破旧

The interior was unprosperous and bare; the only car visible was the dust-covered wreck of a Ford which crouched in a dim corner.

车行里毫无兴旺的气象，空空如也。只看见一辆汽车，一部盖满灰尘、破旧不堪的福特车，蹲在阴暗的角落里。

Again she struggled with it, fighting him with her small, fine eyes, with the plush arrogance of a top dog, with her nascent transference to another man, with the accumulated resentment of years; she fought him with her money and her faith that her sister disliked him and was behind her now; with the thought of the new enemies he was making with his bitterness, with her quick guile against his wine-ing and dine-ing slowness, her health and beauty against his physical deterioration, her unscrupulousness against his moralities—for this inner battle she used even her weaknesses— fighting bravely and courageously with the old cans and crockery and bottles, empty receptacles of her expiated sins, outrages, mistakes.

她再次对他的才智进行反抗，用她细巧秀丽的眼睛，用一个优胜者极度的傲慢，用她刚萌生的移情别恋，用积累多年的怨愤同他较量；用她的金钱以及她相信她姐姐不喜欢他而支持她，用他因刻薄而招来新的对头这些想法同他较量；用她机敏的手段来对付他慢吞吞的饮酒吃饭；用她的健康和美丽来对付他身体的衰老；用她的肆无忌惮来对付他的道德信条——在这场内心的战斗中，她不惜以她的弱点为武器——犹如用破旧的瓶瓶罐罐，她用她已经受到惩罚的罪过、劣迹和错误来做勇敢无畏的抗击。

And so time went on, and the little Rabbit was very happy so happy that he never noticed how his beautiful velveteen fur was getting shabbier and shabbier, and his tail becoming unsewn, and all the pink rubbed off his nose where the Boy had kissed him.

日子一天天过去了，小兔子非常快活——因为快活，他从来就没有注意到他那美丽的棉绒毛变得越来越破旧了，他尾巴上的缝线脱落了，他鼻子上淡红的绒毛都磨光了，因为孩子常在那儿吻着他。

All elements of consumption behaviour, from initial need recognition through to the final disposal of the worn-out or used-up product are covered, using up-to-date examples from the real world.

消费行为的所有要素，认识到有必要从最初到最终处置的破旧或用于加快产品覆盖，使用了最新的事例，而真实的世界。

But now she looks like an old and shabby utensil nobody needs her anymore, though she is still young.

现在，她像一个破旧的用具，再没有人需要她。

In the bare room under the roof, there was a small, battered valise on his bed

在楼顶下面空房间的床上，放着一只破旧的小旅行包。

He smiled. He wadded up the little dress and then dropped it carefully so it might fall in the middle of the pile of her old clothes.

他笑着，把他手中的衣服揉成一团，然后小心翼翼地放下，以便这衣服能刚好落入小女孩那堆破旧衣服之中。

This is the washed-out door by the time, one shabby chair, the time was frozen in this moment, the warm and the cold of the history were well integrated together.

这是一扇褪色的门，一个破旧的椅子，凝固的时间，历史的冷暖结合在一起……这个位置，会不会已经空闲了很久了？

As the elms bent to one another, like giants who were whispering secrets, and after a few seconds of such repose, fell into a violent flurry, tossing their wild arms about, as if their late confidences were really too wicked for their peace of mind, some weatherbeaten ragged old rooks'-nests, burdening their higher branches, swung like wrecks upon a stormy sea.

他们的这种安静没持续多久，便转为狂乱，他们野蛮地摇晃起胳膊，仿佛他们的阴谋已经不能让自己平静下来。一些破旧的鸦巢压在他们高高的枝头，摇曳不止，一如暴风雨的海面上沉船的残骸。基本是以意译为主的，还通顺吧？赫赫。

He had besides the things before mentioned, twelve marbles, part of a jews-harp, a piece of blue bottle-glass to look through, a spool cannon, a key that wouldn't unlock anything, a fragment of chalk, a glass stopper of a decanter, a tin soldier, a couple of tadpoles, six fire-crackers, a kitten with only one eye, a brass doorknob, a dog-collar -- but no dog -- the handle of a knife, four pieces of orange-peel, and a dilapidated old window sash.

除了以上提到的那些玩意以外，还有十二颗石头子；一只破口琴；一块可以透视的蓝玻璃片；一门线轴做的大炮；一把什么锁也不开的钥匙；一截粉笔；一个大酒瓶塞子；一个锡皮做的小兵；一对蝌蚪；六个鞭炮；一只独眼小猫；一个门上的铜把手；一根拴狗的颈圈――却没有狗――一个刀把；四片桔子皮；还有一个破旧的窗框。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷