神秘

Briefly and generally stated, mystical theology or Christian mysticism seeks to describe an experienced, direct, nonabstract, unmediated, loving knowing of God, a knowing or seeing so direct as to be called union with God.

简单和普遍指出，神秘的神学或基督教的神秘主义，旨在描述一位经验丰富，直接， nonabstract ，中间人，爱好不知道上帝，知道或看到这么直接作为被称为联盟与上帝。

Thus the mysterious and horrifying China and the blindly loyal Chinese are only the Orientalized place and people in the showcase of Tan's Chinese Orientalization.

因此书中神秘且可怕的中国与神秘且盲目忠心的中国人只是作者东方化中国的展览橱窗中业已东方化了的地方和人民。

The evolution of philosophical discourse has experienced four periods from ancient to present-day:the preli minary philosophical discourse of human being was the "children discourse",which marked a "fairy tales"times of philosophy;later emerged the"myster ious discourse",which brought into the "myth"times of philosophy;the"phi losophical discourse"during the period of European Renaissance was the"hum ane discourse",which was also called the"humane"times of philosophy;from modern times,philosophical"power discourse"became popular,it tried to judg e and control people's spirit life,which was"official jargon"times of phil osophy.

从古代到现代，哲学话语的演变大致经历了四个时代：人类的早期哲学话语是&儿童话语&，以&儿童话语&为主流的时代是哲学的&童话&时代；随后出现的是&神秘话语&，以&神秘话语&为主流的时代是哲学的&神话&时代；欧洲文艺复兴时期的哲学话语是&人文话语&，这一时代可以称为哲学的&人文&时代；从近代哲学开始，&权力话语&泛滥，哲学力图裁判和主宰人们的精神生活，这一时期是哲学的&官话&时代。

Be it poetic experience of certain events or fervent expression of mysterious existence, his works are filled with mysteriousness and passionateness of living creatures, and with in-depth thoughts behind the romantic and magnificent physical appearance, which not only represents contemporary art trends and aesthetic experience, but also well accords with the tradition of Chinese culture, in particular, the romantic Chu-sao culture in the pre-Qin period---- an ancient regional culture which he is related to by birth.

无论是对情境的的诗性体验还是对神秘存在的激情表达，他的作品总是充满着生命和精灵交织的神秘与热烈，在浪漫璀璨的外表下潜藏着厚重的思虑，这不仅与当代艺术主题和审美经验相映照，而且与中国文化传统，尤其是具有浪漫抒情气质的先秦&楚骚&文化的脉络相契合，后者显示了他的出生地的水土渊源。

Selects in the material on inorder to for person by mystical graceful graceful feminine daydream,both must leave the dust refinedly, and does not lose the nationalclothing characteristic, therefore must select with it feeling closelining, the pure silk, the tissue, the flower bud silk unionutilization, suddenly reveals its mystically, is graceful; Is and theblack gray and so on other colors embellishes using the clothing wholepurple, achieved the harmonious feeling, echoes with the subject;Again take has the national style design, lace element and so onsplicing as the design spot, joins the modern clothing synthesis tocut out the idea, during attenion popular element, needs to derivethis nationality traditional culture and the national specialcharacteristic penetrates from the national clothing color and themodelling into during the fashion female attire design, manifestsAmerica of the fashion which the national culture and the modern tidalcurrent unifies.

在材料的选用上为了给人以神秘曼妙优雅的女性遐想，既要出尘脱俗，又不失民族服装特色，因此要选用与之感觉相接近的面料，真丝、薄纱、蕾丝的结合运用，来突显其神秘、优雅；运用服装整体的紫色系与黑色灰色等其他色点缀，来达到和谐的感觉，与主题相呼应；再以有民族风格的图案、花边的拼接等元素为设计点，加入现代服装合体的裁剪理念，在注重流行元素的同时，更需要汲取本民族传统文化和民族特质从民族服装色彩及造型深入到时尚女装的设计之中，体现民族文化与现代潮流相结合的时尚之美。

Therefore the signs acquire the names of things because they are mystical signs of sacred things, and because the signs and the things signified are sacramentally joined together; joined together, I say, or united by a mystical signification, and by the purpose or will of him who instituted the sacraments.

圣事联盟，因此有迹象收购的名字的东西，因为他们是神秘的迹象，神圣的东西，是因为交通标志和东西标志著都是sacramentally一起；一起，我说，还是团结在一个神秘的意义，以及由目的，或将他的人提起的圣礼。

More recent theological and liturgical understandings of mystical theology, unlike the systematic phenomenological and "empirical" manuals of the early twentieth century, define characteristics less precisely and seek to fit mystical theology more centrally into an ecclesial and soteriological framework.

较近期的神学和礼仪的认识神秘的神学，不同系统的现象和&实证&手册20世纪初，界定的特点和不足，正是寻求合适的神秘神学更多集中到一个教会和soteriological框架。

Qinqiang would take on some mysterious persons, spiritualistic animals as well as mystically dangerous images from the nature to reproduce the folk mysterious culture of Shangzhou in virtue of Qingfeng Street.

秦腔》通过对神秘兮兮的人、具有灵性的动物以及充满神秘和危险的大自然等意象的呈现，以期再现以清风街为代表的商州民间神秘文化。

Of the other issues that have recurred in mystical writings and studies of mystical writings, one of the most enduring is the question of the relation between cognitive, intellectual, or speculative elements, on the one hand, and affective, loving, or supraconceptual and suprarational elements on the other.

至于其他的问题有复发，在神秘的著作和研究神秘的著作，其中最持久的，是问题之间的关系的认知，智力，或投机因素，一方面，和情感，爱好，或supraconceptual和suprarational元素对其他。

On the other hand, both the mystic Cross ("Staurus"= X = the letter tav of old; see Jewish Encyclopedia, i. 612b; Irenus, lci 2,§ 3; Justin,"Apology," i. 40; and Jol, lcp 147) and the enigmatic primal "av laav," or "avkav," taken from Isa.

在另一方面，无论是神秘的交叉（& staurus &=为x =信tav旧；见犹太百科全书，一612b ； irenus ，国际狮子总会第2 ，第3条；贾斯汀，&道歉&，一， 40 ；若埃尔阿，液晶聚合物147 ）和神秘的原始& av laav &，或者说& avkav ，&取之于伊萨。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。