神性的

The Bahai Faith considers Jesus to be one of many "Manifestations" of God, with both human and divine stations.

巴哈依教信仰认为耶稣是神的众多"表现"之一，既有人性，也有神性。

From the exposition, we can see a myriad voices converging and noisy Carnival-Square; Surpassing the official language of all norms and bans, extensive use of Carnival Language, such as a non-verbal vulgarity , God swear,reprimand, buffoonery, slapstick humor and so on, and carnivalized genre, for example, Funny folk songs, Parody Correspondence, Manuscripts, the Noble Style Irony Simulation, Citation irony to Explain the Phrase, etc.Shaping a series of carnival-style comedy characters in the novel. Scott sets up their own story, with full advantage of the Carnival factors such as Resurrection, Mask, Changing Clothes. The novel hides a Drowning-Decrowning Structure on conceiving the whole and setting up the characters.

从论述中我们可以看到一个众声交汇、喧闹的狂欢式广场；语言也突破官方的一切规范、禁令，大量使用了民间粗俗化口语、指神赌咒、发誓、插科打诨、嬉笑怒骂等等狂欢节语言和滑稽的民间歌谣、戏仿书信、手稿、对崇高文体的讽刺性模拟、对引文讽刺性解释等等狂欢化体裁；在小说中塑造了一系列狂欢式的喜剧人物形象；司各特充分利用了狂欢节里的"复活"、"假面"、"换装"等狂欢因素来设置自己的故事情节，在小说整体构思和人物形象设置中还隐含了一种脱冕型的结构。

Further analysis made in Chapter two is about the relationship between Cappadocian Fathers and Greek Theological tradition, and the relationship between Augustine and Latin Christian tradition, elucidating their significance as theological paradigms of Greek and Latin Christian traditions.

第三章主要讨论他们对灵魂的理智性本质的各自表述，卡帕多西亚教父从"人是神的形像"的角度诠释普罗提诺的灵魂理智性学说，奥古斯丁则从灵魂的无形体性阐释灵魂在创造中所获得的特殊秉赋。

This sign is now also often used for human intersexuality

这个神符现在也常常用来代表人类的中间性。

The characteristic of MS is haemostasis, moist heat, deficiency of yin and wind-sputum, deficiency of qi and blood. General fatigue, weariness and no desire to speak, quadriplegia, megrim, acroanesthesia and so on are the main characteristics of MS.

本病病位在经络，病性为瘀血、湿热、阴虚、风痰、气血两虚，体倦乏力、神疲懒言、肢体无力、眩晕、肢麻沉重等为MS的主要证候特征。

In philosophy and theology, divine immanenc refers to the omni presen of God in the universe.

在哲学和神学，神的内在性是指无处不在 n上帝在宇宙中。

To deal with the issue of cultural fusion, Japanese government used meticulous ways to project images of symbolism in school architecture. For instance, schools were built near Shinto shrines. In Shinto shrines, Torii can be found. Torii is a conspicuous symbol to be associated with Japanese culture, and it is a way to reinforce the correctness of colonizing.

日本政府在处理文化融合的问题上就用了很细致的方法来突显学校建筑的象徵形式意象，例如将学校设置在靠近神社附近，藉由「鸟居」 Torii 这个显眼易於连结日本母国文化的象徵性符号，强化了殖民的正当性。

The deification of Antinous, his medals, his statues, temples, city, oracles, and constellation, are well known, and still dishonor the memory of Hadrian. Yet we may remark, that of the first fifteen emperors, Claudius was the only one whose taste in love was entirely correct.

安提诺乌斯被封神，其形像出现在钱币、雕像、庙宇中，城市、神谕和星座亦有以他命名的，这些众所周知的事迹至今仍在玷污着哈德良的名声；然而我们也应注意到，早期罗马帝国的十五位君主，在性爱方面唯有克劳迪乌斯具有完全正确的趣味。

Indeed, there's a Japanese word, otaku, denoting a whole universe of monomaniacal geek-like obsession, whether with an electronic game, some odd hobby, or the cartoonlike "manga" comic books devoted to everything from kamikazes to kinky sex.

意思是一群对古怪的事情狂热着迷的人——或者是对电子游戏着迷——一种古怪的爱好；或者是对一切有关性和暴力的漫画着迷——从神风队（译注：指第二次世界大战期间日本空军敢死队）队员到性变态。

For example, Nu and Had are thought to correspond with the Tao and Teh of Taoism, Shakti and Shiva of the Hindu Tantras, Shunyata and Bodhicitta of Buddhism, Ain Soph and Kether in the Qabalah.

比如，有人认为Nu和Had两个神对应各个文化里同一事物的两种表现形式：道家的&道&，印度教的湿婆神（Shakti、Shiva，前者可泛指女神的配偶）、佛教的空性（Shunyata、Bodhicitta，后面一词是菩提心）、卡巴拉的Ain Soph和Kether。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失