神秘主义

Combining traditional Chinese ink and brush techniques with the spirit of Western surrealism, his paintings are poetic mysteries, cerebrally enticing and visually arresting with their saturated ink and color palette and fusion of symbolic motifs from Eastern and Western painting traditions.

他的画将中国传统的墨汁和毛笔的运用技法与西方的超现实主义紧密结合，用其饱满的墨和色彩的调和融合了东西方绘画传统的象征性的主题，其作品充满了诗意的神秘，触动灵魂的诱惑力以及视觉上带给人们的强烈冲击力。

If Surrealist images of the subconscious are no longer possible as they will be absorbed into popular imagery as soon as the images are in wide circulation, what is left is the sense of tension, in the double take of fetishism, in the representation of fetishistic popular imagery and icons, enhancing this even further though the mysticism of Surrealistic devices.

如果潜在意识者的超现实主义者图像不再可能的当他们将会进入流行的肖像之内被吸收一旦图像是在广泛的循环中，被留下的是紧张感，在加倍中拜物教轮流，在崇拜物神流行的肖像和圣像的表现中，甚至提高这虽然促进超现实主义装置的神秘。

Although the Renaissance movement is usually known for its influence on art and literature, in recent years it is realized that it was also accompanied by a renewed interest in the study of old occult Neoplatonic and Hermetic traditions.

尽管人们通常认同文艺复兴运动对艺术和文学的影响，近些年人们认识到，它也伴随着对古老神秘的新柏拉图主义和赫尔墨斯传统重燃兴趣。

This includes a Christian reinterpretation of the Neoplatonic view (itself a reinterpretation of Platonism) that ultimate knowledge can be obtained by only a select few individuals via mystical intuition of supreme reality (that is,"the supreme form of the good,""being,""god," and so on).

这是基督徒经新柏拉图主义的重新洗礼，只有很少的一部分人能够得到这样的知识，这些经敛选过的人，他们对最高存在具有神秘的直觉。所谓最高存在，就是&善的最高形式&，&自在之物&，&上帝&，等等。

The Persians introduced initiates to the mysteries in natural caves, according to Porphyry, the third century neoplatonic philosopher.

依照帕菲里，第三世纪的新柏拉图主义哲学家所说，波斯人开始把神秘的事物引进自然洞穴。

Four factors together caused this:(1) the insistence of the anti Gnostic fathers, particularly Tertullian, that the faithful are those who believe "the faith" as stated in the "rule of faith", ie, the Creed;(2) the intellectualism of Clement and Origen, to whom pistis was just an inferior substitute for, and stepping stone to, gnosis of spiritual things;(3) the assimilation of biblical morality to Stoic moralism, an ethic not of grateful dependence but of resolute selfreliance;(4) the clothing of the biblical doctrine of communion with God in Neoplatonic dress, which made it appear as a mystical ascent to the supersensible achieved by aspiring love, having no link with the ordinary exercise of faith at all.

有4个因素共同造成了这一：（ 1 ）坚持战斗在反腐败的诺斯替父亲，尤其是戴尔都良，即忠诚，是那些相信&诚信为本&的声明，在&法治诚信&，即，信仰；（ 2 ）知识分子的克莱门特和渊源，向谁信实的只是一个劣质的替代品，并踏脚石，预后的精神的东西，（ 3 ）同化的圣经道德斯多葛道德主义，伦理不是感激的依赖，但坚决自立；服装的圣经教义与上帝在neoplatonic著装，这使得它似乎是一个神秘上升到supersensible实现抱负的爱，没有结合一般意义上的演练的信念都没有。

Four factors together caused this:(1) the insistence of the anti Gnostic fathers, particularly Tertullian, that the faithful are those who believe "the faith" as stated in the "rule of faith", ie, the Creed;(2) the intellectualism of Clement and Origen, to whom pistis was just an inferior substitute for, and stepping stone to, gnosis of spiritual things;(3) the assimilation of biblical morality to Stoic moralism, an ethic not of grateful dependence but of resolute selfreliance;(4) the clothing of the biblical doctrine of communion with God in Neoplatonic dress, which made it appear as a mystical ascent to the supersensible achieved by aspiring love, having no link with the ordinary exercise of faith at all.

有4个因素共同造成了这一：（ 1 ）坚持战斗在反腐败的诺斯替父亲，尤其是戴尔都良，即忠诚，是那些相信&诚信为本&的声明，在&法治诚信&，即，信仰；（ 2 ）知识分子的克莱门特和渊源，向谁信实的只是一个劣质的替代品，并踏脚石，预后的精神的东西，（ 3 ）同化的圣经道德斯多葛道德主义，伦理不是感激的依赖，但坚决自立；服装的圣经教义与上帝在neoplatonic着装，这使得它似乎是一个神秘上升到supersensible实现抱负的爱，没有结合一般意义上的演练的信念都没有。

Think, for example, of certain forms of diet, of fasting, of sexual continence, of flight "into the wilderness"(the Weir Mitchell isolation cure—without, to be sure, the subsequent fattening and overfeeding which constitute the most effective remedy for the hysteria induced by the ascetic ideal): add to these the entire antisensualistic metaphysics of the priests that makes men indolent and overrefined, their autohypnosis in the manner of fakirs and Brahmins—Brahma used in the shape of a glass knob and a fixed idea—and finally the only-too-comprehensible satiety with all this, together with the radical cure for it, nothingness (or God—the desire for a unio mystica with God is the desire of the Buddhist for nothingness, Nirvana—and no more!).

让我们试想某种饮食方式，试想斋戒、节制性欲、&向沙漠&逃循（维尔·米切尔式的孤立，当然不包括由此产生的强饲法和营养过度，那里包含了医治禁欲主义理想的所有歇斯底里发作的最有效的方法）；再试想，教士们的全部敌视感官的和懒惰而诡诈的形而上学，他们依据苦行僧的和使用玻璃扣而且观念固执的婆罗门的方式实行的自我催眠术，以及对其根治术——虚无的、最后的、非常可以理解的普遍厌倦（或者对上帝的厌倦——渴望和上帝结成一种神秘联盟是佛教徒所渴望的虚无，涅盘——仅此而已！

His poetry pursuit music and affective height are unified, with melancholy pessimistic theme is in the majority, be far from reality, always gallop in the classic world in distant mystery, have distinctive symbolistic aesthetic feeling.

他的诗歌追求音乐和情感的高度统一，以忧郁悲观的主题居多，远离现实，总是驰骋在遥远神秘的古典世界中，具有独特的象征主义美感。

To briefly conclude Huang Gang's artistic innovation, there are threefold: a. succinct inner meaning of post-minimalism. b. the momentum of abstract expressionism, speed, and sentimental limning. c. the mystery and buildup of Tibetan cultural signs.

黄钢的绘画艺术语言创新性，概括而言有三种相互辩证、相互融合的意向，其一是后极简主义的简约和内敛；其二是抽象表现主义的气韵、线条运动速度、情感化的涂绘和灵动多变；其三是西藏雪域历史文化符号的神秘与厚重。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。