valley It shows that Zhuang Dong language ethnic gr ou ps are the creators of the mythology, and these myths are possible the main ori gin of Pangu mythology.

这些神话可能就是盘古神话的主要来源。壮侗语民族；创世神话；原始性；体系性；序列性

The myth of the origin of the world out of the members of a dead giant or Ur-man is extremely ancient, not only in Iranian speculations but also in Indian mythology (Rig-Veda, X, 90), Indeed if the myth of giant Ymir in Norse Cosmogonies is not merely a medieval invention, as is sometimes asserted, this legend must be one of the earliest possessions of the Aryan race.

神话的起源，世界的成员死巨头或乌尔人是极其古老的，不仅在伊朗的猜测，而且在印度神话（钻机，吠陀，十， 90 ），事实上，如果神话巨人Ymir在北欧Cosmogonies不仅是一个中世纪的发明，因为有时是断言，这个传奇人物必须是最早的财物雅利安种族。

But what is the origin of this enigmatic trait that the suffering and the fate of the hero, the most painful triumphs, the most agonizing oppositions of motives, in short, the exemplification of this wisdom of Silenus, or, to put it aesthetically, that which is ugly and disharmonic, is represented ever anew in such countless forms and with such a distinct preference--and precisely in the most fruitful and youthful period of a people?

真正的审美观众会证实我的话；我认为，在悲剧的特殊效果中，只有这种并存现象最值得注意。现在，如果把观众的审美现象转化为悲剧艺术家的审美过程，您不难明白悲剧神话的起源了。悲剧神话，具有梦境艺术那种对假象和静观的快感。但同时它又否定这快感，而在这鲜明的假象世界之毁灭中，得到更高的满足。悲剧神话的内容，首先是歌颂战斗英雄的史诗事件。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了