礼教

Formed from the Anabaptist movement in the 16th century; noted for its simplicity of life.

形成于16世纪再洗礼教运动；因它的生活的简朴著称。

Formed from the Anabaptist movement in the 16th century

形成于16世纪再洗礼教运动

By that time, he was already a Baptist minister, a husband, and a father.

在那个时候，他已经是一位浸礼教会的牧师，同时也结婚生子了。

This paper investigates the distinct character of HouRen Motif -- passive pursuit and feminine temperament and multi-angle analysis the cultural origin that caused this character's formation: developed farming civilization and the feminine consciousness came into being from it ; the gregarious consciousness of Confucian culture and life pursuit that people seeks value orientation in temporality world and ethics network; the passive of value evaluation of morality; the conception that doing something in accordance with denomination restricted by etiquette caused by patriarchal clan system and classification order, the conception of moral commensuration with authority.

本文首先探讨了这一母题的显著特征——"追求的被动"和"阴柔气质"，并多角度剖析了形成这一特征的文化根源：农耕文明的发达和由此而形成的浓厚的母系意识，儒家文化的乐群意识和在现世人生、在人伦网络中寻求价值归依的渴望，道德性价值评价的被动性，宗法礼教和等级秩序下人们形成的按理分行事以及渴望"德位相称"的思想。

Black Dancer is an explosion of pure passion and desire, which we witness on a daily basis, but which is as taboo in polite society as open mention of a taste for sexual deviancy.

夔》是我们天天目睹的一种纯粹激情和欲望的爆发，这与公然谈论性爱的怪癖一样，同是礼教社会的禁忌。

Xiang Lin-sao written by LuXun is the tragic image of working women who was op- pressed by feudal ethics.Xiao Cao in"Grass"、the Widow in"Remarries" written by XuJie,Shua- ngXi's wife in"Insane woman" written by Xu Qin-wen,these figures are the same with Xiang Lin-sao,who is the victims by the old cultural confuciansm.

其次是祥林嫂型，鲁迅笔下的祥林嫂是受封建伦理道德压迫的悲惨的劳动妇女的形象，许杰《小草》中的小草，《改嫁》中的寡妇，许钦文《疯妇》中的双喜媳妇，这些人物和祥林嫂一样，都是对命运苦苦挣扎而又无法获得解放的旧文化礼教的受害者。

Come mainly from 3 aspects talk , say the typical case of 3 kinds of different fate female, pass lateral, longitudinal, near current contrast way overall anatomy, demonstrate source in the unfortunate experience of different position female, have so explained feudal system and courtesy religion rotten with crime, and it will inevitably perish fate, make youth man female from is pleasant to the eye hope , can find clearly just firmly belong to own road, actually their way out also have only one -- resist .

主要从三个方面来谈，说出三种不同命运女性的典型，通过横向，纵向，近现对比的方式全面剖析，展示出处于不同地位女性的不幸遭遇，从而说明了封建制度和礼教的腐朽和罪恶，及其必然灭亡的命运，使青年男女从中看到希望，能够明确且坚定地找到属于自己的道路，其实他们的出路也只有一条--反抗。

This paper was divided into the four areas-(1) the pictorial examples of rites and analogy of esthetics (2) romantic space and analogical desire (3) behavior and desirous loop (4) the space of pastime and sisterhood-to discuss the possibility of agreement in co-existing gender, desire and hierarchy caused by the movement of the boundary of female/body.

全文分从礼教图式与讬喻美学、风月空间与情欲隐喻、观视行为与欲力廻路、消闲空间与姐妹情谊四方面论述《唐诗画谱》中女性－身体空间疆界滑移、越界所开启性别、欲望、阶级多重存在的流动认同的可能性。

In order to protect Buddhism, Buddhism scholars introduced Li into Buddhism' s theory, changing the philosophy, ethics, religion preachment and regulations of India Buddhism.

佛教学者通过援礼入佛，以礼护法，在佛教哲学、伦理思想、宗教说教、戒律仪规等方面对印度佛教加以变革，不惜改变原始教义来弥合佛教与传统礼教的差异，体现出对"礼"的依附与调和。在这个意义上，佛教的中国化过程，也即礼制化的过程。

The female consciousness in Han dynasty had lost the primitiveness of the primitive time, and the contradiction between the free spirit and Confucian ritualism embodied in the female consciousness of the age of The Book Of Poems resulted in the victory of Confucian ritualism in Han dynasty.

汉代的女性意识已经失去了史前女性的原始性，而《诗经》时代女性意识所体现的自由精神和"礼"化的矛盾在汉代发展摘要中国古代女性意识—从原始走向封建礼教为女性意识在礼教之下的全面扭曲。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。