破坏性地

Discarded soil field is a common damaging appurtenant project outside the route in highway construction in mountainous areas,the destructive effect of which on environment has been validated by years of highway construction. The design of discarded soil field should consider the natural,geographic,geological and social condition such as climate,landform,hydrology,hydrographic geology,engineering geology and so on.

弃土场是山区公路建设中经常出现的具有破坏性的线外附属工程，它对环境的破坏在多年的公路建设中已经得到了验证，故弃土场的设计应全面综合地考虑场区的气候、地形、水文、水文地质和工程地质等自然、地理、地质和社会条件。

In the past few years, CATT, which played as a role of professional intervening living space in the region, constantly connected with the local organizations, and endeavored to rescue historical and natural resources together, including "old street","historical building","wild sream", and "terraced field", as well as striving for "destructive development", and other social and spatial issues.

这几年常常与淡水在地关怀社团连结以关於历史与自然生态资源的抢救，包括「老街」、「历史建筑」、「野溪」、「梯田」等等；以及针对「破坏性建设」所进行的抗争活动，扮演专业者的角色介入於地域生活空间的种种议题。

He used his ruthless and destructive armies to despoil everybody who lived within reach of his realm.

他动用其破坏性的军队残暴地掠夺国内的人民。

The cold north wind pointed with barbed shafts, icy, malevolent, greedy, blighting, paralyzing.

寒冷的北风带着有刺的矛尖吹来，冷冰冰地、刻毒地、贪婪地，具有破坏性，使人疲软无力。

When American Pop art met the Chinese modernism in that very context, a certain mystery was produced: Pop art was readily understood as a Dadaist destructive art, while its cultural deconstructive property seemed to be ignored. By the early 1990s, due to the political reason, China had undergone its rapid social and cultural transition from Enlightenment era to consumerist era, while artists, who were still in despair because of the failure of cultural Enlightenment movement, found themselves confronted with a completely new economic market and their ideas mingled with those of modernist Enlightenment and post-modern deconstruction.

它以风格上挪用、平面化、去意义、去价值这类语言策略解构和消除现代主义的启蒙神话，成为与后现代主义哲学同构的文化思潮。80年代初沃霍尔访华，尤其是1985年劳申伯在北京和拉萨举办个展开始了美国波普主义在中国的传播，而这时正值中国85现代主义运动的高潮，启蒙和反叛是这一运动的主题，正是这种语境使这种传播产生了十分吊诡的意义落差：波普主义很轻易地被理解为一种达达式的破坏性艺术，而它的文化解构主义色彩反倒不易被体会。90年代初中国社会由于政治的原因急促地完成了由启蒙文化向消费文化的转型，艺术家们还沉迷在文化启蒙运动失败的悲壮气氛中却突然发现自己已深陷在一个一完全陌生的经济世界中，理想的失落和批判身份的丧失使他们的思想开始混杂于现代主义的启蒙建设和后现代主义的解构观念之间，于是，波普主义成为这个时代的一种自然的风格选择。

The bittern and ericius shall possess it: and the ibis and the raven shall dwell in it: and a line shall be stretched out upon it, to bring it to nothing, and a plummet, unto desolation.

鹈鹕和刺猬据守其地，鸮鸱和乌鸦栖于其间；上主将以破坏性的绳墨和毁灭性的线锤测量那地。

The bittern and ericius shall possess it: and the ibis and the raven shall dwell in it: and a line shall be stretched out upon it, to bring it to nothing, and a plummet, unto desolation.

鹈鹕和刺猬据守其地，鴞鸱和乌鸦栖於其间；上主将以破坏性的绳墨和毁灭性的线锤测量那地。

Itpossesses the following three characteristics:Thoroughness,based on pure"Ontology",which is characterized by non-objective thought and non-anthropological horizon,it bothexternally and internally transcends modernity;Constructiveness,the task of transcendingmodernity is not to advocate destructive post-modernity,which is in the condition of puretexts,like vacuum,but to re-construct lively"pre-modernity";Actuality,the practicality of thechannels of saving modernity——"thinking"and"poetizing"——determines the actuality ofhis critique.

此种批判具有三个特点：一、彻底性，即非表象性的思维与超人类中心主义的视域所构建的纯&存在&论外在而又内在地彻底超越了现代性；二、建设性，即超越现代性的后果不是倡导纯然破坏性、文本化的后现代性，而是在回归中重建积极的、活生生的&前现代性&；三、现实性，即拯救现代性、回归&前现代性&的途径——&诗意之思&、&思性的诗&——是实实在在地为人所秉有、运作与实现，这决定了他的批判蕴涵有深厚的现实意义。

Therefore, something even worse happened: destructions, suicides, revenges and slanders etc.

因此，更加糟糕的事情普遍地但不通常地发生了：破坏性活动，自杀，报复性行为以及造谣中伤等等。

The LORD will measure her with line and plummet to be an empty waste for satyrs to dwell in.

鹈鹕和刺猬据守其地，鹄鸱和乌鸦栖於其间；上主将以破坏性的绳墨和毁灭性的线锤测量那地。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。