碰

There are several ways to touch a girl without being sleazy.

我们有很多法子能叫咱正大光明毫不猥琐的碰一个女孩。

I want to be your sledgehammer.

不要碰我，我是纯洁的！

The room was very spacious: we had separate lounge and bedroom, two flat screen televisions (that were greeting us permanently alternating between our names), espresso maker, great king size bed where you could lose your partner if sleeping on opposite sides.

房间很宽敞：有独立的休息室和卧室，两个平面电视(不停地轮流叫我们的名字)，咖啡机，特大号床(两个人睡两头的话根本碰不到对方)。

You can borrow my car as long as you don't smash it up.

只要你不碰坏我的车，你就可以借用。

"No, I don't think so," he smiled.

我想是碰不到的。

You accidentally press the gate and when you have your back turned,we sneck out.

你不注意碰一下按钮，转过头，我们就溜出去了。

This was initially confusing because Snider had shown earlier that most of the tactile region of the cat cerebellum receives input from the forepaws and that the bulk of that region in monkeys is active when the fingers are touched .

这项发现起初令人十分困惑，因为斯奈德早先就已经发现，猫小脑的触觉区主要接受来自前脚掌的感觉输入，而猴子小脑里的这个区域主要在手指被碰触时才会活跃。

In fact, snow-capped mountains around the corner, it seems within reach, but I can not go to the sanctity of touching it.

其实雪山已近在咫尺，似乎伸手可及，但我却无法去触碰它的圣洁。

"Snowbell won't touch the bird," his mother said."You go to sleep and forget all about it."

"野茉莉不会碰那小鸟，"他的妈妈说，"你睡吧，把这些事都给我忘掉。"

If the old tragedy was wrecked' aesthetic Socratism is to blame, and to the extent that the target of the innovators was the Dionysian principle of the older art we may call Socrates the god's chief opponent, the new Orpheus who, though destined to be torn to pieces by the maenads of Athenian judgment, succeeded in putting the overmastering god to flight.

既然一切旧悲剧都在这种新艺术上碰得粉碎，那末审美苏格拉底主义乃是一种毁灭性的原理；但是，既然这斗争的矛头指向旧悲剧中的醉境因素，那末我们就不妨把苏格拉底看作酒神的敌手。他是起来反抗酒神的新奥斐斯，虽则他命定要被雅典法庭的酒神侍女们撕死，但是他也不得不把这位强大的神灵赶走。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。