神灵

Regular direct borrowing terms are: the Fates god of destiny, the lifeline from the textile Clotho, the fate of Lachesis arrangements and cut the lifeline of the goddess Atropos three components; the Erinyes goddess of revenge, Tisiphone, Megaera and Aleeto Goddess Group 3 % of the Muses literary goddess, for the history of Clio, in charge of astronomy Urania, in charge of the tragedy Melpomene, the competent comedy Thalia, in charge of dance Terpsichore, the competent epic Calliope, Love Poems for the Erato, the gods in charge of the hymns, as well as Polyhymnia Lyrics for the nine goddess of Euterpe

经常直接借用的词语主要有：the Fates命运之神，由纺织生命线的Clotho、安排命运的Lachesis和剪断生命线的Atropos三位女神组成；the Erinyes复仇女神，由Tisiphone、Megaera和Aleeto三位女神组成；the Muses文艺女神，有主管历史的Clio、主管天文的Urania、主管悲剧的Melpomene、主管喜剧的Thalia、主管舞蹈的Terpsichore、主管史诗的Calliope、主管爱情诗的Erato、主管神灵赞美诗的Polyhymnia 以及主管抒情诗的Euterpe九位女神组成

Summary of heroes that now make use of Scepter: Lord of Avernus, Bane Elemental, Holy Knight, Clockwerk Goblin, Shadow Priest, Sacred Warrior, Invoker, Juggernaut, Tormented Soul, Slayer, Demon Witch, Moon Rider, Necrolyte, Nightstalker, Pandaren Brewmaster, Butcher, Oblivion, Queen of Pain, Shadow Shaman, Crystal Maiden, Spiritbreaker, Sand King, Twin Head Dragon, Vengeful Spirit, Venomancer, Faceless Void, Windrunner, Witch Doctor, Lord of Olympia.

可以使用阿哈利姆神杖提升终极奥义的英雄清单：地狱领主，痛苦之源，圣骑士，发条地精，暗影牧师，神灵武士，召唤师，剑圣，受折磨的灵魂，秀逗魔导士，恶魔巫师，月之骑士，死灵法师，暗夜魔王，熊猫酒仙，屠夫，遗忘法师，痛苦女王，暗影萨满，水晶室女，裂魂人，沙王，双头龙，复仇之魂，剧毒术士，虚空假面，风行者，巫医，众神之王

He had lost the sense of what the Chorus was in the hands of the great masters, say in the Bacchae or the Eumenides. He mistakes, again, the use of that epiphany of a God which is frequent at the end of the single plays of Euripides, and which seems to have been equally so at the end of the trilogies of Aeschylus. Having lost the living tradition, he sees neither the ritual origin nor the dramatic value of these divine epiphanies. He thinks of the convenient gods and abstractions who sometimes spoke the prologues of the New Comedy, and imagines that the God appears in order to unravel the plot. As a matter of fact, in one play which he often quotes, the _Iphigenia Taurica_, the plot is actually distorted at the very end in order to give an opportunity for the epiphany.

亚里士多德还忘了合唱队是由那掌握命运者来控制，比如酒神的女祭司或者复仇女神欧墨尼得斯；他弄错了神的显现的用处，欧里庇德斯的单幕悲剧结尾处常有神显现，埃斯库罗斯三部曲的结尾好像与此相似，由于失去了活生生的传统，亚里士多德没有意识到神灵显现的仪式渊源和戏剧价值，而把神认为是有时去朗诵新喜剧开场白的这样一种方便和抽象，想象神的出现是为了解开情节的死结，而事实上，在他经常引用的《在奥利斯的伊菲革涅亚》里，情节实际上在结尾处被搅乱，目的是为了给神一个显现的机会。

How can it be that the gods after having arranged all things well and benevolently for mankind, have overlooked this alone, that some men and very good men, and men who, as we may say, have had most communion with the divinity, and through pious acts and religious observances have been most intimate with the divinity, when they have once died should never exist again, but should be completely extinguished?

这怎么可能呢，对人类仁慈的神灵在把所有事物安排好之后，单单忽视了这一件事：即某些很好的人，我们可以说，某些与神意最相通的人，通过他们虔诚的行为和严格的服从而与神意最亲近的人，当他们一旦辞世，却绝不会再存在，而是完全地消失？

It is quite understandable why people at that time, like people today, thought He was a blasphemer or was simply crazy.

因此我们不难了解，为甚麽当时有人，甚至今天还有一些人，认为不是个亵渎神灵者，就是个纯粹的疯子。

Do not use blasphemous words in church.

在教堂不要说亵渎神灵的话。

It is not like you are doing a blasphemous act.

因为你这么做不是在亵渎神灵。

Please don't think one is blasphemous...

请不要以为讲话者在亵渎神灵。。。

You know my heart; you know that all there is desire, thought, boding and

你知道我的心；你知道我心里惟有的愿望、思念、预兆和渴求；你生活在幽灵之中，他们给你以神灵的智慧。

You know my heart; you know that all there is desire, thought, boding and longing

你知道我的心；你知道我心里惟有的愿望、思念、预兆和渴求；你生活在幽灵之中，他们给你以神灵的智慧。

I will endeavour to find you some assistance.

我尽力帮你找人帮忙。

At first I only know bruck is the idol of American younglings, afterwards I returned back to Taiwan ,even in Beijing last year ,I saw her poster everywhere, I was so surprised at her charm.

起初我只晓得布鲁克雷德丝是美国少男少女崇拜的偶像，后来回台湾，甚至去年在北京，居然也四处看见她的海报，才惊讶她的魅力之大。