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We will have achieved much for the study of aesthetics when we come, not merely to a logical understanding, but also to the immediately certain apprehension of the fact that the further development of art is bound up with the duality of the Apollonian and the Dionysian, just as reproduction depends upon the duality of the sexes, their continuing strife and only periodically

只要我们不单从逻辑推理出发,而且从直观的直接可靠性出发,来了解艺术的持续发展是同日神和酒神的二元性密切相关的,我们就会使审美科学大有收益。

The Bahai Faith considers Jesus to be one of many "Manifestations" of God, with both human and divine stations.

巴哈依教信仰认为耶稣是神的众多"表现"之一,既有人性,也有神性

Your heartbeat accelerates, you have butterflies in the stomach , you feel euphoric and a bit silly.

心跳加速、经性发抖、神亢奋甚至还有一点糊涂——如果你出现上述"症状",那你一定是陷入热恋之中了。

Shinto is a religious belief with " crossbreed characteristic" which constantly assimilated and transformed foreign culture, especially Chinese culture and developed it into its own.

神道教是在不断地吸收、改造外来文化的过程中,充实、发展而成的"杂种性"的宗教信仰。

Clouds and fogs always envelop the mountain in four seasons; misty color of the sky and green tree shadow interweave light spots like God's emergence, by means of penetrating back-lighted treatment to reveal the mental state aspiring after and seeking misty and devoutness, like region.

草山四季不时有云雾笼罩,迷蒙的天色与苍郁的树影交织成有如神迹展现的光斑,藉由穿透性的逆光处理,流露出向往、追求那神秘、虔诚的心境,宛如宗教一般。

In this treatise I first discuss the inception of ethics and contrast divinization, which is mostly found in western religious traditions, and self-cultivation, which is presented mostly in Chinese Confucian schools, as two modes of the subsequent development of ethics.

为了呈显这三重领域相互建立、但也相互遮蔽的现象,本文首先讨论了伦理的原初性,并以出现在西方宗教传统的「成神」与中国心学传统的「成圣」来揭示此原初发端的两种后继形式。

Beyond this constitutional demand, liberalism rejects revelation and dogma as sources of truth; it discards spiritual substance and becomes secularistic and ideological.

在此政体要求以外,自由主义不相信神启和教义可以作为真理的源头;它抛弃精神实质,变得具有世俗性和意识形态性。

The article mainly discusses the development of ritual sacredness and essence. In ancient China,although ritual originated from the activities of scarifying in the primitive society, it had sacredness, this characteristic gradually changed. At the beginning, ritual was the media between god and human being,and then developed as the principle of the dominated idea to the affairs of the world.

本文主要探讨礼的神圣性之演化和礼的本质,中国古代之礼虽然起源于原始社会后期的祭祀活动,具有神圣性,但是这一特性在以后的社会发展中逐渐演化,礼由最初沟通人、神关系的中介发展为春秋时代以礼为人世事务最终支配观念的原则。

Early in 1995, in his "Desire" series where red and blue lines come in strong contrast with each other, Ma Yiping instinctively used his personal experience to drop a hint of the transcendence of life. From 1996 to 2001, his "Images" series established the development direction of his art, owing to its artistic expression_r_r of overloaded psychological priori images. In his works before or after 2003, dream-like symbolic images presented perplexed feeling of human beings about the universe and the physical world. In his "images" series in 2006, uncertain images stood on black cube-shaped objects and ambiguous edges pointed to various uncertain directions with the accompaniment of silver light and shadow. At this point, the intuitive perception of the essence of nature made his artistic style gradually take shape. In his later "fetish" series, in which he gradually became mature in spiritual and symbolic expression_r_rs, Ma Yiping fully grasped the eternal sense of the spiritual world.

在早期,1995年的《欲望》马一平用对比强烈的红色、蓝色层层涂盖、本能地运用自身感受以暗示的手法表达对生命的超越。1996-2001年以物象为主题的系列作品对超载心理先验物象的表达方式确定了他艺术作品的发展方向,2003年前后的作品中,梦一般的暗示性物体程现了生命本体对宇宙物理世界的茫然,在2006年的《物象》系列中,黑色的方体上不确定的物状、模糊的边缘在泛着银色光影的衬托下,泛生着各种不确定的指向感,此时对本质直观的感知性的把握使作品艺术风格基本形成,到后来的《神物》已经充分地把握了精神世界里的永恒感,画面中所能达到的精神性和神密暗示意义的表现手法已近成熟。

At the same time, the consciousness existing in sex is one of mankind's earliest consciousnesses, and the issue about sex is also focus which be paid much more attention by human beings.

在古代,尤其是在人类社会早期,人神关系无疑是各种社会关系中最基本、也是最重要的关系之一;对性别及性存在的意识则可以说是人类最早的意识之一,有关性的问题是人类社会普遍关注的焦点。

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