神话

Based on an analysis of his 5 novels, some of his poems, novelettes and short stories, the author in this thesis attempts at a rereading of the mythologemes in his works by applying mythologistic approaches and archetypal criticism.

本论文试图以索洛古勃的5部长篇小说为分析的重点，结合作家的部分短篇小说及诗歌作品，运用原型批评理论及神话学的研究方法，对其作品中的宗教神话主题进行解读。

If say " ideal world " a myth is on the technology, but in that way myth is performed impossibly again and again.

如果说《完美世界》在技术上是一个神话，可那样的神话不可能一再上演。

My project assumes a link between science and mythology, between the machine and its capacity to offer a key to the unknown and the continual re-presentation of familiar structures and myths.

我的研究思路是假定在科学和神话孩子建的一种联系，在机器和机器能力之间的一种联系，这种能力提供了一把钥匙，可以打开相似结构和神话的未知的和连续的再现。

Mythology, with Greek ones as a well-systematized pattern, feeds the psychological, moral and other immanent ultimate needs of human beings and thus makes an impact on the establishment of their values.

以希腊神话为杰出代表的神话作为一种文学形式，从心理和哲学的角度满足人类内心的终极需求，进而潜移默化他们的价值观。

The origin of the Paiwan's myths included five kinds of arguments: people were born from the egg of sun, the snake, the pottery, the bamboo and the stone. These different kinds of origin of myths were come from different Paiwan's tribes, through tribes migrated and integrated.

排湾族的起源神话包括太阳卵生、蛇生、陶壶生、竹生与石生等，这些不同的起源神话是来自不同的族群，而经由族群的迁徙或融合，而有所交会混杂。

Contemplating the paradox of Creation, the ancient Egyptian myth of Creation springs to mind, the myth of the self-creating god, Amun.

先民创造的悖论，古埃及神话创作出来的，神话自我创造上帝，amun。

Since the very beginning of 21st century,"neomythicism" has become one of the dominant elements in literary creation and moviemaking in the world and myths have made an important impetus and resource of the cultural industry in the ascendant in the global scope.

21世纪以来，&新神话主义&创作在世界文坛和影视界形成席卷之势，神话成为全球范围方兴未艾的文化产业的重要动力和资源—资本。

Since the very beginning of 21st century,"neo-mythicism" has become one of the dominant elements in literary creation and movie-making in the world and myths have made an important impetus and resource of the cultural industry in the ascendant in the global scope.

叶舒宪（中国社会科学院文学所，北京 100732）摘要：21世纪以来，&新神话主义&创作在世界文坛和影视界形成席卷之势，神话成为全球范围方兴未艾的文化产业的重要动力和资源—资本。

This is not a myth. Life is not a myth, but the story about yourself.

这不是一个神话，生活不是一个神话，而是关于你自己的故事。

In a mesmerising novel which combines Ann Halam's own skilful blend of magic realism with the rich otherwordly power of a favourite Greek myth, this is a story of hope and survival, and the sheer determination of two young people against all the odds.

在这本迷人的小说中，作者Ann Halam纯熟的将科幻写实主义与最受喜爱的希腊神话中丰富多彩的超能力神话故事融汇在一起，表现了追求希望和热爱生命的主题，和两个年轻人与怪物作战的必胜决心。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了