碰

You monkey around with something when you do not know what you are doing.

当你不知道你应该做什么的时候，或者你在碰或者玩弄那些你不应该动的东西。

Mortimer: You're not to touch that book, understand?

不许你碰那本书，听懂了吗？

Then you don't promise,' said the Badger, 'never to touch a motor-car again?

"那么，"獾说，"你是不打算答应我，再也不碰汽车啦？"

You saw me mourning my love for you, and touched my hand

你看到我为你哀悼我的爱，你触碰我的手

Under its mercurial and visionary boss, steve jobs, it has already done this three times. in 1984 apple launched the macintosh. it was not the first graphical, mouse-driven computer, but it employed these concepts in a useful product. then, in 2001, came the ipod. it was not the first digital-music player, but it was simple and elegant, and carried digital music into the mainstream. in 2007 apple went on to launch the iphone.

它是介于smart phone和laptop之间的一种产品，自从有了smart phone以来，生产商一直想把电脑的功能赋予手机，越来越多人开始注意到二者间那越来越小但似乎永远碰不到一起的一点距离，就像油画《上帝创造亚当》里，上帝和亚当的手指间那一点点神圣的空隙一样。

"I only touched it lightly," he said,"and the nasty thing stung me."

"我当然轻轻地碰了它一下，"他说，"那讨厌的东西就把我刺痛了。"

I never want to touch you ever again.

我再也不想碰你。

Captain Mike and I met at Newmarket car pool parking lot at 7:25am.

麦克船长和我在400号和9号交界口的停车场碰了头，当时是早上7：25。

Gary Glitter needs an even better PR team than Jade Goody if he's ever going to get back in the charts, Noddy Holder is too busy promoting his nuts to pick up a guitar, and The Fratellis are rubbish.

比起Jade Goody ，Gary Glitter需要的是好的制作团队，他们能让他重回排行榜；Noddy Holder忙得没有时间碰吉他；The Fratellis是垃圾。

I'm a non-smoker. Have never smoked in my life before.

我不吸烟。而且我从没碰过这玩意儿。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。