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神秘的人

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Zhaitan's undead armies surged from the sea, hungry for the destruction of the five races of Tyria: the charr, a ferocious race of feline warriors; the asura, magical inventors of small size and great intellect; the norn, towering shapeshifters from the frigid northern lands; the sylvari, a mysterious young race of visionary plant folk; and the humans, an embattled but resilient people.

Zhaitan 的不死族军队因此而浮现在了海面上,它们非常渴望吸食泰瑞亚大陆里的五个种族的生物。 charr ,一个凶猛的兽人战士种族;阿修罗,身形瘦小但是拥有大智慧神奇的发明者;norn ,从寒冷的北方高耸的 shapeshifters 土地上崛起;sylvari ,一个能够遇见未来的年轻的神秘种族;还有人类,一个在处境艰难的时还能绝地逢生的种族。

Rather than employing mystic animist themes from ancient times or demonic, repulsive getups intended to give people a scare, Cologne Carnival costumes are typically on the comic side, revelers sporting all manner of clownish outfits, perhaps including raggedy sewn-on patches, over-sized suspender-held trousers and clumsy bulbous-toed shoes, plus a variety of wigs, noses, and hilarious makeup jobs, most satisfactorily topped off, of course, with conical or otherwise outlandish headgear.

科隆嘉年华的节庆装扮风格现代,而且很平民化、大众化,走的路线不是神秘主义的古典,也不以怪力恶魔的狰狞扮相引人发噱,科隆嘉年华普遍的装扮选择了马戏班里的小丑造型,卷发、红鼻头、血盆大口,加上象徵补钉的格子图案,然后配上蓬松饱满的吊带裤、笨笨肿肿的圆头靴,当然,能再顶上圆锥尖帽就更令人满意,就是标准的莱茵河嘉年华扮相。

In the elaboration process, mainly introduced the changing about taotiedesign and bird line status relations with transformation shang and zhou dynasty, andnoted the step difference which the cultural transformation and the society transformedto cause early zhou time the still to save the Yin person style; and appearing qiequ lineshas ended taotie design mysterious and norm, has guided it that the style of ritualbronze imagery liberates. Paying attention to heng S shape being put into use commonlyin design and model, suggesting that qiequ lines originates from taotie design, bird linesand xiang bilong lines is the formative technology need.

在论述过程中,主要讨论了饕餮纹与鸟纹的主体地位转化与商周社会转换关系,文化变革与社会变革的步伐差异导致周初青铜纹饰仍存殷人气息;窃曲纹的出现结束了饕餮纹的神秘与规范,引领了青铜器纹饰自由解放的气息,并注意到横S形在纹饰造型中的普遍使用,从而提出窃曲纹来源于饕餮纹、鸟纹的分尾与象鼻龙纹的应用更有可能是造型工艺的需要。

When he was lapping some thing instantaneously, what really happened was the collision of the accumulated general knowledge about this object and the new cognition that he had just obtained. From the mysterious standpoint of the traditional people who think all things on the earth have spirits, this is a kind of communication of human beings and objects, it also has the complementary characteristic of femineness and masculineness .

交流原本是双向互动的,在舔舐某一物品的瞬间,真正发生交流的是苍鑫意识中积累的对该物品的日常知识与刚刚体验到的最新认知之间的冲撞,站在传统的&万物有灵论&者的神秘主义立场来讲,这便是人与物的交流,而且带有阴阳互补的性质。

The god of the air, Indra, like Mars, also, the mighty god of war, who set free from the cloud-serpent Ahi, the quickening rain; Rudra, later known as Siva, the blessed one, the god of the destructive thunderstorm, an object of dread to evil-doers, but a friend to the good; Agni, the fire-god, the friend and benefactor of man, dwelling on their hearths, and bearing to the gods their prayers and sacrificial offerings; Soma, the god of that mysterious plant whose inebriating juice was so dear to the gods and to man, warding off disease, imparting strength and securing immortality.

神空气,英德,像火星,同时,强大的神的战争,谁摆脱了云鹫阿伊,加快雨;楼陀罗,后来被称为湿婆,神圣的,神破坏性的暴风雨,一个物体的恐惧,以邪恶的事,但一位朋友的良好;烈火,火势神的朋友和恩人的男子,在其住宅壁炉,同时向神祈祷和祭祀服务;索玛,神的神秘植物,其inebriating汁是如此亲爱的神和人,抵挡疾病,传授实力和确保不死。

Man, the imperfect librarian, may be the work of chance or of malevolent demiurges; the universe, with its elegant endowment of shelves, of enigmatic volumes, of indefatigable ladders for the voyager, and of privies for the seated librarian, can only be the ...

人,不完美的图书管理员,也许是机会工作或恶劣造物主;宇宙,与它架子的典雅的捐赠,神秘容量,航海者的孜孜不倦的梯子和安装的图书管理员的privies,可能只是神的工作。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

夜幕降临,为河畔蒙上了一层轻纱,如诗般美丽、神秘。而那些毫不起眼的建筑物们则隐没在这昏暗的天空中,乍看之下,高耸的烟囱好似一座钟楼,破旧的仓库宛如宫殿般矗立于夜色之中。此时此刻,整个城市悬浮于半空中,如同仙境般展现在我们面前——接着,行人加快了回家的脚步;而工人、知识分子、智者抑或逍遥之人则驻足而望,停下了思考,故而,他们听不到自然那美妙绝伦的声音。大自然只为艺术家展现了歌喉,因为艺术家是她的孩子,她的主人——之所以这么说,因为孩子爱他的母亲,而主人则理解他的属下。

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