神仙

The high stern castle was a riot of carved gods, demons, knights, kings, warriors, mermaids, cherubs; and zoomorphic animal shapes ablaze with rea and gold and blue, symbols of courage, power, and cruelty, were portrayed to stir the imaginations of the superstitious sailors of the day.

高耸的船楼上雕刻了令人眼花缭乱的神仙、妖魔、骑士、国王、武士、美人鱼和小天使，还有用红色、金黄色、蓝色绘制的光彩夺目的兽形图案，象征着勇敢、力量和残暴，以激起汉时崇尚迷信的水手们的想像。

The high stern castle was a riot of craved gods, demons, knights, kings, warriors, mermaids, cherubs; and zoomorphic animal shapes ablaze with red and gold and blue, symbols of courage, power, and cruelty, were portrayed to stir the imaginations of the superstitious sailors of the day.

高耸的船楼上雕刻着令人眼花缭乱的神仙，妖魔，骑士，国王，武士，美人鱼，小天使。还有用红色，金色，蓝色绘制的兽型图案光彩夺目，象征着勇敢，正义和残暴，以激起当时崇尚迷信的水手的想象

The high stern castle was a riot of carved gods,demons,knights,kings,warriors,mermains,cherubs:and zoomorphic animal shapes ablazes with red and gold and blue,sysbols of courage,power,cruelty,were portrayed to stir the imagination of the superstitious sailors of the day.

高耸的船楼上雕刻了令人眼花缭乱的神仙、妖魔、骑士、国王、武士、美人鱼和小天使，还有用红色、金黄色、蓝色绘制的光彩夺目的兽形图案，象征着勇敢、力量和残暴，以激起汉时崇尚迷信的水手们的想像。

But Buddhism never conquered China to the extent that Christianity dissolved the paganism of Rome and western Europe, as is evidenced by the continued sovereignty of numerous local deities and folk gods, widespread animistic beliefs and the prevalence of ancestor worship as the binding ethic in Chinese rural life.

但是，佛教从来没有像基督教瓦解古罗马和西欧的异教信仰那样的征服中国，关于这一点只要看看中国大地上到处都是的各式各样的神仙、万物有灵的信仰和敬祖这种在中国农村起到粘合剂作用的传统。

The content of this advertising is to quit the setting sun on the road under the small garden, a man of giant pandas and their respective David leisurely riding a small donkey from smoking look of Zhao Bandi proudly:"donkey cigarette, surpass the living gods ."

这幅戒烟广告的内容是夕阳下的田园小路上，一个男人和国宝大熊猫各自骑着小毛驴悠闲而来，抽着烟的赵半狄神色得意：&骑驴一支烟，赛过活神仙。&

Originally growing in China, this plant has been reputed as "Immortal of the Flowers" with profuse flowers, prolific calyces, an elegant bearing as well as dazzling color as gorgeous as rosy clouds.

海棠—表示思念，纯洁的爱情原产中国，重葩叠萼，一树千花，风姿绰约，艳似云霞，被誉为&花中神仙&。

Anyone can canoodle in july and august, but will he be gone by september?

每个人都能在7月8月里过得像神仙一样但是到了9月这一切还能继续么？

The basic pattern of fairyland excursion combined with the life in seclusion had been created in the works of Sao tifu. The description of immortals in Hanfu was obviously different from the reflection on one's life experience by describing fairyland excursion in Chu Ci. What it pursued was mostly the pure fun in the fairland. The change of fairyland excursion from the heavenly spheres to the human worlds in Hanfu extended the space of artistic imagination of description of immortals. The fairy world in Hanfu was free and beautiful, which had become a symbol of spiritual realm of writers and the reflection of their interest in cloistral area.

汉赋将游仙与退隐相结合，开启了游仙隐逸化的基本表现模式；汉赋的游仙描写，已不完全是&楚辞式&的借游仙以抒怀，更多地表现出了真正意义上的&列仙之趣&；从楚辞到汉赋，游仙遇仙地点发生了由天界向人间的转变，从而进一步拓展了游仙描写的艺术想象空间；汉赋中的神仙世界自由美好，已成为文人精神境界的一种象征，寄托着赋作家遗世高蹈、超乎尘垢之外的人生志趣。

In the morning I bathe my intellect in the stupendous and cosmogonal philosophy of the Bhagvat-Geeta, since whose composition years of the gods have elapsed, and in comparison with which our modern world and its literature seem puny and trivial; and I doubt if that philosophy is not to be referred to a previous state of existence, so remote is its sublimity from our conceptions.

在黎明中我把我的智力沐浴在《对话录》的宏伟宇宙的哲学中，自从这一部史诗完成了之后，神仙的岁月也不知已逝去了多少，而和它一比较，我们的近代世界以及它的文学显得多么地猥琐而藐小啊；我还怀疑，这一种哲学是否不仅仅限于从前的生存状态，它的崇高性，距离着我们的观点是这样地遥远啊！

Because call " rolls " in the dialect of Suzhou crowdedly, describe such crowded phenomenon, just have a statement of " rolled immortals ".

因为苏州方言里拥挤称为&轧&，因此形容这种拥挤的现象，也就有了&轧神仙&的说法了。

I will endeavour to find you some assistance.

我尽力帮你找人帮忙。

At first I only know bruck is the idol of American younglings, afterwards I returned back to Taiwan ,even in Beijing last year ,I saw her poster everywhere, I was so surprised at her charm.

起初我只晓得布鲁克雷德丝是美国少男少女崇拜的偶像，后来回台湾，甚至去年在北京，居然也四处看见她的海报，才惊讶她的魅力之大。