研究神话

These are just some of the common medical myths that are unproven or untrue, according to a study in this week's Christmas ...

这些都只是一些常见的医疗神话是未经证实或不真实的，根据一项研究，在这周的圣诞节

In order not to short change the form and the movement of the myth, that violence which consists in centering a language which is describing an acentric structure must be avoided.

我希望现在引用列维—施特劳斯在《生与熟》里关于这一点所写下的长而优美的一页：其实，神话研究提出了一个方法论的问题，因为它无法遵循笛卡儿将困难分成许多部分以求解决的原则。

Do not like particularly actually " careless root " this noun, because how reading aloud to have the taste of some of act like a snob, but in the user group in Internet and even wireless Internet, existing really a kind of such dividing line: Rong Za of Si of hesitating branny order brags ?

其实特别不喜欢&草根&这个名词，因为怎么念着都有些狗眼看人低的味道，但在互联网乃至无线互联网的用户群体中，的确存在着这样的一种分野：一部分人热衷于技术新鲜度，偏好深入化研究，自诩为精英；而另一部分人则看重实用性，去掉了互联网的神话色彩，看起来很菜鸟，却实实在在推动了互联网的发展，他们被叫做草根。

Many others, who place a high value on art and literature, have made extensive use of the ideas of Jung, and Frazer as well, and have tried to show how archetypal myths lie behind all literature.

但是，有很多其他的理论家认为文学和艺术具有很高的价值，因此他们把荣格以及弗莱泽的思想广泛地应用于自己的研究之中，并且试图说明原型神话是所有文学作品的基础。

Ginzburg, Carlo."The Inquisitor as Anthropologist,""Witchcraft and Popular Piety: Notes on a Modenese Trial of 1519." In Clues, Myths, and the Historical Method. Baltimore, 1992, pp.

身为人类学家的判官〉、〈巫术和大众崇拜：1519审判之评论〉，摘自《线索，神话及历史研究方法》，Baltimore，1992，页1-16和

Based on the foundation above, prior to analyzing the mythicality of the legend of Buddha, mythologies of Joseph Cambell, M.

以上述的研究为基础，进一步的对佛传的神话进行分析。

Abstract］This paper studies the animation industry by exploring European animation festivals panoramically from the perspective of aesthetic economy and space economy. It is found that semiotic products with great semiotic meaning are not a kind of transcendental presentation but daily reality in the aesthetic economy and space economy era. The animation industry, which is focused on cultural and creative content producing, is a rising industry in which the animation festival is not only the exhibition of traditional commodities but also a creative arena of meaning produce. The restructuring of place for European animation festivals is followed the basic requirement of aesthetic economy and space economy, since the festivals add new semiotic meaning and cultural elements to the original places.

从审美经济、空间经济的视角，以动漫节为研究对象，对欧洲动漫产业发展所形成的文化与市场景观进行一种全景式的考察后，可以发现：在审美经济的时代，以符号意义为主的符号产品不再是超验的表象，而是日常生活的实在；以文化创意内容为核心的动漫产业已经成为新兴产业；其中，作为符号生产与传统商品集中展示的动漫节，更侧重于深入开发动漫及其衍生产品的审美价值，使动漫节不仅仅流于纯粹的小商品集市，而在于创造更多的符号意义，丰富动漫节的多种内涵；动漫节举办地的地点重构适应了空间经济发展的内在要求，动漫赋予不少城镇以全新的符号内涵，创造了各种形态的地点神话，从而促进空间经济的城市发展。

Speaking at an Online publishers conference in London last October, New York University new-media studies professor Clay Shirky had a mantra to offer the assembled producers and editors:"Don't believe the myth of quality."

去年10月在伦敦的在线出版会议上，纽约大学新媒体研究教授Clay Shirky有句口头禅给组装生产者和编辑：&不要相信质量的神话。&

There are a lot of myths surrounding the aspects of ulcer and most of them are contradicted by research findings and statistics.

有很多神话方面的溃疡，其中大部分都是自相矛盾的研究结果和统计。

All I am saying is that, should you make the commitment to give your child a jump start on what is sure to prove a very global economy and culturally diverse society, then you need to be aware of the latest research on this topic and how it dispels some old myths that just need to be put to rest.

所有我的意思是，如果您做出的承诺，给孩子一个跳转开始对什么是一定要证明一个非常全球经济和文化多元化的社会，那么你需要了解的最新研究关于这一主题的以及它如何消除一些旧的神话，就必须把休息。

I can still vividly recall the impressive scenes you gave. You were among my friends and relatives who accompanied me from my house to the seaport and when the porters were slow to show up, you obligingly carried my suitcase for me.

你对我的种种感人情意，使我记忆犹新，那天你随着我的亲友从家里送我上轮船，搬运工迟迟不来，你毅然替我提着皮箱上船。

St. Nicholas became the patron saint of Russia, where he was famous for his red cape, flowing white beard, and bishop's mitre.

圣尼古拉成了俄罗斯人的守护神，在那里，他以身披红斗篷，留着飘逸的白胡须，戴着主教法冠而闻名。