社会

In my view, suppositive forms are themselves representative of the critical attitude of Bulgakov to reality.under which Bulgakov could ridicule and criticise the ugliness of the society and the people in this society.The second part is a symbolistic anylysis of Bulgakov"s works,stressing that only symbolic reading can reach the works" inner meanings and the author"s intentions, which are philosophical thoughts upon the meanings of war,people"s responsibilities to nature and socity, people"s choices of sprirtual morals, and the future of nation and society.*"

笔者认为，在当时的文化背景下，作者选用假定性形式本身就已经表现了对现实的批判态度，另外采用假定性形式也有助于作者对社会的弊端和人们的丑恶行径进行讽刺和批判；第二节从象征的角度切入，认为布尔加科夫的作品应该用象征化的眼光来解读，只有读懂了象征的意蕴，体会它要传达的哲理内涵，才能真正把握作品的主旨，而作品的主旨就在于作者对诸如战争的意义、人对于自然和社会所应负的责任、人对精神道德的选择、国家和社会的前途等哲学问题的深入思考。

The core of the debate between Latour and Bloor on the Strong Program was the confrontation of Bloor\'s symmetry principle of Strong Program and Latour\'s second symmetry principle. The essential disagreement between their theories was whether to insist the subject-object schema, or to discard it. Each of them adopted his own criterion of metaphysics and the different criteria resulted in two different kinds of relativisms. Both sides fell into the same philosophical dilemma. The debate between the post-SSK represented by Latour and the SSK represented by Collins and Yearley intensively revealed their disagreement in interior social construction, manifested by the opposition between social realism and ontology of nature-society mixture, between the normative method and descriptive method, between signified view of science and practical view of science, respectively.It is necessary to trace and clarify the core concepts of Latour\'s "Actor-Network Theory" such as "actor","network","agent", etc.

关于拉图尔和布鲁尔之间关于强纲领的论战，其核心是布鲁尔强纲领的对称性原则与拉图尔的普遍对称性原则之间的争论，二人理论的本质不同在于坚持还是消解主体-客体模式，由于所持不同的形而上学标准导致了两种不同的相对主义，而争论双方陷入了相同的哲学困境；关于以拉图尔为代表的后科学知识社会学与柯林斯和耶尔莱为代表的科学知识社会学之争，集中体现了社会建构内部间在本体论、认识论、科学观上的分歧，分别表现为：社会实在论与自然—社会混合本体论的对立、规范主义进路与描述主义进路的对立、表征科学观与实践科学观之间的对立。

Afterwards, thesis has synchronously reviewed conflict between man and society and harmony between man and society.

然后又从人与社会的冲突和人与社会的和谐两个方面对人与社会的冲突与和谐作了共时性考察。

In modern society, government credit is the core of social credit sys tem and the base of social credit development, so it has great importance and significance.

在现代社会，政府信用是社会信用体系的核心，是社会信用发展的良性基础，具有非常重要的意义和作用。

LDefinition, structure and feature. With a new definition and a static and dynamic analysis of its structure, this paper argues for such features as universality, complexity, variety and temporariness.

文中对社会冲突的涵义作了新的界定，从静态和动态两个角度分析了其结构，提出社会冲突具有普遍性、复杂性时代性和多样性等特征；②社会冲突的类型。

The system is also introduced from two respects in the text. One hand , the text discussed his social moral principle system from the features,function and rationality which there should be as general social principle. On the other hand,the text introduced the concept and features of the flexible and plural social principle that Brandt maintains.

这部分也是从两个方面来展开论述的，一是从作为一般的社会道德原则应具有的特性、作用及其合理性等方面讨论其社会道德原则体系；二是介绍布兰特所主张的灵活多元的社会道德原则的概念与特征；第三部分讲布兰特的道德权利。

For every kind of tolerance of every region at anytime, the last reason of the state and society to pay a lot of cost to establish, develop, and uphold the tolerance institutions is that tolerance can benefit the whole state and society.

倘若宽容不能给国家和社会带来收益，它就不会为这个国家和社会花费巨大成本去倡导，也就没有统一的社会宽容规则。

This covert appreciation of images in dangerous insofar as it accepts not a dialectical relation between political and formal meaning, not their nterpenetration, but a hazier, more reified relation, one in which topicality drops away as epochs fade, and the aesthetic aspect is, if anything, enhanced by the loss of specific reference (although there remains, perhaps, a cushioning backdrop of vague social sentiments limiting the 'mysteriousness' of the image) I would argue against the possibility of a nonidological aesthetic; any response to an image is inevitably rooted in social knowledge- specifically, in social understanding of cultural product.

l s1 o6 A8 l( R$ D7 E)|7 }$}迄今为止，这样的想法已经把对作品的鉴赏力引向了危险的境地，因为它接受的不是政治意义与正式意义之间的辨证关系，不是两者之间互相渗透的关系，而是一种更危险更实在的关系，其中最明显的就是随着几个重要时代的消褪而衰败，就美学角度来说，如果任何事物，因丢失具体的参考文献而被强调出来（尽管这些文献是存在的，可能一股当时社会含糊不请的氛围造成了缓冲力从而限制了作品的神秘性）我一定会反对一种叫非智慧美学的可能性，一幅作品的任何反应都必然植根于社会的知识形态，尤其是社会对文化产物的理解

As a result of a social transformation, old rules have been broken and the Chinese society has disintegrated into segments that have obvious differences.

在社会大转型的今天，过去的社会整合已经被打破，中国社会已经分裂成许多有明显差异的部分，青年的分化也很大。

Due to the museum transition from traditional function to social function, and the strengthening idea of serving the society, the museum education is becoming more and more important in the social education system.

由于博物馆由传统事业向社会事业的转变、博物馆服务社会理念的增强，博物馆教育在社会大的教育系统中占据着越来越重要的地位。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。